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escapekit: Spray paint cans armchair Designed by Italian designer Luigi Semeraro, the armchair was made using recycled spray paint cans. It looks great but I wonder how comfortable it’d be.

Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510

Cesare Dell'Acqua (1821 - 1905), Arrivo dell'Imperatrice Elisabetta a Miramare (arrival of Empress Elisabeth in Miramare)

Giovanni Lanfranco (1582 - 1647), Maria Maddalena trasportata dagli angeli (Mary Magdalene raised by angels), c. 1616

Giovanni Lanfranco (1582 - 1647), Elijah receiving bread from the widow of Sarepta (1624-25), J. Paul Getty Museum

Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 c. - Roma 1547), Madonna del velo [Madonna of the veil] (1533-35), olio su lavagna [oil on slate], Museo Nazionale di Capodimonte, Napoli excerpt from en.wikipedia: “After the elevation of

Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)

Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London

Annibale Carracci (Bologna 1560 - Roma 1609), Trittico della Deposizione (Deposition’s Triptych), 1604-05, oil on copper and panel; Galleria nazionale d'arte antica, Roma

Andrea Appiani (Milano 1754 - 1817), Santi ed Evangelisti, fresco; Cupola di Santa Maria presso S. Celso, Milano; 1792 - 1795 (view high resolution)

Bartolomeo Manfredi (Ostiano [Mantova, oggi Cremona] 1482 - Roma 1622), Il sacrificio di Isacco (The sacrifice of Isaac), 1620-22; 180 cm x 150 cm, oil on canvas; Roma, Chiesa del Gesù

Andrea Sacchi (Nettuno 1599 - Roma 1661), Morte di Sant'Anna (Death of St. Anne), oil on canvas, 1649

Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 - Roma 1547), Cristo Portacroce (Christ bearing the Cross), c. 1516

Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia

Federico Barocci (Urbino, c. 1535 - 1612), L'ultima cena (The Last Supper), 1590-99, oil on canvas

Carlo Saraceni (Venezia c. 1579 - 1620), Miracolo di San Benno (Miracle of St. Benno), oil on canvas, 1617

Cosimo Rosselli (Firenze 1439 - 1507), Miracolo del Sangue (Miracle of the Blood), 1584-86, detached fresco; Chiesa di Sant'Ambrogio, Firenze

Sandro Botticelli (Sandro di Mariano Filipepi called il Botticelli; 1444 or 1445 Firenze - Firenze 1510), Compianto sul Cristo morto (Lamentation over the Dead Christ), c. 1495, tempera on panel, 107 x 71 cm; Museo Poldi Pezzoli, Milano

Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana

Lorenzo Lotto (Venezia c. 1480 - Loreto 1556); L'elemosina di Sant'Antonino (The Alms of St. Anthony), 1540-42; oil on canvas, 235 x 332 cm; Basilica dei Santi Giovanni e Paolo, Venezia

Salvator Rosa (Napoli 1615 - Roma 1673); Pitagora e il pescatore (Pythagoras and the fisherman), 1662; oil on canvas, 188 x 132 cm; Gemäldegalerie der Staatlichen Museen, Berlin

Rosso Fiorentino (Giovanni Battista di Iacopo called il Rosso Fiorentino; Firenze 1495 - Fountainebleau 1540); Assunzione della Vergine (Assumption of the Virgin), 1517; fresco, 385 x 337 cm; Chiostrino dei Voti, Firenze

Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze

Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona

Annibale Carracci (Bologna 1560 - Roma 1609); San Rocco e l'Angelo (St. Roch and the Angel), c. 1587; oil on canvas, 81 cm x 62 cm; Fitzwilliam Museum, Cambridge

Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg

Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia

Guido Reni (Bologna, 1575 - 1642); San Giuseppe e Gesù Bambino (St. Joseph with the Infant Jesus), c. 1635; oil on canvas, 101 x 126 cm; Hermitage Museum, Saint Petersburg

Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James

blastedheath: Mario Sironi (Italian, 1885-1965), Nudo, c.1932-33. Oil on paper mounted on panel, 50 x 40.5 cm.

bulbs-for-pigs: Mattia Preti (Italian, 1613-1699), Concert, ca. 1630. Oil on canvas, Hermitage Museum (Saint Petersburg, Russia)

amare-habeo: Gino Severini (Italian, 1883 - 1966) The Painter’s Family, N/D

blastedheath: Renato Guttuso (Italian, 1912–1987), L’occupazione delle terre [The occupation of the lands], 1947. Oil on canvas, 99.5 x 150.7 cm.

kecobe: Martino Rota (Italian; ca. 1520–1583)Portrait of Emperor Rudolf II ca. late 1570s–before 1585Oil on canvas Palais Dorotheum, Vienna

thunderstruck9:Alberto Burri (Italian, 1915-1995), Grande cretto nero, 1977. Acrovinyl on cellotex, 149.5 x 249.5 cm.

thunderstruck9:Amedeo Modigliani (Italian, 1884-1920), Landscape, Southern France, 1919. Oil on canvas, 60 x 45 cm.via afroui

amare-habeo:Erika Giovanna Klien (Italian-American, 1900 – 1957) Bird Flight (Vogelflug), 1928

amare-habeo:Carlo Carrà (Italian, 1881 - 1966)Waiting (L’attesa), 1926

thunderstruck9:Bepi Romagnoni (Italian, 1930-1964), Racconto [Story], 1964. Oil on collage on canvas, 100 x 100 cm.

amare-habeo: Giuseppe Pellizza da Volpedo (Italian, 1868-1907)The Mirror of Life That which the First One does, the Others follow (Lo specchio della vita – (E ciò che l'una fa e l'altre fanno)), 1895–98

thunderstruck9: Giorgio Morandi (Italian, 1890-1964), Still Life, 1916. Oil on canvas, 82.5 x 57.5 cm.

Andrea Mantegna (1431-1506), Madonna della Vittoria (1495-96); oil on canvas, 285 x 168 cm; Louvre

Guido Reni (1575 - 1642), Carità (Charity), ca. 1630; oil on canvas, 137x106 cm; Metropolitan Museum

Eschilo Gozzano (Italian, born 1975), Puppets - 2018; mixed media, 200 x 130 cm

Altichiero da Zevio (Italian, about 1330 - ca. 1390), Decapitazione di San Giorgio (The Beheading of Saint George), 1384; fresco, left wall, lower section. Oratorio di San Giorgio, Padua

Franciabigio (ca. 1482- 1525), Portrait of a Knight of Rhodes, 1514; oil on panel, 60.3 x 45.7 cm; National Gallery, London

Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid

Andrea del Sarto (1486-1530), Giuseppe interpreta i sogni del Faraone (Joseph interprets the Dream of Pharaoh), ca. 1515-16; oil on board, 98 x 135 cm; Galleria Palatina, Florence

Alessandro Allori (Italian, 1535-1607), The Descent from the Cross, ca. 1550; oil on copperplate, 70 x 54 cm; Museo del Prado, Madrid

Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), detail, 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid

Sandro Botticelli (Florence, 1445-1510) The Birth of Venus, ca. 1485, detail. Galleria degli Uffizi, Florence.Venus, ca. 1490. Oil on canvas, 158 x 68.5 cm. Gemäldegalerie, Berlin

writernotwaiting:inag-mag:Wall paintings by Eron “Davide Salvadei, also known as Eron, is an Italian contemporary artist born in Rimini in 1978. He is considered to be one of the most gifted and virtuous Italian painters of the 21st century. Eron

fluxstation: Salomé. Henri Regnault. 1870. Oil on canvas. “Regnault initially represented this Italian model as an African woman, but later enlarged the canvas at the bottom and right and transformed it into a representation of Salomé. She is shown

c0ssette: Sirene,detail.Cesare Viazzi (Italian,1857-1943)

broccoliwolf: Francesco Hayez (Italian, 1791-1881), “Bathsheba"

c0ssette: Sirene, detail.Cesare Viazzi (Italian,1857-1943)

ganymedesrocks: giodelcasoworld: Italian school Also called Girolamo da Brescia, Giovanni Girolamo Savoldo (1480 - 1548), who painted this circa 1525 Shepherd with a Flute, was an Italian High Renaissance painter, essentially active in Venice, noted

swollenbellygirl: TFW you can’t get up because your belly is too swollen, so you just lie around pretending to be a painting

chubbybunxo-deactivated20210327:Paint me like one of your French girls Full photo set at patreon.com/chubbybunxo

foodbabe175-deactivated20220407:these late night gain shakes hit the best🥴sidebar———-i was painting and i leaned a little too far onto my canvas🥺

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