renaissance art
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Ferri Study by *HoustonSharp
sofimar: Summer Evening - Anders Zorn
thegoblinmarketofficial: Wolves for Breakfast.By Kassandra Leigh Tumblr
wetheurban: ART: Hip Hop x High Art = Fly Art Fly Art, a Tumblr account created by students Gisella Velasco and Toni Potenciano has been perfectly mixing popular rap lyrics and Renaissance paintings since December 2013 and we only can hope that they
onthesideoftheotters: unicornamber: elenaflutterby: Tangled comparisons - concept art to the final film. why the fuck is the concept art so much better holy shit i thought the concept art was art from the renaissance jfc
art-of-swords: European Dagger Dated: late 19th century Measurements: overall length: 24,5 cm (9-½ inches) The handle is ornated with figure holding a tazza in a Renaissance attire while the scabbard features different army trophies. Source:
necspenecmetu: Master known as the Pseudo Granacci, Saint Sebastian, c. 1510
necspenecmetu: Valentin de Boulogne, Allegory of Italy, c. 1627-8
Madonna with lillies and eight angels (detail) Sandro Botticelli, 1478
Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510
Joachim Patinir (1480 or 1485 - 1524) a) Rest during the flight to Egypt, oil on panel, 121 x 177 cm, Museo del Prado, Madrid b) The rest on the flight into Egypt, painted after 1515, oil on panel, 62 x 78 cm, Gemäldegalerie, Berlin
Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 c. - Roma 1547), Madonna del velo [Madonna of the veil] (1533-35), olio su lavagna [oil on slate], Museo Nazionale di Capodimonte, Napoli excerpt from en.wikipedia: “After the elevation of
Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)
Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London
Pontormo (Jacopo Carrucci, 1494 Pontorme - 1557 Firenze); Niccolò Ardighelli, 1518
Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 - Roma 1547), Cristo Portacroce (Christ bearing the Cross), c. 1516
Anonymous, The Great Flood, approximately 1450 - 1499, oil on panel, 122 cm x 98 cm; Rijksmuseum Amsterdam (via commons.wikimedia.org)
Cosimo Rosselli (Firenze 1439 - 1507), Miracolo del Sangue (Miracle of the Blood), 1584-86, detached fresco; Chiesa di Sant'Ambrogio, Firenze
Jan Gossaert (called Mabuse; Maubege c. 1478 - Middelburg c. 1532), St. Donatian of Rheims, oil on board, after 1510
Sandro Botticelli (Sandro di Mariano Filipepi called il Botticelli; 1444 or 1445 Firenze - Firenze 1510), Compianto sul Cristo morto (Lamentation over the Dead Christ), c. 1495, tempera on panel, 107 x 71 cm; Museo Poldi Pezzoli, Milano
Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma
Antonio del Pollaiolo (Antonio Benci called il Pollaiolo; Firenze 1431 or 1432 - Roma 1498); David vittorioso (David victorious over Goliath); c. 1472; tempera on wood; Staatliche Museen, Berlin
Hugo van der Goes (Ghent c. 1440 - Oudergem 1482); Death of the Virgin, c. 1475 -1480; oil on oak panel
Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana
Hans Memling (Selingenstadt c. 1430 - Bruges 1494); The martyrdom of St. Ursula, 1489, oil on panel (scene from St. Ursula Shrine)
Palma il Vecchio (Jacopo Negretti called Palma il Vecchio; Serina, Bergamo, 1480 - Venezia 1528); Diana e Callisto, 1525-28; oil on panel, 124 x 78 cm; Kunsthistorisches Museum, Vienna enlarge
artmastered: Vittore Carpaccio, The Ambassadors Depart, 1495-1500
Rosso Fiorentino (Giovanni Battista di Iacopo called il Rosso Fiorentino; Firenze 1495 - Fountainebleau 1540); Assunzione della Vergine (Assumption of the Virgin), 1517; fresco, 385 x 337 cm; Chiostrino dei Voti, Firenze
Matthias Grünewald (Würzburg, ca. 1480 – Halle, 1528); Christ carrying the Cross, c. 1523-24; oil on wood, 152 x 193 cm; Kunsthalle, Karlsruhe
Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze
Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona
Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg
Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia
Frans Floris (Frans de Vriendt called Floris; Antwerp, 1517 - 1570); The Sacrifice of Jesus Christ, 1562; oil on wood, 230 x 165 cm; Musée du Louvre, Paris
Michael Pacher (c. 1435, Bruneck, Sudtyrol - 1498 Salzburg); The Martyrdom of St. Lawrence, c. 1480; oil on panel, 102 x 99 cm; Alte Pinakothek, Munich
Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James
Moretto da Brescia (Alessandro Bonvicino called il Moretto; Brescia 1498 - 1554); Saletta delle nobili dame (Hall of the noble ladies), 1543, fresco; Palazzo Martinengo, Brescia
Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); La cena nella casa di Levi (the feast in the house of Levi), 1573; oil on canvas, 1280 x 555 cm; Gallerie dell'Accademia, Venezia
Fra Bartolomeo (real name Baccio della Porta, Firenze 1473 - 1517); Apparizione della Vergine a San Bernardo (the Vision of St. Bernard); 1504; tempera on panel, 220 x 213 cm; Galleria degli Uffizi, Firenze
Albrecht Altdorfer (Regensburg, c. 1480 - 1538); Der Sieg Karls des Großen über die Awaren bei Regensburg, 1518; oil on wood, 122 x 110,5 cm; Germanishes Nationalmuseum, Nurnberg
Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris
Hugo van der Goes (Ghent c. 1430/1440 – Auderghem 1482); Monforte Altarpiece, c. 1470, Oil on wood, 247 x 150 cm, Staatliche Museen, Berlin
Benozzo Gozzoli (ca. 1420 - 1497), Madonna col Bambino e angeli tra i santi Giovanni Battista, Maria Maddalena, Agostino e Marta, 1466; tempera and gold on panel; San Gimignano, Museo Civico
Tiziano Vecellio (1490-1576), St Margaret and the Dragon, ca. 1565; oil on canvas, 209 x 183 cm; Museo del Prado
Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds
Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), detail, 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid
Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National
fan-art-ic:My art history teacher is like “there were ZERO women artists during the renaissance well there was Sofonisba but that’s it” and I’m STEAMING bc there WERE more female artists during the Renaissance and I KNOW this bc
captain-snark: twinkleofafadingstar: “FANART IS NOT REAL ART!!!” Do we need to talk about the relationship between the Renaissance and the Bible #SCULPT SOME ORIGINAL CHARACTERS IF YOU WANT YOUR ART TO BE RESPECTED MICHELANGELO
cma-drawing: Head of a Man, Alphonse Legros , 1886, Cleveland Museum of Art: DrawingsIt would be difficult to label this drawing as a portrait, an ideal head, or the transformation of a Renaissance figure into a contemporary person because the art of
art-of-swords: SwordDated: 16th centuryMaker: unknown Culture: FrenchSource: Copyright © 2015 Grand Palais (Musée de la Renaissance, Château d'Ecouen)/Photo: Thierry Ollivier
asylum-art: Miniature hyperrealistic paintings by Dina Brodsky Facebook The techniques used to create Italian Renaissance-era fresco paintings, 15th-century Flemish portraits, illuminated manuscripts, and Islamic miniature art have all played a role
padme-gusta: Appreciating the medieval and Renaissance European art exhibits at the Metropolitan Museum of Art, New York City.
asylum-art-2: Towering wooden renaissance-style sculptures Manolo Garcia works out of his shop in Valencia, Spain, constructing sculptures of epic proportions fashioned after renaissance-era portraits, sculptures, and ornaments. Referred to by Garcia
art-et-musique: Enkel Dika - Renaissance Rocks
asylum-art: Remarkable Celebrities in the Renaissance! Today we want to blow your mind with the following experiment. Let’s imagine that now is the Renaissance. How would look celebrities in the Renaissance? Artists from creative website worth1000.com
![Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 c. - Roma 1547), Madonna del velo [Madonna of the veil] (1533-35), olio su lavagna [oil on slate], Museo Nazionale di Capodimonte, Napoli excerpt from en.wikipedia: “After the elevation of](https://64.media.tumblr.com/c0c5b7d8f70b38c1e7cbe8bdb9ec53fe/tumblr_msve7dUgop1qzxzwso1_250.jpg)
![Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma](https://64.media.tumblr.com/72174e4fbe350d857f40023dcdc3dea8/tumblr_mwizs4ge0q1qzxzwso1_250.jpg)
![Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James](https://64.media.tumblr.com/7498f8b23333e14b74f96c998b61eb49/tumblr_n267ha4WkR1qzxzwso1_250.jpg)
