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Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed

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Blog: The gilded shell


tags: art, art history, painting, renaissance, mannerism, giulio romano, raffaellino, raffaellino del colle, raffaellino dal colle, walters, walters art museum, walters art, baltimore, history of art, italian art

original: https://climacus.tumblr.com/post/182402461440

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dappledwithshadow: The Studio, quai Saint-MichelHenri Matisse 1916-1917Phillips Collection - Washington D.C. (United States) Painting - oil on canvas Height: 146 cm (57.48 in.), Width: 116 cm (45.67 in.)

dappledwithshadow: The Studio, quai Saint-MichelHenri Matisse 1916-1917Phillips Collection - Washington D.C. (United States) Painting - oil on canvas Height: 146 cm (57.48 in.), Width: 116 cm (45.67 in.)

Vincent van Gogh (1853-1890), Small Pear Tree in Blossom (1888); oil on canvas, 73 x 46 cm;  Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Vincent van Gogh (1853-1890), Small Pear Tree in Blossom (1888); oil on canvas, 73 x 46 cm;  Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco

Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco

canforasoap: Cristofano Allori (1577-1621), Giuditta con la testa di Oloferne (Judith with the head of Holofernes), 1613; olio su tela, 120 x 100 cm; Royal Collection  Carlo I (1600-1649), Re d’Inghilterra, venne in possesso della collezione dei Gonzaga

canforasoap: Cristofano Allori (1577-1621), Giuditta con la testa di Oloferne (Judith with the head of Holofernes), 1613; olio su tela, 120 x 100 cm; Royal Collection  Carlo I (1600-1649), Re d’Inghilterra, venne in possesso della collezione dei Gonzaga

Anthony van Dyck (Flemish, 1599-1641), Portrait of the Marchesa Geronima Spinola, ca. 1624; oil on oak panel, 226 x 151 cm;  Gemäldegalerie der Staatlichen Museen, Berlin The name of the great flemish artist has so many spelling variants that we are

Anthony van Dyck (Flemish, 1599-1641), Portrait of the Marchesa Geronima Spinola, ca. 1624; oil on oak panel, 226 x 151 cm;  Gemäldegalerie der Staatlichen Museen, Berlin The name of the great flemish artist has so many spelling variants that we are

peira:Marianne von Werefkin:  The Bridge (1929)

peira:Marianne von Werefkin:  The Bridge (1929)

blastedheath: Alfréd Réth (Hungarian, 1884-1966), Composition, 1947. Oil, sand and mixed media on panel, 100 x 47 cm.

blastedheath: Alfréd Réth (Hungarian, 1884-1966), Composition, 1947. Oil, sand and mixed media on panel, 100 x 47 cm.

Francesco Salviati (Italian, 1510-1565), Storie di Furio Camillo (Stories of Furius Camillus, 1543-45): Camillo sconfigge i Galli nei pressi di Ardea (Camillus defeats the Gauls near the city of Ardea). Fresco, 470 x 255 cm; Sala dell’Udienza of the

Francesco Salviati (Italian, 1510-1565), Storie di Furio Camillo (Stories of Furius Camillus, 1543-45): Camillo sconfigge i Galli nei pressi di Ardea (Camillus defeats the Gauls near the city of Ardea). Fresco, 470 x 255 cm; Sala dell’Udienza of the

thunderstruck9:Renato Guttuso (Italian, 1911-1987), Telefoni o L'incomunicabilità [Telephones or Lack of Communication], 1980. Oil on canvas, 100 x 90 cm.

thunderstruck9:Renato Guttuso (Italian, 1911-1987), Telefoni o L'incomunicabilità [Telephones or Lack of Communication], 1980. Oil on canvas, 100 x 90 cm.

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