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Mattia Preti (Taverna, Calabria, 1613 - Valletta, Malta, 1699); Morte di Sofonisba or Sofonisba riceve il calice (Death of Sophonisba or Sophonisba receiving the goblet), not dated (after 1630); oil on canvas, 178 x 202 cm; Musée des Beaux-Arts, Lyon
Tiziano Vecellio (Pieve di Cadore 1488-90 - Venezia 1576); Il supplizio di Marsia (The flaying of Marsyas), c. 1570; oil on canvas, 212 x 207 cm; National Museum, Kroměříž, Czech Republic
Palma il Vecchio (Jacopo Negretti called Palma il Vecchio; Serina, Bergamo, 1480 - Venezia 1528); Diana e Callisto, 1525-28; oil on panel, 124 x 78 cm; Kunsthistorisches Museum, Vienna enlarge
Domenichino (Domenico Zampieri called il Domenichino; Bologna 1581 - Napoli 1641); Diana e le sue Ninfe (Diana and her Nymphs), 1617; oil on canvas, 320 x 225 cm; Roma, Galleria Borghese
Telemaco Signorini (Firenze, 1835 - 1901), Mattinata nei pressi dell'Arno (A morning by the Arno), 1868; oil on canvas
Caravaggio (Michelangelo Merisi da Caravaggio; Milano 1571 - Porto Ercole 1610) a) The Sacrifice of Isaac, 1598, oil on canvas (135 x 104 cm); Galleria degli Uffizi, Firenze b) The Sacrifice of Isaac [uncertain attribution], 1597-99, oil on canvas (173
Carlo Saraceni (Venezia, 1579 - 1620), Il Diluvio Universale (The Deluge), c. 1610; oil on canvas, 92 x 117 cm
Eugenio De Blaas (also known as Eugene de Blaas, Eugene von Blaas, etc.; Albano Laziale 1843 - Venezia 1931); Pulcinella in convento (Punch Puppet at the convent), n/d; oil on canvas, private collection
Mattia Preti (also called il Cavaliere Calabrese; Taverna, Catanzaro, 1613 - Valletta, Malta, 1699); Feast of Herod, 1656-61; oil on canvas, 252 x 177 cm; Toledo Museum of Art
Giovanni Lanfranco (Terenzo, Parma, 1582 - Roma 1647); Erminia tra i pastori (Erminia among the shepherds), 1633-37; oil on canvas, 196 x 146 cm; Pinacoteca dei Musei Capitolini, Roma
Moretto da Brescia (Alessandro Bonvicino called il Moretto; Brescia 1498 - 1554); Saletta delle nobili dame (Hall of the noble ladies), 1543, fresco; Palazzo Martinengo, Brescia
Giambattista Tiepolo (Venezia 1696 - Madrid 1770); Mosè salvato dalle acque (The finding of Moses), c. 1740; oil on canvas, 339 x 200 cm; National Gallery of Scotland, Edimburgh
Giovanni Cariani (Giovanni Busi called il Cariani; Fuipiano al Bembo, Bergamo 1485 - Venezia 1547); Resting maiden with a white dog in a landscape, c. 1510; oil on panel, 94 x 74 cm; Gemäldegalerie der Staatlichen Museen, Berlin
Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); La cena nella casa di Levi (the feast in the house of Levi), 1573; oil on canvas, 1280 x 555 cm; Gallerie dell'Accademia, Venezia
Antonello da Messina (Antonello di Giovanni de Antonio called Antonello da Messina; Messina, Sicily, c. 1430 - 1479); Ritratto d'uomo (portrait of a man) or Ritratto Trivulzio, 1476; oil on wood, 29,5 x 37,4 cm; Museo civico d'arte antica, Torino
Renato Guttuso (Bagheria, Palermo, 1911 - Roma 1987); Fuga dall'Etna (Flight from Etna), 1940; Galleria Nazionale d'Arte Moderna, Roma
Giovanni Francesco Romanelli (called Raffaellino or Il Viterbese; Viterbo, 1610 - 1662); Galatea, n/d; oil on canvas, 298 x 198 cm
Orazio Gentileschi (Pisa 1563 - London 1639), Danae, c. 1621; oil on canvas, 228 x 163 cm; Cleveland Museum of Art
Guido Reni (Calvenzano 1575 - Bologna 1642); Cleopatra with the Asp, c. 1630; oil on canvas, 95 x 114 cm; Royal Collection, Windsor Castle
Giovanni Fattori (Livorno 1825 - Firenze 1908); La diligenza a Sesto (The stage coach at Sesto), c. 1872-73; oil on canvas; 53,5 x 39,5 cm high definition and zoomable image at http://www.museidigenova.it/zoom/fattori.jpg
Giulio Carpioni (Venezia 1613 - Verona 1678); Bacchanal, 1665-70; oil on canvas, Federico Zeri’s art collection
Guercino (Giovanni Francesco Barbieri called il Guercino; Cento, 1591 - Bologna, 1666); David con la testa di Golia (David with the head of Goliath), ca. 1650; oil on canvas, 102 x 120,5 cm; National museum of western art, Tokyo
Gino Severini (Cortona 1883 - Paris 1966); Sulla spiaggia (on the beach), c. 1948; oil on canvas, 251 x 175.5 cm; private collection
Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris
Ambrogio Lorenzetti (Siena, c. 1290 - 1348); Allegories of the Good and Bad Government and their Effects on the City and on the Country (partial view), 1338-39; fresco, 200 cm x 770 cm x 1440 cm; Sala della Pace (also known as Sala dei Nove), Palazzo
Francesco Guardi (Venezia, 1712 - 1793); The lagoon looking toward Murano from the Fondamenta Nuove, 1765-70; oil on canvas, 52.7 x 31.7 cm; Fitzwilliam Museum, Cambridge
Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań
Giacomo Balla (Torino 1871 - Roma 1948); Il Fallimento (the Bankruptcy), 1902; oil on canvas
Sandro Botticelli (Firenze, 1445 - 1510); The Story of Nastagio degli Onesti (from Giovanni Boccacio’s Decameron), 4th and final episode (c. 1483); tempera on panel, 142 x 83 cm; Palazzo Pucci (private collection), Firenze
Artemisia Gentileschi (Roma 1593 - Napoli 1656); Susanna e i vecchioni (Susanna and the elders), 1622; oil on canvas, 123 x 161.3 cm; Burghley House, Stamford
Lorenzo di Credi (Firenze 1456/60 - 1537); Ritratto di giovinetta (portrait of a young woman), ca 1490-1500; oil on wood, 40 x 58,7 cm; Metropolitan Museum of Art, New York City
Pisanello (before 1390 - 1455 c.), Madonna della Quaglia; around 1420, tempera and gold on board, 50 x 33 cm
lyghtmylife: Paolo VERONESE [Italian Mannerist Painter, ca.1528-1588] The Vision of St Helenac. 1580Oil on canvas, 166 x 134 cmPinacoteca, Vatican The subject of the painting is the story of the vision, or more correctly the dream, which, according
kundst: Guido Cagnacci (Ital. 1601 – 1663) David with the Head of Goliath Gagnacci was an Italian painter of the late-Baroque period, belonging to the Forlì painting school and to the Bolognese School.
Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco
Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,
athousandwinds: St. Joseph with the Infant Jesus, 1620s, oil on canvas by Guido Reni, Italian, 1575-1642. The Hermitage, St. Petersburg, Russia. Reni’s painting, with the Virgin Mary resting in the background, is most likely that of the Holy Family’s
Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna
canforasoap: asininescent: Eschilo Gozzano (Italian, born 1975), Living Statue (2019), oil paint and pencil on inkjet print “considera, tu che guardi la Living Statue con occhio critico, la formidabile difficoltà di aggiungere dei peli dove prima
thunderstruck9:Lucio Fontana (Italian, 1899-1968), Concetto spaziale, 1953. Waterpaint and painted Murano glass on canvas, 61 x 50 cm.
kundst:Guido Cagnacci (It. 1601 – 1663) David with the Head of Goliath Gagnacci was an Italian painter of the late-Baroque period, belonging to the Forlì painting school and to the Bolognese School.
canforasoap: Eschilo Gozzano (Swiss-Italian, born 1975), Disembodied Woman, 2019. Oil paint on inkjet print.
itscolossal:New Classical Paintings Reimagined as Part of Modern-Day Italian Life by Alexey Kondakov
gay-impressionist:Obsessed by this statue I saw today in Le Havre (France) from the Italian sculptor Fabio Viale. The design isn’t painted on… The ink is injected inside the marble like a real tattoo. And if I remember correctly what the
treasures-and-beauty: Italian, Cantagalli, circa 1900-1910 VASE of slender ovoid form with twisted lotus leaf handles, the garlic mouth enclosed by the moulded leaf terminals, boldly painted with lush green foliage against a ground of copper lustre
blondebrainpower: Censored Art Stephen Colbert doesn’t know a lot about art, but he’s devoted six minutes of his show this week to analyzing the difference between it and porn. As you might have heard, a famous nude painting by Italian artist Amedeo
red-lipstick: Alessandro Papetti (Italian, b. 1958, Milan, Italy) - Baroque - Presence, 2011 Paintings: Oil on Linen
lif-yeah: bidonica: In the Italian city of Verona, local street artist Cibo paints colorful wall art full of appetizing food over neo-nazi graffiti (x) “It’s my civic duty, and my right … honestly I feel like have a right to cover [erase] these
blue-electric-blue: Art’s great nudes have gone skinny Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodies to what the 21st century considers an ideal of beauty.
gay-impressionist:Obsessed by this statue I saw today in Le Havre (France) from the Italian sculptor Fabio Viale. The design isn’t painted on… The ink is injected inside the marble like a real tattoo. And if I remember correctly what the guide said,
elitistfashionista: symmetrism: What if art’s great nudes had gone skinny Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodies to what the 21st century considers
“The infant Hercules strangling serpents in his cradle”, (1743)Painting by Italian painter Pompeo Batoni
Hyperrealistic painting by Italian painter Marco Grassi.
‘Self Portrait with Decorative Plate’, painted by Italian painter Antonio Mancini (1852-1930).
hadrian6: Standing Male Nude. 19th.century. Italian. oil paint on paper. http://hadrian6.tumblr.com
bellalagosa: Maria Gambarelli, Italian-American Ballerina and Actress… Photo by: Maillard Kesslere (1922) https://painted-face.com/
greatwar-1914: “Goodbye, Old Man.” Depicting a distraught British cavalryman saying farewell to his dying horse, this painting was done by Italian artist Fortunino Matania to raise awareness for the Blue Cross, a British animal charity which aided
“Tooth Drawer” This painting is by Italian artist Luiciano Nezzo (b,1856). Three interesting bits. The different skin tones of the patient and the dentist. The manner she is grasping his wrist and the “extraction key” hidden behind his back.
![Caravaggio (Michelangelo Merisi da Caravaggio; Milano 1571 - Porto Ercole 1610) a) The Sacrifice of Isaac, 1598, oil on canvas (135 x 104 cm); Galleria degli Uffizi, Firenze b) The Sacrifice of Isaac [uncertain attribution], 1597-99, oil on canvas (173](https://64.media.tumblr.com/06ffc302c115826d74d89ed46a89a3dd/tumblr_n0fmmqOpy61qzxzwso1_250.jpg)
![lyghtmylife: Paolo VERONESE [Italian Mannerist Painter, ca.1528-1588] The Vision of St Helenac. 1580Oil on canvas, 166 x 134 cmPinacoteca, Vatican The subject of the painting is the story of the vision, or more correctly the dream, which, according](https://64.media.tumblr.com/63297754d773403fae0c479c025232b0/tumblr_mqq29iljsk1r29g9xo1_250.jpg)
![lif-yeah: bidonica: In the Italian city of Verona, local street artist Cibo paints colorful wall art full of appetizing food over neo-nazi graffiti (x) “It’s my civic duty, and my right … honestly I feel like have a right to cover [erase] these](https://64.media.tumblr.com/avatar_c090ba0c0856_128.png){kind=avatar}
