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wannabescholar:futurelookingfine-arts:yungvermeer:A Walk Through Art History I designed these shoes with a unique goal in mind: to create a shoe as a summation of an entire culture’s art. Each shoe possesses design qualities, color palettes, and designs

*please to ignore the nerdgasm from the former Art History Minor*

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Typical #building in The #Farm, #Silvia park, #Gatchina, #Russia #travel 🌍 #Architecture #art #history #turism #SaintPetersburg #spb #piter #Homeland Типичное хозяйственное здание, #Ферма, Парк #Сильвия,

fyeah-history: Tsar Alexei Chooses His Bride by Grigory Sedov (the result of the Tsardom-wide contest organized by Boris Morozov was his relative Maria Miloslavskaya)Aleksey Mikhailovich (Russian: Алексей Михайлович) (29 March [O.S.

sarcastic-grill-memer: spaceafrx: siezureinabag: themutantgene: out-there-on-the-maroon: adios-toreadork: glumshoe: cipherface: glumshoe: glumshoe: Art forgery is the best crime tbh. It requires absolutely incredible artistic talent, technical

ART HISTORY MEME || [2/3] countries/regions: Greek & Roman mosaics

a) Apollo Sauroktonos, bronze, Cleveland Museum of art b) Apollo Sauroktonos (lizard-killer), 1st - 2nd century AD, roman marble copy of a bronze sculpture attributed to Praxiteles, Louvre From Wikipedia: “The bronze original of this sculpture is

Salvador Dalí (1904 -1989), Chester Dale (1958); oil on canvas. 34 15/16 x 23 3/16 in. (88.8 x 58.9 cm). Chester Dale Collection. National Gallery of Art, Washington, D.C. Image © Board of Trustees, National Gallery of Art, Washington, D.C.

Andrea del Verrocchio (Firenze, 1436 - Venezia, 1488), San Girolamo (Saint Jerome), c. 1465 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-11760.html

Carlo Carrà (1881 - 1966), Meriggio (Noon), 1927 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-15911.html

Annibale Carracci (Bologna 1560 - Roma 1609), Trittico della Deposizione (Deposition’s Triptych), 1604-05, oil on copper and panel; Galleria nazionale d'arte antica, Roma

the-paintrist: Arthur Bowen Davies - Interwoven - 1916 Arthur Bowen Davies (September 26, 1863 – October 24, 1928) was an avant-garde American artist and influential advocate of modern art in the United States circa 1910-1928. Davies was born in Utica,

Charles Demuth (Lancaster, Pennsylvania 1883 - 1935), Aucassin and Nicolette, oil on canvas, 1921; Columbus Museum of Art

Georges Braque (Argenteuil 1882 - Paris 1963), Le Billard (the billiard table), 1945, oil and sand on canvas, Tate Galleries (www.tate.org.uk) about the artwork: http://www.tate.org.uk/art/artworks/braque-the-billiard-table-t07992/text-summary

Abraham A. Manievich (Mstsislaw, Russia, 1881 - Bronx 1942); Bronx I (c. 1923-24), oil on canvas (via The Athenaeum) full size: http://www.the-athenaeum.org/art/full.php?ID=112344

Joseph Stella (Muro Lucano [Italy] 1887 - New York City 1946), Children’s Toys (Marionettes), c. 1930, oil on canvas, 65 cm x 82 cm; Museum of Fine Arts, Boston

Valentin de Boulogne (Coulommiers c. 1490 - Roma 1632), The Judgement of Solomon, c. 1620; oil on canvas, 174 cm x 213 cm; Galleria Nazionale d'Arte Antica, Roma

Yuzo Saeki (Osaka 1898 - Paris 1928), Garage, 1927-28, oil on canvas; Bridgestone Museum of Art, Tokyo

Lambert Sustris (Amsterdam c. 1515 - Venezia [?] c. 1584), Noli me tangere, n/d (second half of 16th century); oil on canvas; Palais des Beaux-Arts de Lille

Edvard Munch (Løten 1863 - Oslo 1944), Summer night’s dream (The Voice), 1893, oil on canvas, 88 x 108 cm; Museum of Fine Arts, Boston

Theo van Rysselberghe (Ghent 1862 - Saint-Clair 1926); The sisters of the painter Schlobach, 1884; oil on canvas; Musée d'art moderne et d'art contemporain de Liège (Musée des Beaux-Arts de Liège)

Renato Guttuso (Bagheria, Palermo, 1911 - Roma 1987); Fuga dall'Etna (Flight from Etna), 1940; Galleria Nazionale d'Arte Moderna, Roma

Théodore Rousseau (Paris 1812 - Barbizon 1867); Landscape, c. 1835; oil on canvas, 43.4 x 33.2 cm; Art Institute of Chicago

Filipp Maliavin (also spelled Malyavin; Kazanki, Samara, 1869 - Nice 1940); Self-portrait with Wife and Daughter, 1910-11; oil on canvas, 232 x 285 cm; Khanty-Mansiysk State Museum of Visual Arts

František Kupka (Opocno 1871 - Puteaux 1957); The Bather, c. 1907; oil on canvas, 80 x 63 cm; Musée National d'Art Moderne - Centre Georges Pompidou, Paris

James Abbott McNeill Whistler (Lowell, Massachusetts, 1834 - London 1903); Arrangement in pink, red and purple, 1883-84; oil on panel, 22.8 x 30.5 cm; Cincinnati Art Museum (Ohio)

Alonso Cano (Granada, 1601 - 1667); Christ in the Limbo, c. 1665; oil on canvas, 120 x 167 cm; LACMA (Los Angeles County Museum of Art)

Vittore Carpaccio (Venezia, between 1455 and 1465 - Venezia or Capodistria 1525-26); Madonna col bambino benedicente (Madonna with blessing Child); c. 1505-10; tempera on canvas, 68 x 85 cm; Washington National Gallery of Art

Juan de Valdés Leal (Seville, 1622 - 1690); Christ carrying the Cross, c. 1661; oil on canvas, 71.5 x 88.5 cm; Museo de Bellas Artes, Bilbao

Philips Wouwerman (Haarlem, 1619 - 1668); A Cavalry Battle, c. 1646-47; oil on canvas, 176.5 x 99 cm; Art Gallery of South Australia, Adelaide

Léon Cogniet (Paris, 1794 - 1880); Self Portrait in the artist’s room (Villa Medici, Roma), 1817; oil on canvas, 36 x 43.3 cm; Cleveland Museum of Art

Richard Lindner (Hamburg 1901 - New York City 1978); Encounter, 1976; oil on canvas, 180.5 x 180.5 cm; Museo de Arte Contemporáneo de Caracas Sofía Imber

George Cochran Lambdin (Pittsburgh 1830 - Germantown, Philadelphia, 1896); At the front, 1866; oil on canvas, 61 x 43.5 cm; Detroit Institute of Arts

Henry Moore (Castleford 1898 - Much Hadam 1986); Reclining Figure, 1951, plaster. Henry Moore Sculpture Center, Art Gallery of Ontario (Toronto)

italianartsociety: Painter Paris Bordone died on 19 January 1571 in Venice, where he had spent the majority of his career. A native of Treviso, Bordone excelled in portraiture, mythologies, and history paintings. Working in both oil and fresco, Bordone

Winslow Homer (Boston 1836 - Prouts Neck, Maine, 1910 ); Searchlight on harbour entrance - Santiago de Cuba, 1901; oil on canvas, 128.3 x 77.5 cm; Metropolitan Museum of Art, New York City

Gustave Courbet (Ornans, 1819 - La Tour-de-Peilz 1877); Le ruisseau du Puits Noir (the brook of the Puits Noir), ca. 1855; oil on canvas, 64,8 x 81,3 cm, Montreal Museum of Fine Arts

Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society

William Glackens (Philadelphia 1870 - Westport 1938); The Artist’s Wife and Son, 1911; oil on canvas, 91.4 x 121.9 cm; Snite Museum of Art, South Bend

Richard Diebenkorn (American, 1922-1993), Berkeley #57, 1955; oil on canvas, 149 x 149 cm; San Francisco Museum of Modern Art (SFMOMA)

Salomon de Bray (Dutch, 1597-1664), Martyrdom of Saint Lawrence, 1652; oil on canvas, 152 x 124 cm; Los Angeles County Museum of Art

Giovanni Battista Tiepolo (Italian, 1696-1770), Young Lady in a Tricorn Hat, circa 1755/1760; oil on canvas, 62.2 x 49.3 cm. National Gallery of Art, Washington

Pietro Perugino (Italian, 1446/52 - 1523), Portrait of Lorenzo di Credi, 1488; oil on panel transferred on canvas, 44 x 30 cm; National Gallery of Art, Washington

attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese

Gabriel von Max (Gabriel Cornelius Ritter von Max, German, 1840-1915), Affen als Kunstrichter (Monkeys as Art Critics), 1889; oil on canvas, 85 x 107 cm; Neue Pinakothek, Munich

Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed

Gustave Courbet (French, 1819-1877), L’Amazone (Woman in a Riding Habit), 1856; oil on canvas, 115 x 89 cm; Metropolitan Museum of Art, New York

Petrus Christus (Flemish, 1410-1475), Portrait of a Carthusian, 1446; oil on oak panel, 29.2 x 18.7 cm; Metropolitan Museum of Art “Portrait of a Carthusian featured a halo above the monk’s head when it was acquired by the Metropolitan Museum of

Max Ernst (German, 1891-1976), The Weatherman (1950), oil on canvas. Ca’ Pesaro, Galleria internazionale d’arte moderna, Venice

Dirck Jacobsz (Dutch, 1497-1567), Portrait of a Woman, around 1530; oil on panel, 43 x 33 cm; Musée de Beaux-Arts et d’Archéologie de Besançon

Edgar Degas (French, 1834-1917), The Millinery Shop, about 1879-1886; oil on canvas, 100 x 110.7 cm; Art Institute of Chicago “ […] In an early version of the composition, the woman is clearly intended to be a customer; she wears a fashionable

Auguste Renoir (French, 1841-1919), Diana, 1867; oil on canvas, 200 x 130 cm; National Gallery of Art, Washington DC

Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York

Candido Portinari (Brazilian, 1903-1962), Saint Francis, 1941. Oil on canvas, 73.3 x 62 cm. MASP, Museu de Arte de São Paulo

Gerard David (Netherlandish, c. 1460-1523), The Annunciation, 1506. Oil on oak panels, both circa 79 x 64 cm; Metropolitan Museum of Art, New York

French School, Virgin and Child, 1490-1500. Panel from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville. Oil on panel, 116 × 49.5 cm; the Art Institute of Chicago

My art history teacher is telling us how to write an essay.

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