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Duncan GrantThe Lovers12½ x 10in. (31.8 x 25.5cm.) “These depictions of men caught in the act draw from two of Grant’s many influences: the tradition of Attic pottery (cradle of Western art) and the fresco tradition of the Italian Renaissance. From
littlelimpstiff14u2: The Heroic and Skillfull Armor of the Italian Renaissance Filippo Negroli Around 1525 a new fashion emerged in armour design, inspired by the forms and ornament of classical art. Embossed in high relief, richly gilt, and inlaid
kafkaesque-world: Franz Kafka’s Residence (1889-1896), Prague. During Kafka’s early childhood, his family lived in a 17th-century house – called the House of the Minute (Minuta) with beautiful Italian Renaissance-style sgraffito frescos on biblical
aphrodithe: Le Louvre, Italian Renaissance
Madonna with lillies and eight angels (detail) Sandro Botticelli, 1478
Only the Italians could turn a photo of a goal celebration into a Renaissance artwork.
Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society
Raffaello Sanzio (1483-1520), Madonna and Child with saint Giovannino (known as La belle Jardinière), 1507; oil on poplar wood, 122 x 80 cm; Louvre
Andrea Mantegna (1431-1506), Madonna della Vittoria (1495-96); oil on canvas, 285 x 168 cm; Louvre
Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London
Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds
Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation
attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan
Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence
Pietro Perugino (Italian, 1446/52 - 1523), Portrait of Lorenzo di Credi, 1488; oil on panel transferred on canvas, 44 x 30 cm; National Gallery of Art, Washington
attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese
Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan
Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco
Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed
Dosso Dossi (about 1490-1542), Mythological Scene (Allegory of Pan), about 1524; oil on canvas, 164 x 145 cm; J. Paul Getty Museum, Los AngelesThe questions concerning the meaning of the painting have given rise to many theories among scholars, who tried
attributed to Bernardino Luini (Italian, ca. 1481-1532), previously ascribed to Leonardo da Vinci (1452-1519), Saint Catherine of Alexandria, unknown date; oil on panel, 52 x 44 cm. Statens Museum for Kunst, Copenhagen
Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,
Franciabigio (ca. 1482- 1525), Portrait of a Knight of Rhodes, 1514; oil on panel, 60.3 x 45.7 cm; National Gallery, London
Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna
Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid
Andrea del Sarto (1486-1530), Giuseppe interpreta i sogni del Faraone (Joseph interprets the Dream of Pharaoh), ca. 1515-16; oil on board, 98 x 135 cm; Galleria Palatina, Florence
Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio
Vittore Carpaccio (Italian, 1465-1526), Crocifissione dei Diecimila Martiri sul monte Ararat (Crucifixion of 10,000 Martyrs at Mount Ararat), 1515; oil on canvas, 307 x 205 cm; Gallerie dell’Accademia, Venice
Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York
Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna
Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid
Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), detail, 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid
Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence
Sandro Botticelli (Florence, 1445-1510) The Birth of Venus, ca. 1485, detail. Galleria degli Uffizi, Florence.Venus, ca. 1490. Oil on canvas, 158 x 68.5 cm. Gemäldegalerie, Berlin
Alesso Baldovinetti (Italian, 1425-1499), Madonna and Child, ca. 1460-65. Tempera on wood panel, 106 x 75 cm. Musée du Louvre, Paris
Moretto da Brescia (Alessandro Bonvicino called il Moretto, Italian, c.1498-1554), Portrait of a Young Man - Fortunato Martinengo Cesaresco? -, c. 1540-1545. Oil on canvas, 114 x 94.5 cm; National Gallery, London
Parmigianino (Italian, 1503-1540), Santa Barbara, c. 1522. Oil on panel, 48 x 39 cm. Museo del Prado, Madrid
Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral
Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National
giodelcaso: Italian -Renaissance
blondebrainpower: “Three Children with a Dog” by Sofonisba Anguissola. circa 1570-1590. Painter Sofonisba Anguissola (1532–1625) was a trailblazer during the Italian Renaissance. Born into a relatively poor noble family, her father made sure
artmagnifique: RAPHAEL. St Michael and the Dragon, 1503-1505, oil on wood, Louvre, Paris. Italian Renaissance.
artmagnifique: RAPHAEL. St George and the Dragon, 1505-1506, oil on wood, National Gallery of Art, Washington, D.C. Italian Renaissance.
the-paintrist: deadsunflower: Giovanni Bellini, Portrait of a Man (1495). Black chalk with grey wash on paper, 39,2 x 28 cm. Oxford, Christ Church. Giovanni Bellini (c. 1430–1516) was an Italian Renaissance painter, probably the best known of the
Michael Browne painted this tribute to Eric Cantona based on Italian Renaissance artist Piero della Francesca’s painting Resurrection
rubenista:Baccio Bandinelli, Self-Portrait, c. 1545. Oil on panel, 142.5 x 113.5 cm. Isabella Stewart Gardner Museum, Boston.
kafkaesque-world:Franz Kafka’s Residence (1889-1896), Prague. During Kafka’s early childhood, his family lived in a 17th-century house – called the House of the Minute (Minuta) with beautiful Italian Renaissance-style sgraffito frescos on biblical
GIOVANNA TORNABUONI AND THE GRACES, 1483–1486, Sandro Botticelli
ganymedesrocks: somanyhumanbeings: Scipione Pulzone, Self-Portrait (1574) Scipione Pulzone 1544 – 1598), also known as Il Gaetano, was a Neapolitan painter of the late Italian Renaissance, active by 1569. His work differs in several respects
ganymedesrocks:Although non-officially attributed, this Portrait of a 16th century Young Man, finds itself associated to the High Renaissance, the Mannerist period of the Italian Renaissance. This may suggest painters such as Agnolo di Cosimo di Mariano,
asylum-art: Miniature hyperrealistic paintings by Dina Brodsky Facebook The techniques used to create Italian Renaissance-era fresco paintings, 15th-century Flemish portraits, illuminated manuscripts, and Islamic miniature art have all played a role
japhers: a younger traveling noble Julian back when his only worries were music exams; this look draws more on Italian Renaissance / Venetian Carnival inspirations as compared to his simpler, more worn-out modern-day getup
niknak79: Italian renaissance artists!
unhistorical: Michelangelo - the master sculptor, painter, and architect of the Italian Renaissance - who was born in Tuscany, Italy on March 6, 1475. (pictured) four of his most famous works: Pietà, David, Moses, and The Creation of Adam.
piethro: Le Louvre, Italian Renaissance
aphrodithe:Le Louvre, Italian Renaissance
ganymedesrocks: gaymontreal: Federico Barocci, “Étude pour Saint-Joseph” Federico Barocci (c. 1526 – 1612), or simply Barocci or Baroccio was an Italian Renaissance painter and printmaker originally born under the name of Federico Fiori.
m1male2:One of the most beautiful paintings in the History of Art: “Portrait of Giovanna Tornabuoni” (1489) by the Italian Renaissance painter Domenico Ghirlandaio (1448-1494) you can see it in the #Thyssen Museum in Madrid, Spain
![Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna](https://64.media.tumblr.com/08da1b1eff6d0312afcae5fcd69b6550/tumblr_pvltfyXBK21qzxzwso1_250.jpg)
![Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral](https://64.media.tumblr.com/f0b88eebb7d60bccfde75986e869a439/4a22cb1842fc9391-8c/s500x750/45ab72aa72ba3ce338455bcc6de5d8052bdee815.jpg)
