art history
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ART HISTORY MEME || [¼] colors: Blue
omgcatrevolution: Pat Rocco, The Luckiest Cat in Town, part of Mondo Rocco omnibus program (1970) Bringin’ the sexxy back to tumblr, radical-cat style! We are delighted to share this lost slice of film history, otherwise nowhere on the interwebz
deadpaint: Francesco Hayez, Meditation on the History of Italy
art-history-corner:The Dream (1932), Pablo Picasso
art-history-corner:The Empire of Lights (1954), René Magritte
sovietpostcards:“Our Neighbour Finland” (1986). Full set of 24 big size postcards featuring watercolors of Oleg Savostyuk, landscapes and views of Finland. (via etsy)
art-history: Spencer FinchAmerican, born 1962 Sky (Over Coney Island, November 26th, 2004, 12:47pm. Southwest view over the Cyclone.), 2004 Balloons, helium, and string
a-r-t-history: Paul Signac, Sunday, 1888-90, oil on canvas
a-r-t-history: Richard Lindner, The Meeting, 1953, oil on canvas (via MoMA)
art-history: Carlo Crivelli, Annunciation, with St Emidius, 1486. The National Gallery, London
ART HISTORY MEME || [5/6] themes or series or subjects: Boats/ships
Art History Meme [1/8] Artists ↳ Gustav Klimt
art-history: Yasuhiro IshimotoAmerican, 1921-2012 Untitled (Katsura Imperial Villa), 1953
art-history: Roger Ballen, Mimicry, 2005
The Crows by Vincent Van Gogh - A Post-Impressionist painter, his works are filled with intense feeling and deep, thick strokes. Van Gogh was very close with his brother, Theo. This particular piece was done after learning the news of his brothers financi
art-nimals:An ambrotype of a cat, circa 1866-68 (source)
mohtz: Greek Mythology | The Muses Calliope - Epic Poetry, Urania - Astronomy, Polyhymnia - Hymns, Thalia - Comedy, Clio - History, Erato - Love Poetry, Euterpe - Lyric Poetry, Melpomene - Tragedy, Terpsichore - Dance The Goddesses | The Lovers | The
theonlymagicleftisart: The 5th Dimension series is a trip through time and space, in which an alternate history of Chicago is warped by a pervasive cloud of the odd and the unusual. Taking place in the 1950’s, I create narrative imagery hearkening
they-drift-like-worried-fire: Fort Lewis, Washington, January 1982 Pfc. Art Burgess, a candidate in the Ranger Indoctrination Program (RIP), 2nd Battalion, 75th Infantry (Ranger), fires a Winchester-built combat shotgun during special weapons training
archaeology: Italian police seize huge haul of illicit antiquities - The Art Newspaper Police in southern Italy have seized a large haul of well-preserved artefacts that were illegally excavated between the two southern towns of Benevento and Foggia,
weirdvintage: Feejee Mermaid, 19th century—Though P.T. Barnum made the Feejee Mermaids famous, they were originally created in Japanese East Indies fishermen in around 1810. It was a traditional art form in which they created faux mermaids by stitching
Hugo van der Goes (Ghent c. 1430/1440 – Auderghem 1482); Monforte Altarpiece, c. 1470, Oil on wood, 247 x 150 cm, Staatliche Museen, Berlin
Hans von Kulmbach (Hans Süß, Kulmbach around 1480 - Nuremberg c. 1522); The Coronation of the Virgin, 1514; oil on panel, 79 x 117 cm; Kunsthistorisches Museum, Vienna
Joaquín Sorolla y Bastida (Valencia 1863 - Cercedilla, Madrid, 1923); Mis Hijos (My Children), 1904; oil on canvas, 230.5 x 160.5; Museo Sorolla, Madrid
André Derain (Chatou 1880 - Garches 1954); Pond at Carrières-sur-Seine, 1899; oil on canvas, 65 x 72.5 cm; private collection
Giacomo Balla (Torino 1871 - Roma 1948); Il Fallimento (the Bankruptcy), 1902; oil on canvas
Valentin de Boulogne (Coulommiers 1591 - Roma 1632); Le concert au bas-relief, c. 1622-25; oil on canvas, 214 x 173 cm; Mousée du Louvre, Paris
Kazimir Malevich (Kiev 1879 - Leningrad 1935); Portrait of Artist’s Wife N.A. Malevich, 1933; oil on canvas, 56 x 67.5 cm; The Russian Museum, Saint Petersburg
Sandro Botticelli (Firenze, 1445 - 1510); The Story of Nastagio degli Onesti (from Giovanni Boccacio’s Decameron), 4th and final episode (c. 1483); tempera on panel, 142 x 83 cm; Palazzo Pucci (private collection), Firenze
Frederick Childe Hassam (Dorchester 1859 - East Hampton 1935); Fiacre - Rue Bonaparte, 1888; oil on canvas, 77.5 x 104 cm
Lajos Deák Ébner (Pest 1850 - Budapest 1934); Harvesters on their way home, 1881; oil on canvas, 131 x 94.5 cm; National Museum of Hungary, Budapest
Pieter Paul Rubens (Siegen 1577 - Antwerp 1640); Wild-Boar Hunt, 1618-20; oil on canvas, 168 x 137 cm; Gemäldegalerie Alte Meister, Dresden
Isaac Levitan (Kybarthai, Lithuania, 1860 - Moscow 1900); High waters, 1885; oil on panel. State Museum of Belarus, Minsk
Artemisia Gentileschi (Roma 1593 - Napoli 1656); Susanna e i vecchioni (Susanna and the elders), 1622; oil on canvas, 123 x 161.3 cm; Burghley House, Stamford
italianartsociety: Giovanni Bellini died on 26 November 1516 in Venice. Together with his brother Gentile and brother-in-law Andrea Mantegna, Giovanni dominated northern Italian painting at the turn of the sixteenth century. Trained by his father Jacopo,
William Hogarth (London, 1697 - 1764); Marriage à la mode: the marriage settlement, ca. 1743; oil on canvas, 91 x 70 cm; National Gallery, London
Claude Monet - View of the Sea at Sunset 4d [ca 1882] pastel on paper 15.3 x 40 cm Boston MFA by petrus.agricola on Flickr.
italianartsociety: Carlo Maratti (also known as Maratta) died on 15 December 1713 in Rome. Recognized as the leading painter of late Baroque Rome, Maratta continued worked in the classicizing vein known as the Grand Manner. Like Annibale Carracci, Andrea
Santi di Tito (Borgo San Sepolcro 1536 - Firenze 1603); La visione di San Tommaso d'Aquino (the vision of St. Thomas Aquinas), 1593; oil on table, 233 x 362 cm; Chiesa di San Marco, Firenze
Marcus Gheeraerts the Younger (Bruges 1561/62 - London 1636); Portrait of Captain Thomas Lee in Irish dress, 1594; oil on canvas, 150 x 230 cm; Tate British Collection
Cornelis van Poelenburch (Utrecht, 1594 - 1667); De verdrijving uit het paradijs (the Expulsion from Paradise), between 1646-1667; oil on table, 38 x 30 cm; Rijksmuseum Amsterdam
Michiel Sweerts (Bruxelles 1618 - Goa 1664); Ensevelir les morts (un des Sept actes de miséricorde); ca. 1646-49; oil on canvas; Wadsworth Atheneum, Hartford
José de Ribera (also known as Jusepe de Ribera and Spagnoletto; Xàtiva 1591 - Napoli 1652); Martyrdom of Saint Andrew, 1628; oil on canvas, 183 x 209 cm; Szépművészeti Múzeum, Budapest
Daniele Crespi (Busto Arsizio c. 1590 - Milano 1630); La Deposizione di Cristo (The Deposition), c. 1620; oil on canvas, 99 x 123 cm; Szépművészeti Múzeum, Budapest
Pieter Aertsen (Amsterdam, c. 1508 - 1575); The Cook, 1559; oil on canvas, 85 x 171 cm; Musei di Strada Nuova, Genova
Hendrick van Balen (Antwerp, c. 1575 - 1632); Odysseus as a guest of Calypso, c. 1616; oil on wood, 116 x 80 cm; Akademie der bildenden Künste, Vienna
artmastered: 1. Henri Rousseau, Artillerymen, c.1893-95, oil on canvas, 79.1 x 98.9 cm, Solomon R. Guggenheim Museum, New York. Source2. Henri Rousseau, The Football Players, 1908, oil on canvas, 100.3 x 80.3 cm, Solomon R. Guggenheim Museum, New York.
Tiziano Vecellio (1490-1576), St Margaret and the Dragon, ca. 1565; oil on canvas, 209 x 183 cm; Museo del Prado
Piero della Francesca (between 1410/1420 ? - 1492), Battesimo di Cristo (the Baptism of Christ), around 1450; tempera on panel, 167 x 116 cm; National Gallery
Guido Reni (1575 - 1642), Carità (Charity), ca. 1630; oil on canvas, 137x106 cm; Metropolitan Museum
Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London
Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation
Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,
Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna
La Poupée - Hans Bellmer, c. 1936 so close to my purrfect man
likeafieldmouse: Idris Khan “Drawing his inspiration from the history of art and music as well as key philosophical and theological texts, Idris Khan investigates memory, creativity and the layering of experience. Khan’s works rely on a continuous
art-history:Andrew Wyeth, Turkey Pond, 1944. Tempera on panel. Farnsworth Art Museum
visual-poetry: “i will not make any more boring art” by john baldessari (1971) have a look at “a brief history of john baldessari” narrated by tom waits: http://www.youtube.com/watch?v=eU7V4GyEuXA
crossconnectmag: Matthew Woodson is an illustrator from Chicago, IL.USA He was born in the woods sometime in the early 80s. He graduated from The School of The Art Institute of Chicago in early 2006 with a focus in Natural History Illustration. Directly
dampizza: motorcyclles: dampizza: vindictev: alinael: vindictev: alinael: Best couple in book history people. If you’re gonna remove my signature from my art, you can at least credit me or source it. First off, got this off google. Second off,