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Quite proud of how that Chaos Emerald came out.Art by History-Eraser-Button aka meaconscientiaColours by me
Art by History-Eraser-Button aka meaconscientiaColours by me
Wasn’t sure which one would be better, so I did both. Which one do you prefer?Art by History-Eraser-Button aka meaconscientiaColours by me
History Pin
Old Saint Petersburg Stock Exchange and Rostral Columns, June 14, 2012 Стрелка Васильевского острова, Санкт-Петербург #art #artmonuments #monuments #StPetersburg #SaintPetersburg #spb #history #Russia #спб
#Peterhof. #Moments & #portraits 29/37 #Marly #palace #charming #baroque #mansion #pond #art #architecture #artmonuments #monument #history #Russia #France #water #reflections #beauty #Beautiful #trees #travel #spb #park
#ff Biutifool Beastard believes that freeing arts from “the all rights reserved” helps the spreading of informations and notions and culture globally and also enriches the collective imaginary expanding its boundaries resulting in a consequent
Double trouble! Biutifool Beastard celebrates the works of Eugéne Delacroix and thos of Théodore Gericault. This time it’s all about evils…kids with nuclear weapons…maniacs with too much power…villains with too much bad luck!
The Admiralty Gate, Palace park, #Gatchina, #Russia #travel 🌍 #architecture #history #art #monument Адмиралтейские ворота, дворцовый парк, #Гатчина, #Россия #архитектура #искусство
Holland #garden, #Sculpture Grand #Palace, #Gatchina, #Russia #travel 🌍 #art 🎨 #monument #architecture #history #castle #Гатчина #Россия #история #искусство #скульптура #архитектура #дворец
questionableadvice: silvermarmoset: questionableadvice: ~ “Progress”, 1915 editorial cartoon Society despairs of the Modern Woman, 1915 style History geek note: Now I’m imagining an editorial cartoon from 1615 comparing “Ye Moderne Bible
chotomy: i’ve been wanting to learn about alexander the great for ages, but unfortunately i hate military history :’( luckily this paper gave me the opportunity to read Alexander’s Tomb by Nicholas J. Saunders, and dear GOD did that man live a bananas
archatlas: The Story of CitiesVery interesting series of articles found on The Guardian that everyone should check out. This 50-part series, each one focusing in a specific city, attempts to chart the history of the planet’s urbanization, here are
dragondicks: art has been used throughout history as a tool of oppression just as much as it has been used as a tool of expression. it is important to dissect and critique art on every level, it does not get a free pass to perpetuate whatever potentially
Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia
Clive Branson (English; 1907 - 1944), Blitz: Plane Flying (1940), Tate
Otto Dix (Untermhaus, Gera 1891 - Singen 1969), Trenches
Nicholas Roerich (Saint Petersburg 1874 - Naggar, Himachal Pradesh, India 1947), Kiss the Earth, 1913
Willi Baumeister (Stuttgard 1889 - 1955), Tennis player (with spectators), 1935
Leon Kroll (1884 New York City - 1974 Gloucester, Massachusetts); Santa Fe Hills, 1917
Fairfield Porter (1907 Winnetka, Illinois - 1975 Southampton, New York)
Pyke Koch (Beek 1901 - Wassenaar 1991); De oogst (The Harvest), 1953; oil on canvas, 200 x 260 cm
James Ensor (Ostend, 1860 - 1949); Tribulations of Saint Anthony, 1887; oil on canvas, 118 x 168 cm; MoMA
Giorgio Morandi (Bologna, 1890 - 1964), Natura Morta (Still life), oil on canvas, 1960
Henri Rousseau (Laval 1844 - Paris 1910); Landscape with factory, 1906; oil on canvas
Elmer Bischoff (Berkeley, California, 1916 - 1991); Houses and Hills, 1957, oil on canvas
Richard Diebenkorn (Portland, Oregon, 1922 - Berkeley, California, 1993)
Lucian Freud (Berlin 1922 - London 2011); Two Plants, begun in 1977 and completed in 1980; oil on canvas, 120 x 150 cm; Tate, London
attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan
Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence
Pontormo (Jacopo Carucci or Carrucci, 1494 - 1557), Alabardiere (Portrait of a Halberdier), 1529/30 or 1537; oil on panel tranferred to canvas, 92 x 72 cm; Getty Museum, Los Angeles
Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan
Vincent van Gogh (1853-1890), Small Pear Tree in Blossom (1888); oil on canvas, 73 x 46 cm; Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco
Meredith Frampton (British, 1894-1984), Winifred Radfordby, 1921; oil on canvas, 89.2 x 74.6 cm; National Portrait Gallery, Londonmagic realism ante litteram
Dosso Dossi (about 1490-1542), Mythological Scene (Allegory of Pan), about 1524; oil on canvas, 164 x 145 cm; J. Paul Getty Museum, Los AngelesThe questions concerning the meaning of the painting have given rise to many theories among scholars, who tried
Elmer Bischoff (American, 1916-1991), Figure at Window with Boat, 1964; oil on canvas, 231 x 202 cm
Godfrey Kneller (German, later British 1646-1723), Queen Anne, ca. 1690; oil on canvas, 234 x 143 cm; National Portrait Gallery, London
Vilhelm Hammershøi (Danish, 1864-1916), Portrait of a young woman (the artist’s sister Anna Hammershøi), 1885; oil on canvas, 112 x 91.5 cm; The Hirschsprung Collection
Gerrit (also Gerard) van Honthorst (Dutch, 1592-1656), Venus and Cupid, 1625; oil on canvas, 114 x 94 cm; Frans Hals Museum, Haarlem
Pieter de Hooch (Dutch, 1629- 1684), Card Players in a sunlit Room, 1658; oil on canvas, 77.3 x 67.3 cm; Royal Collection, Buckingham Palace “In the right-hand corner of a room with a wooden ceiling and a tiled floor a young lady and a gentleman are
Barthel (also Bartholomäus) Bruyn the Elder (German, 1493-1555), Portrait of Elisabeth Bellinghausen, 1538-39; oil on panel, 34.5 x 24 cm. Mauritshuis, The Hague
Valentin de Boulogne (French, active in Rome, 1591-1632), Christ and the Adulteress, about 1620s; oil on canvas, 167 x 221 cm, The J. Paul Getty Museum
Correggio (Antonio Allegri da Correggio, 1489-1534); Assumption of the Virgin, completed between 1524-1530; fresco, 1195 x 1093 cm; Dome of the Cathedral of Parma, Italy
Alessandro Allori (Italian, 1535-1607), The Descent from the Cross, ca. 1550; oil on copperplate, 70 x 54 cm; Museo del Prado, Madrid
Tiziano Vecellio (1488/1490 - 1576), David and Goliath, 1542-44; oil on canvas, 300 x 285 cm; Basilica di Santa Maria della Salute, Venice
Hans Holbein der Jüngere (German, 1497/1498-1543), Charles de Solier, Sieur de Morette, 1534-1535. Oil on panel, 92.5 x 75.5 cm. Gemäldegalerie Alte Meister, Dresden
Jean Dubuffet (French, 1901-1985), L’Esplanade rose, 1953. Oil on canvas, 89 x 116 cm
Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra
Serge Poliakoff (Russian-born French, 1900-1969), Composition Abstraite, 1957. Oil on canvas, 65 x 81 cm
Stanley Spencer (British, 1891-1959), Workmen in the House, 1935. Oil on canvas, 113 x 91.5 cm
Sandro Botticelli (Florence, 1445-1510) The Birth of Venus, ca. 1485, detail. Galleria degli Uffizi, Florence.Venus, ca. 1490. Oil on canvas, 158 x 68.5 cm. Gemäldegalerie, Berlin
tielan: monsterpeanut: monsterpeanut: monsterpeanut: redsuns-n-orangemoons: kwamenace: bleck-excellence: pharoah-tahan: alwaysbewoke: History books always seem to leave this out. Don’t let them tell you that slaves are our only history. When
kwamenace: bleck-excellence: pharoah-tahan: alwaysbewoke:History books always seem to leave this out. Don’t let them tell you that slaves are our only history. When black people ruled the world History repeats itself
antiqueart: Heinrich Lossow - The Sin (1880)
studying isn't so bad when you discover cool shit
electricity comes back>>hop right the fuck onto tumblr
big ass paper due at 5pm and I am screwed.