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watsoms: “ I could never really imagine myself doing one thing, and I’m pretty sure that I’ll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want
brain-food: Worth1000 has run an on-going series of photo manipulation contests—titled “Superhero ModRen”—that challenges members of its community to paint comic book superheroes into classic Renaissance artworks.
nietzssche: archive moodboard → @silver-lined-renaissance-mindLike a painting humanity is composed of dark and bright shades of colors. We can touch the light but our bodies will always cast a shadow.
tmpls: hoeirl: “When I walk into a church, I only see paintings of white angels. Why?" Eartha Kitt Yeah!!! That’s ridiculous. They recently discovered that a TON of Renaissance art originally depicted black people but their skin color
rumminov: umbritis: savedchicken: Some kinda re-do of the “Archangel Micheal” painting by Giordano. Haha I’ll stop with the weird renaissance angely stuff soon. It’s just really fun to do ergrh! Here’s how I drew this. oh wow this is
crossconnectmag: Hand-Painted Carpets by Jason Seife Reinventing his favorite eras in Art History, mostly Renaissance, through the mediums and techniques that were not yet discovered or utilized at the time, Miami-based artist, Jason Seife (born 1989)
tiny-librarian: A Pennsylvania museum has solved the mystery of a Renaissance portrait in an investigation that spans hundreds of years, layers of paint and the murdered daughter of an Italian duke. Among the works featured in the Carnegie Museum’s
captainirrayditation: dangerhamster: marblefacade: its crazy that leonardo da vinci could paint and invent all that stuff and still find time to be a crime fighting turtle and he was amazing in Titanic a real renaissance man.
horror-is-not-dead: This painting by Hans Baldung a German Renaissance artist is called “Three Ages of Woman and Death". It shows the figure of death or as Hans Baldung called it “Der Ritter" holding up an hour glass. When observed, it
horror-is-not-dead: This painting by Hans Baldung a German Renaissance artist is called “Three Ages of Woman and Death”. It shows the figure of death or as Hans Baldung called it “Der Ritter” holding up an hour glass. When observed, it came to
gloomaviator: concretejunglegym: indefenseofart: Art History remixed— Cuban-American artist Cesar Santos’s painting series, “syncretism” mixes iconic work by masters from Renaissance to Modernism: including works in the style of De Kooning,
necspenecmetu: Master known as the Pseudo Granacci, Saint Sebastian, c. 1510
necspenecmetu: Valentin de Boulogne, Allegory of Italy, c. 1627-8
npr: She was one of the great female protagonists of the late-Renaissance art world. Forgotten in the 18th and 19th centuries, she was rediscovered in the 20th as a feminist icon. Thirty paintings by Artemisia Gentileschi are on view at Rome’s Palazzo
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Andrea del Verrocchio (Firenze, 1436 - Venezia, 1488), San Girolamo (Saint Jerome), c. 1465 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-11760.html
Pontormo (Jacopo Carrucci, 1494 Pontorme - 1557 Firenze); Niccolò Ardighelli, 1518
Anonymous, The Great Flood, approximately 1450 - 1499, oil on panel, 122 cm x 98 cm; Rijksmuseum Amsterdam (via commons.wikimedia.org)
Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma
Antonio del Pollaiolo (Antonio Benci called il Pollaiolo; Firenze 1431 or 1432 - Roma 1498); David vittorioso (David victorious over Goliath); c. 1472; tempera on wood; Staatliche Museen, Berlin
Hugo van der Goes (Ghent c. 1440 - Oudergem 1482); Death of the Virgin, c. 1475 -1480; oil on oak panel
Palma il Vecchio (Jacopo Negretti called Palma il Vecchio; Serina, Bergamo, 1480 - Venezia 1528); Diana e Callisto, 1525-28; oil on panel, 124 x 78 cm; Kunsthistorisches Museum, Vienna enlarge
artmastered: Vittore Carpaccio, The Ambassadors Depart, 1495-1500
Moretto da Brescia (Alessandro Bonvicino called il Moretto; Brescia 1498 - 1554); Saletta delle nobili dame (Hall of the noble ladies), 1543, fresco; Palazzo Martinengo, Brescia
Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); La cena nella casa di Levi (the feast in the house of Levi), 1573; oil on canvas, 1280 x 555 cm; Gallerie dell'Accademia, Venezia
Antonello da Messina (Antonello di Giovanni de Antonio called Antonello da Messina; Messina, Sicily, c. 1430 - 1479); Ritratto d'uomo (portrait of a man) or Ritratto Trivulzio, 1476; oil on wood, 29,5 x 37,4 cm; Museo civico d'arte antica, Torino
El Greco (Dominikos Theotokopoulos; Duchy of Candia 1541 - Toledo 1614); Laocoon, 1610-14; oil on canvas, 172 x 137 cm; National Museum of Art, Washington D.C.
Petrus Christus (Baerle c. 1410 - Bruges c. 1475); Lamentation over the dead Christ, c. 1450; oil on panel, 188 x 98 cm; Musée Royaux des Beaux-Arts, Brussels
Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris
Hugo van der Goes (Ghent c. 1430/1440 – Auderghem 1482); Monforte Altarpiece, c. 1470, Oil on wood, 247 x 150 cm, Staatliche Museen, Berlin
Antonello da Messina. St. Jerome in his Study. c.1475 by arthistory390 on Flickr.
Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society
Benozzo Gozzoli (ca. 1420 - 1497), Madonna col Bambino e angeli tra i santi Giovanni Battista, Maria Maddalena, Agostino e Marta, 1466; tempera and gold on panel; San Gimignano, Museo Civico
Tiziano Vecellio (1490-1576), St Margaret and the Dragon, ca. 1565; oil on canvas, 209 x 183 cm; Museo del Prado
artmastered: Vittore Carpaccio, The Birth of the Virgin, 1504-08, tempera on canvas, 126 x 128 cm, Accademia Carrara, Bergamo. Source I studied this painting in second year, in the context of Renaissance interiors. Carpaccio is a good artist to look
El Greco (Spanish born in Crete, 1541-1614), The penitent Mary Magdalene, 1576-78; oil on canvas, 156 x 121 cm; Szépművészeti Múzeum, Budapest
Petrus Christus (Flemish, 1410-1475), Portrait of a Carthusian, 1446; oil on oak panel, 29.2 x 18.7 cm; Metropolitan Museum of Art “Portrait of a Carthusian featured a halo above the monk’s head when it was acquired by the Metropolitan Museum of
Correggio (Antonio Allegri da Correggio, 1489-1534); Assumption of the Virgin, completed between 1524-1530; fresco, 1195 x 1093 cm; Dome of the Cathedral of Parma, Italy
Tiziano Vecellio (1488/1490 - 1576), David and Goliath, 1542-44; oil on canvas, 300 x 285 cm; Basilica di Santa Maria della Salute, Venice
Vittore Carpaccio (Italian, 1465-1526), Crocifissione dei Diecimila Martiri sul monte Ararat (Crucifixion of 10,000 Martyrs at Mount Ararat), 1515; oil on canvas, 307 x 205 cm; Gallerie dell’Accademia, Venice
Hans Holbein der Jüngere (German, 1497/1498-1543), Charles de Solier, Sieur de Morette, 1534-1535. Oil on panel, 92.5 x 75.5 cm. Gemäldegalerie Alte Meister, Dresden
Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid
Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), detail, 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid
Moretto da Brescia (Alessandro Bonvicino called il Moretto, Italian, c.1498-1554), Portrait of a Young Man - Fortunato Martinengo Cesaresco? -, c. 1540-1545. Oil on canvas, 114 x 94.5 cm; National Gallery, London
Parmigianino (Italian, 1503-1540), Santa Barbara, c. 1522. Oil on panel, 48 x 39 cm. Museo del Prado, Madrid
Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National
indi-dork: rowantheexplorer: iunia-kallistrate: whatthefoucault: rowantheexplorer: drst: tiny-librarian: A Pennsylvania museum has solved the mystery of a Renaissance portrait in an investigation that spans hundreds of years, layers of paint and
troyschooneman: Final portrait of the beautiful Kyle from the United States. This portrait is entitled “The Renaissance Lover II” and is inspired by the paintings and style of the early Mannerists. www.troyschooneman.com
troyschooneman: Final portrait of the beautiful David from the United States. This portrait is entitled “The Renaissance Lover II” and is inspired by the paintings and style of the early Mannerists. www.troyschooneman.com
Michael Browne painted this tribute to Eric Cantona based on Italian Renaissance artist Piero della Francesca’s painting Resurrection
sotouchy: thee-renaissance-man:strongblackbrotha:What black women look like in my eyes. How I see them.Just beautiful i wish people would stop painting black women like this
cattoysandgear: Géricault - Portrait de Carabinier - Renaissance Pet/Dog/Cat Portrait - Digital personalized pet portrait painting using your Photo cat toys
indefenseofart: Art History remixed— Cuban-American artist Cesar Santos’s painting series, “syncretism” mixes iconic work by masters from Renaissance to Modernism: including works in the style of De Kooning, van Gogh, Goya, Michelangelo, Rothko
hifructosemag: A self-described history nerd, Mike Davis is a San Francisco-based artist who paints scenes stuck in another time. His detailed oil paintings are rife with personal symbolism and minuscule narratives, evoking Renaissance painters such
GIOVANNA TORNABUONI AND THE GRACES, 1483–1486, Sandro Botticelli
hadrian6: Judith Beheading Holofernes. Lost Caravaggio found in French attic causes rift in art world !Painting valued at up to 质 million found by accident believed by many to be work of Renaissance master.http://hadrian6.tumblr.com
ganymedesrocks: giodelcasoworld: Italian school Also called Girolamo da Brescia, Giovanni Girolamo Savoldo (1480 - 1548), who painted this circa 1525 Shepherd with a Flute, was an Italian High Renaissance painter, essentially active in Venice, noted
asylum-art: Miniature hyperrealistic paintings by Dina Brodsky Facebook The techniques used to create Italian Renaissance-era fresco paintings, 15th-century Flemish portraits, illuminated manuscripts, and Islamic miniature art have all played a role
wetheurban: ART: Cesar Santos’ Masterfully Remixed Paintings Artist Cesar Santos’ paintings seemingly bring the works of masters – from the Renaissance to the nineteenth century to Modernism – together, juxtaposing their styles one on top of
![Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma](https://64.media.tumblr.com/72174e4fbe350d857f40023dcdc3dea8/tumblr_mwizs4ge0q1qzxzwso1_250.jpg)
