renaissance art
NSFW Tumblr
find renaissance art on porn pin board
renaissance art clips
Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia
Michelangelo (Michelangelo Buonarroti; Caprese [now Caprese Michelangelo], Arezzo, 1475 - Roma 1564); Tomb of Pope Julius II (lower half) with the Moses, 1513-15 - 1542-45; Church of San Pietro in Vincoli, Roma
Giovanni Cariani (Giovanni Busi called il Cariani; Fuipiano al Bembo, Bergamo 1485 - Venezia 1547); Resting maiden with a white dog in a landscape, c. 1510; oil on panel, 94 x 74 cm; Gemäldegalerie der Staatlichen Museen, Berlin
Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna
Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria
Lucas van Leyden (Leiden, 1494 - 1533); Last Judgement (triptych), 1526-27; oil on panel, 435 x 301 cm; Stedelijk Museum De Lakenhal, Leiden
Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań
Hans von Kulmbach (Hans Süß, Kulmbach around 1480 - Nuremberg c. 1522); The Coronation of the Virgin, 1514; oil on panel, 79 x 117 cm; Kunsthistorisches Museum, Vienna
Sandro Botticelli (Firenze, 1445 - 1510); The Story of Nastagio degli Onesti (from Giovanni Boccacio’s Decameron), 4th and final episode (c. 1483); tempera on panel, 142 x 83 cm; Palazzo Pucci (private collection), Firenze
Raffaello Sanzio (1483-1520), Madonna and Child with saint Giovannino (known as La belle Jardinière), 1507; oil on poplar wood, 122 x 80 cm; Louvre
Andrea Mantegna (1431-1506), Madonna della Vittoria (1495-96); oil on canvas, 285 x 168 cm; Louvre
Piero della Francesca (between 1410/1420 ? - 1492), Battesimo di Cristo (the Baptism of Christ), around 1450; tempera on panel, 167 x 116 cm; National Gallery
Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London
Masaccio (1401-1428), Polittico di Pisa (Pisa Altarpiece), 1426. Upper register - Saint Paul of Tarsus, tempera on gold ground and wood panel, 51x30 cm; Museo Nazionale di San Matteo, Pisa
Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation
attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan
Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence
Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan
Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco
Dosso Dossi (about 1490-1542), Mythological Scene (Allegory of Pan), about 1524; oil on canvas, 164 x 145 cm; J. Paul Getty Museum, Los AngelesThe questions concerning the meaning of the painting have given rise to many theories among scholars, who tried
attributed to Bernardino Luini (Italian, ca. 1481-1532), previously ascribed to Leonardo da Vinci (1452-1519), Saint Catherine of Alexandria, unknown date; oil on panel, 52 x 44 cm. Statens Museum for Kunst, Copenhagen
El Greco (Spanish born in Crete, 1541-1614), The penitent Mary Magdalene, 1576-78; oil on canvas, 156 x 121 cm; Szépművészeti Múzeum, Budapest
Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,
Franciabigio (ca. 1482- 1525), Portrait of a Knight of Rhodes, 1514; oil on panel, 60.3 x 45.7 cm; National Gallery, London
Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna
Hans Baldung (called Hans Baldung ‘Grien’, German, ca. 1484-1545), Madonna with Child and parrots, 1533; oil or tempera on lime panel, 91.5 x 63.3; Germanisches Nationalmuseum, Nuremberg
Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid
Barthel (also Bartholomäus) Bruyn the Elder (German, 1493-1555), Portrait of Elisabeth Bellinghausen, 1538-39; oil on panel, 34.5 x 24 cm. Mauritshuis, The Hague
Andrea del Sarto (1486-1530), Giuseppe interpreta i sogni del Faraone (Joseph interprets the Dream of Pharaoh), ca. 1515-16; oil on board, 98 x 135 cm; Galleria Palatina, Florence
Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio
Correggio (Antonio Allegri da Correggio, 1489-1534); Assumption of the Virgin, completed between 1524-1530; fresco, 1195 x 1093 cm; Dome of the Cathedral of Parma, Italy
Tiziano Vecellio (1488/1490 - 1576), David and Goliath, 1542-44; oil on canvas, 300 x 285 cm; Basilica di Santa Maria della Salute, Venice
Vittore Carpaccio (Italian, 1465-1526), Crocifissione dei Diecimila Martiri sul monte Ararat (Crucifixion of 10,000 Martyrs at Mount Ararat), 1515; oil on canvas, 307 x 205 cm; Gallerie dell’Accademia, Venice
Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna
Hans Holbein der Jüngere (German, 1497/1498-1543), Charles de Solier, Sieur de Morette, 1534-1535. Oil on panel, 92.5 x 75.5 cm. Gemäldegalerie Alte Meister, Dresden
Alesso Baldovinetti (Italian, 1425-1499), Madonna and Child, ca. 1460-65. Tempera on wood panel, 106 x 75 cm. Musée du Louvre, Paris
Parmigianino (Italian, 1503-1540), Santa Barbara, c. 1522. Oil on panel, 48 x 39 cm. Museo del Prado, Madrid
Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral
ganymedesrocks: loumargi: Endymion, 1886 ~Hans Thoma Hans Thoma (1839 - 1924), was one of Germany’s outstanding painters of the 19th century, who found in the observation of Renaissance art a means of contemporary expression which played a major role
Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art.
lylaha: zandhand:ghostcongregation: rennaissance painters: what is a baby? a small man? every time i see this post it’s accompanied by a different horrifying painted man baby
sinistropteryx: So everyone knows that the whole “winged human” depiction of angels is more of a renaissance art thing, and angels are actually supposed to look like weird otherworldly monsters with many eyes and six wings and things like that. Except
saltycornchip: best-of-memes: Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art this is currently my favorite thing on the entire internet
isabelasbooty: i fucking love renaissance art like i saw this piece today that depicted the virgin’s immaculate conception as a tiny jesus flying in through a window on a collision course with mary’s hoo ha like LOOK AT HIM GO
ktittysivitits: heyfunniest: Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art. FOUND COMPOSITION
meechwilliamston: 11thsense: Blanc Details (2017) Renaissance art
vasoconstrict: Me as Venus de Milo by Botticelli Redefining Renaissance beauty standards 😋
heyfunniest: Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art.
saltycornchip:best-of-memes: Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art this is currently my favorite thing on the entire internet
crazyress: heyfunniest: Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art. this is legitimately the best thing i’ve ever seen
saltycornchip:best-of-memes:Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art this is currently my favorite thing on the entire internet
learnarthistory: The Three Graces by Raphael (1505) #high renaissance #art https://t.co/QxhxJOuiBq http://ift.tt/2gXK3I2
i like a lot of renaissance art
oddersite: renaissance art
Also the renaissance faire is coming up and ima go as Brutaak! I’ve never made anything like cosplay before so this is my first crack at EVA foam armor and I’m real proud how it came out!
theknidianaphrodite: renaissance-art: Giulio Romano c. 1525 Lovers (detail)
![Michelangelo (Michelangelo Buonarroti; Caprese [now Caprese Michelangelo], Arezzo, 1475 - Roma 1564); Tomb of Pope Julius II (lower half) with the Moses, 1513-15 - 1542-45; Church of San Pietro in Vincoli, Roma](https://64.media.tumblr.com/23c104b333d75ddd8f6a2597fd5bafe6/tumblr_n1cyhhQgGh1qzxzwso1_250.jpg)
![Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria](https://64.media.tumblr.com/2a7de9ac0ce1cad4224a01477fa0226e/tumblr_n5kovivRbe1qzxzwso1_250.jpg)
![Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna](https://64.media.tumblr.com/08da1b1eff6d0312afcae5fcd69b6550/tumblr_pvltfyXBK21qzxzwso1_250.jpg)
![Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral](https://64.media.tumblr.com/f0b88eebb7d60bccfde75986e869a439/4a22cb1842fc9391-8c/s500x750/45ab72aa72ba3ce338455bcc6de5d8052bdee815.jpg)
