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attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan

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Blog: The gilded shell


tags: art, art history, painting, renaissance, italian renaissance, domenico bramante, donato di angelo di pascuccio, il bramante, history of art, brera, pinacoteca di brera, cristo alla colonna, christ at the column, religious painting

original: https://climacus.tumblr.com/post/181671227530

report

kecobe:Saint FrancisFederico Barocci (Italian; 1535–1612)ca. 1600–4Oil on canvasThe Metropolitan Museum of Art, New York

kecobe:Saint FrancisFederico Barocci (Italian; 1535–1612)ca. 1600–4Oil on canvasThe Metropolitan Museum of Art, New York

lionofchaeronea:The Marriage at Cana, Gerard David, ca. 1500

lionofchaeronea:The Marriage at Cana, Gerard David, ca. 1500

thunderstruck9:Cecily Brown (British, b. 1969), Lady with a little dog, 2009. Oil on canvas, 97 x 89 in.

thunderstruck9:Cecily Brown (British, b. 1969), Lady with a little dog, 2009. Oil on canvas, 97 x 89 in.

blastedheath: Roberto Matta (Chilean, 1911–2002), Eupure, 1944. Oil on canvas, 50 x 38 in. via chimneyfish

blastedheath: Roberto Matta (Chilean, 1911–2002), Eupure, 1944. Oil on canvas, 50 x 38 in. via chimneyfish

everyartisthasabday: Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top. Boticelli believed he was living through the Tribulation,

everyartisthasabday: Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top. Boticelli believed he was living through the Tribulation,

halogenic: “Life” - Hannelore Knuts by Steven Meisel for Vogue Italia July 2000

halogenic: “Life” - Hannelore Knuts by Steven Meisel for Vogue Italia July 2000

sulphuriclike:Aurelio AmendolaAlberto Burri at work, 1976

sulphuriclike:Aurelio AmendolaAlberto Burri at work, 1976

Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence

Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence

last-picture-show:Vivian Maier, Color Photos, 1958 - 1977

last-picture-show:Vivian Maier, Color Photos, 1958 - 1977

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