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ganymedesrocks: Agnolo di Cosimo (1503 – 1572) was an Italian Mannerist painter, the leading painter of mid-16th-century Florence. Mixing styles of the late High Renaissance into the early Baroque period, Mannerists often depicted their subjects in

tiny-librarian: A Pennsylvania museum has solved the mystery of a Renaissance portrait in an investigation that spans hundreds of years, layers of paint and the murdered daughter of an Italian duke. Among the works featured in the Carnegie Museum’s

likeniobe: dante and virgil, henri de triqueti, 1862 Triqueti, like many artists of his time, was inspired by medieval and Renaissance art and literature. He often represented the Italian poet Dante (1265-1321) or illustrated episodes from Dante’s Divine

likeniobe: dante and virgil, henri de triqueti, 1862 Triqueti, like many artists of his time, was inspired by medieval and Renaissance art and literature. He often represented the Italian poet Dante (1265-1321) or illustrated episodes from Dante’s Divine

numenorss: HISTORY MEME | ITALIAN VERSION ⇢ [1/5] Wars❈ Renaissance Wars The Italian Wars, often referred to as the Great Italian Wars or the Great Wars of Italy and sometimes as the Habsburg–Valois Wars or the Renaissance Wars, were a series

lyghtmylife: RAFFAELLO Sanzio [Italian High Renaissance Painter, 1483-1520] Portrait of a Youthc. 1509-11Oil on board, 59 x 75 cmCzartoryski Museum, Cracow

lyghtmylife: CARIANI, Giovanni [Italian High Renaissance Painter, ca.1490-1547]Sette Ritratti Albani (Seven Albani Portraits)1519Oil on canvas, 117 x 117 cmPrivate collection

Andrea del Verrocchio (Firenze, 1436 - Venezia, 1488), San Girolamo (Saint Jerome), c. 1465 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-11760.html

Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510

lyghtmylife: DOSSI, Dosso [Italian High Renaissance Painter, ca.1490-1542]Apollo1524Oil on canvas, 1194 x 118 cmGalleria Borghese, Rome

Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 c. - Roma 1547), Madonna del velo [Madonna of the veil] (1533-35), olio su lavagna [oil on slate], Museo Nazionale di Capodimonte, Napoli excerpt from en.wikipedia: “After the elevation of

Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)

Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London

Pontormo (Jacopo Carrucci, 1494 Pontorme - 1557 Firenze); Niccolò Ardighelli, 1518

Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 - Roma 1547), Cristo Portacroce (Christ bearing the Cross), c. 1516

Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia

Cosimo Rosselli (Firenze 1439 - 1507), Miracolo del Sangue (Miracle of the Blood), 1584-86, detached fresco; Chiesa di Sant'Ambrogio, Firenze

Sandro Botticelli (Sandro di Mariano Filipepi called il Botticelli; 1444 or 1445 Firenze - Firenze 1510), Compianto sul Cristo morto (Lamentation over the Dead Christ), c. 1495, tempera on panel, 107 x 71 cm; Museo Poldi Pezzoli, Milano

Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma

Antonio del Pollaiolo (Antonio Benci called il Pollaiolo; Firenze 1431 or 1432 - Roma 1498); David vittorioso (David victorious over Goliath); c. 1472; tempera on wood; Staatliche Museen, Berlin

Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana

Palma il Vecchio (Jacopo Negretti called Palma il Vecchio; Serina, Bergamo, 1480 - Venezia 1528); Diana e Callisto, 1525-28; oil on panel, 124 x 78 cm; Kunsthistorisches Museum, Vienna enlarge

Rosso Fiorentino (Giovanni Battista di Iacopo called il Rosso Fiorentino; Firenze 1495 - Fountainebleau 1540); Assunzione della Vergine (Assumption of the Virgin), 1517; fresco, 385 x 337 cm; Chiostrino dei Voti, Firenze

Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze

Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona

Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg

Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia

lyghtmylife: ANDREA DEL SARTO [Italian High Renaissance Painter, 1486-1530]Pietà with Saints1523-24Oil on wood, 239 x 199 cmGalleria Palatina (Palazzo Pitti), Florence

Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James

Moretto da Brescia (Alessandro Bonvicino called il Moretto; Brescia 1498 - 1554); Saletta delle nobili dame (Hall of the noble ladies), 1543, fresco; Palazzo Martinengo, Brescia

Giovanni Cariani (Giovanni Busi called il Cariani; Fuipiano al Bembo, Bergamo 1485 - Venezia 1547); Resting maiden with a white dog in a landscape, c. 1510; oil on panel, 94 x 74 cm; Gemäldegalerie der Staatlichen Museen, Berlin

Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); La cena nella casa di Levi (the feast in the house of Levi), 1573; oil on canvas, 1280 x 555 cm; Gallerie dell'Accademia, Venezia

Antonello da Messina (Antonello di Giovanni de Antonio called Antonello da Messina; Messina, Sicily, c. 1430 - 1479); Ritratto d'uomo (portrait of a man) or Ritratto Trivulzio, 1476; oil on wood, 29,5 x 37,4 cm; Museo civico d'arte antica, Torino

Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna

Fra Bartolomeo (real name Baccio della Porta, Firenze 1473 - 1517); Apparizione della Vergine a San Bernardo (the Vision of St. Bernard); 1504; tempera on panel, 220 x 213 cm; Galleria degli Uffizi, Firenze

Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria

Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris

Vittore Carpaccio (Venezia, between 1455 and 1465 - Venezia or Capodistria 1525-26); Madonna col bambino benedicente (Madonna with blessing Child); c. 1505-10; tempera on canvas, 68 x 85 cm; Washington National Gallery of Art

Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań

Sandro Botticelli (Firenze, 1445 - 1510); The Story of Nastagio degli Onesti (from Giovanni Boccacio’s Decameron), 4th and final episode (c. 1483); tempera on panel, 142 x 83 cm; Palazzo Pucci (private collection), Firenze

Antonello da Messina. St. Jerome in his Study. c.1475 by arthistory390 on Flickr.

Lorenzo di Credi (Firenze 1456/60 - 1537); Ritratto di giovinetta (portrait of a young woman), ca 1490-1500; oil on wood, 40 x 58,7 cm; Metropolitan Museum of Art, New York City

fuckyeahrenaissanceart: Madonna, Fra Filippo Lippi. Italian Early Renaissance Painter (1406-1469)

hismarmorealcalm: Capital with Four Masks and Acanthus Leaves Carved column with ram’s head, foliage and masks 15th century (Renaissance) Italian stone

acrosscenturiesandgenerations:▪Bust of Cleopatra. Culture: Italian (Mantua) Period: Renaissance Date: ca.1519–22 Artist: Pier Jacopo Alari Bonacolsi (Italian, about 1460–1528)

poboh: St Sebastian, Dosso Dossi. Italian High Renaissance Painter (ca 1490-1542)

alanspazzaliartist: Tiziano Vecelli or Vecellio c. 1488/90[ – 27 August 1576),known in English as Titian, was an Italian (Venetian) painter during the Renaissance, considered the most important member of the 16th-century Venetian school. He was

ganymedesrocks: giodelcasoworld: Italian school Also called Girolamo da Brescia, Giovanni Girolamo Savoldo (1480 - 1548), who painted this circa 1525 Shepherd with a Flute, was an Italian High Renaissance painter, essentially active in Venice, noted

ganymedesrocks: medievalautumn: Portrait of Two Young Men by Vittore Belliniano This circa 1515 portrait of two young men, attributed to Vittore Belliniano (1456-1529), a native of Venice, who blossomed into an Italian painter of the Renaissance period,

langoaurelian: Giovanni Battista Moroni“Portrait of a Man Holding a Letter”Giovanni Battista Moroni (c. 1520 – 1579) was an Italian painter of the Late Renaissance period. He is also called Giambattista Moroni. Best known for his elegantly realistic

poboh: St Sebastian, Dosso Dossi. Italian High Renaissance Painter (ca 1490-1542)

antonio-m:‘Saint Sebastian’, by Giovanni Antonio Bazzi (Il Sodoma), (1477-1549). Italian High Renaissance painter. oil on canvas

cardinalblack: llama Castle (Slovene: Predjamski grad or Grad Predjama, German: Höhlenburg Lueg, Italian: Castel Lueghi) is a Renaissance castle built within a cave mouth in southwestern Slovenia. It is located approximately 11 kilometres from Postojna.

tiny-librarian: A Pennsylvania museum has solved the mystery of a Renaissance portrait in an investigation that spans hundreds of years, layers of paint and the murdered daughter of an Italian duke. Among the works featured in the Carnegie Museum’s

goodreadss: The Young Woman with Unicorn was executed by Italian High Renaissance Painter Raphael in 1506. @princess–kittyy

artsnskills:Crumbling Building Paintings Inspire Artist With Its Decaying Beauty Italian artist Matteo Massagrande uses techniques of the Renaissance period to achieve the stunning pictures of ruin and decay in this series. Keep reading

aphrodithe: Le Louvre, Italian Renaissance

freshiejuice: “The Adornments of Humanity” This was one of my favorite shoots of 2015. I’ve always been obsessed with religious iconography, barque and Italian Renaissance paintings. @_hollyburnham is an incredibly multi talented artist and working

elytrians:blondebrainpower: Renaissance set of knives made of bone and iron in a Trout-shaped case - Italian work 17th century

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