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ultrawolvesunderthefullmoon: Katy Wiedemann, “Final Repose”, Oil on Wood Panel, 48x24 inchesThis painting is rendered using the traditional Renaissance oil glazing technique with details in egg oil emulsion.Using traditional Renaissance oil glazing

Madonna with lillies and eight angels (detail) Sandro Botticelli, 1478

Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510

Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 c. - Roma 1547), Madonna del velo [Madonna of the veil] (1533-35), olio su lavagna [oil on slate], Museo Nazionale di Capodimonte, Napoli excerpt from en.wikipedia: “After the elevation of

Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)

Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London

Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 - Roma 1547), Cristo Portacroce (Christ bearing the Cross), c. 1516

Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia

Cosimo Rosselli (Firenze 1439 - 1507), Miracolo del Sangue (Miracle of the Blood), 1584-86, detached fresco; Chiesa di Sant'Ambrogio, Firenze

Jan Gossaert (called Mabuse; Maubege c. 1478 - Middelburg c. 1532), St. Donatian of Rheims, oil on board, after 1510

Sandro Botticelli (Sandro di Mariano Filipepi called il Botticelli; 1444 or 1445 Firenze - Firenze 1510), Compianto sul Cristo morto (Lamentation over the Dead Christ), c. 1495, tempera on panel, 107 x 71 cm; Museo Poldi Pezzoli, Milano

Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana

Hans Memling (Selingenstadt c. 1430 - Bruges 1494); The martyrdom of St. Ursula, 1489, oil on panel (scene from St. Ursula Shrine)

Rosso Fiorentino (Giovanni Battista di Iacopo called il Rosso Fiorentino; Firenze 1495 - Fountainebleau 1540); Assunzione della Vergine (Assumption of the Virgin), 1517; fresco, 385 x 337 cm; Chiostrino dei Voti, Firenze

Matthias Grünewald (Würzburg, ca. 1480 – Halle, 1528); Christ carrying the Cross, c. 1523-24; oil on wood, 152 x 193 cm; Kunsthalle, Karlsruhe

Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze

Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona

Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg

Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia

Frans Floris (Frans de Vriendt called Floris; Antwerp, 1517 - 1570); The Sacrifice of Jesus Christ, 1562; oil on wood, 230 x 165 cm; Musée du Louvre, Paris

Michael Pacher (c. 1435, Bruneck, Sudtyrol - 1498 Salzburg); The Martyrdom of St. Lawrence, c. 1480; oil on panel, 102 x 99 cm; Alte Pinakothek, Munich

Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James

Giovanni Cariani (Giovanni Busi called il Cariani; Fuipiano al Bembo, Bergamo 1485 - Venezia 1547); Resting maiden with a white dog in a landscape, c. 1510; oil on panel, 94 x 74 cm; Gemäldegalerie der Staatlichen Museen, Berlin

Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna

Fra Bartolomeo (real name Baccio della Porta, Firenze 1473 - 1517); Apparizione della Vergine a San Bernardo (the Vision of St. Bernard); 1504; tempera on panel, 220 x 213 cm; Galleria degli Uffizi, Firenze

Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria

Albrecht Altdorfer (Regensburg, c. 1480 - 1538); Der Sieg Karls des Großen über die Awaren bei Regensburg, 1518; oil on wood, 122 x 110,5 cm; Germanishes Nationalmuseum, Nurnberg

Lucas van Leyden (Leiden, 1494 - 1533); Last Judgement (triptych), 1526-27; oil on panel, 435 x 301 cm; Stedelijk Museum De Lakenhal, Leiden

Vittore Carpaccio (Venezia, between 1455 and 1465 - Venezia or Capodistria 1525-26); Madonna col bambino benedicente (Madonna with blessing Child); c. 1505-10; tempera on canvas, 68 x 85 cm; Washington National Gallery of Art

Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań

Hans von Kulmbach (Hans Süß, Kulmbach around 1480 - Nuremberg c. 1522); The Coronation of the Virgin, 1514; oil on panel, 79 x 117 cm; Kunsthistorisches Museum, Vienna

Sandro Botticelli (Firenze, 1445 - 1510); The Story of Nastagio degli Onesti (from Giovanni Boccacio’s Decameron), 4th and final episode (c. 1483); tempera on panel, 142 x 83 cm; Palazzo Pucci (private collection), Firenze

Lorenzo di Credi (Firenze 1456/60 - 1537); Ritratto di giovinetta (portrait of a young woman), ca 1490-1500; oil on wood, 40 x 58,7 cm; Metropolitan Museum of Art, New York City

Raffaello Sanzio (1483-1520), Madonna and Child with saint Giovannino (known as La belle Jardinière), 1507; oil on poplar wood, 122 x 80 cm; Louvre

Andrea Mantegna (1431-1506), Madonna della Vittoria (1495-96); oil on canvas, 285 x 168 cm; Louvre

Piero della Francesca (between 1410/1420 ? - 1492), Battesimo di Cristo (the Baptism of Christ), around 1450; tempera on panel, 167 x 116 cm; National Gallery

Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London

Masaccio (1401-1428), Polittico di Pisa (Pisa Altarpiece), 1426. Upper register - Saint Paul of Tarsus, tempera on gold ground and wood panel, 51x30 cm; Museo Nazionale di San Matteo, Pisa

Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation

attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan

Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan

Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco

attributed to Bernardino Luini (Italian, ca. 1481-1532), previously ascribed to Leonardo da Vinci (1452-1519), Saint Catherine of Alexandria, unknown date; oil on panel, 52 x 44 cm. Statens Museum for Kunst, Copenhagen

Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,

Franciabigio (ca. 1482- 1525), Portrait of a Knight of Rhodes, 1514; oil on panel, 60.3 x 45.7 cm; National Gallery, London

Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna

Hans Baldung (called Hans Baldung ‘Grien’, German, ca. 1484-1545), Madonna with Child and parrots, 1533; oil or tempera on lime panel, 91.5 x 63.3; Germanisches Nationalmuseum, Nuremberg

Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid

Barthel (also Bartholomäus) Bruyn the Elder (German, 1493-1555), Portrait of Elisabeth Bellinghausen, 1538-39; oil on panel, 34.5 x 24 cm. Mauritshuis, The Hague

Dirck Jacobsz (Dutch, 1497-1567), Portrait of a Woman, around 1530; oil on panel, 43 x 33 cm; Musée de Beaux-Arts et d’Archéologie de Besançon

Andrea del Sarto (1486-1530), Giuseppe interpreta i sogni del Faraone (Joseph interprets the Dream of Pharaoh), ca. 1515-16; oil on board, 98 x 135 cm; Galleria Palatina, Florence

Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York

Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna

Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence

Sandro Botticelli (Florence, 1445-1510) The Birth of Venus, ca. 1485, detail. Galleria degli Uffizi, Florence.Venus, ca. 1490. Oil on canvas, 158 x 68.5 cm. Gemäldegalerie, Berlin

Alesso Baldovinetti (Italian, 1425-1499), Madonna and Child, ca. 1460-65. Tempera on wood panel, 106 x 75 cm. Musée du Louvre, Paris

Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral

French School, Virgin and Child, 1490-1500. Panel from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville. Oil on panel, 116 × 49.5 cm; the Art Institute of Chicago

jedavu: Teenage Mutant Ninja Turtles Painted As The Renaissance Painters They Were Named AfterNew York-based New Zealand Artist Owen Dippie has painted a mural of four Renaissance Artists, Leonardo, Raphael, Michaelangelo and Donatello, as the Teenage

hentaiboobsout:In my spare time, i am actually a renaissance painting

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