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Anna Falchi nuda su Maxim di Marzo
mybodypeaceofmind: lojo1815: feministhistorian: stfuhypocrisy: symmetrism: Art’s great nudes have gone skinny Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodie
“At Rest”, by Italian artist Paolo Schmidlin, is a painted bronze sculpture of Marilyn Monroe in her casket. The work presents the actress in the green dress and scarf she was buried in, complete with a veil covering her open coffin.
perpetual-galaxies: symmetrism: Art’s great nudes have gone skinny Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodies to what the 21st century considers an ideal
lif-yeah: bidonica: In the Italian city of Verona, local street artist Cibo paints colorful wall art full of appetizing food over neo-nazi graffiti (x) “It’s my civic duty, and my right … honestly I feel like have a right to cover [erase] these
maihudson: Marie Cool and Fabio Balducci, Untitled, 2004 “The work of Marie Cool (French, born 1961) and Fabio Balducci (Italian, born 1964) is rooted less in the tradition of performance art than in sculpture, painting, and drawing. The artists’
sociologique: Art’s great nudes have gone skinny. Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodies to what the 21st century considers an ideal of beauty. The
huariqueje: The Puma Woman - René Gruau ,1980. Italian-French 1909-2004 Gouache paint on paper , 43 x 35 cm
tiny-librarian: A Pennsylvania museum has solved the mystery of a Renaissance portrait in an investigation that spans hundreds of years, layers of paint and the murdered daughter of an Italian duke. Among the works featured in the Carnegie Museum’s
red-lipstick: Valentina Bardazzi (Italian, b. 1974, Prato, Italy) - Untitled Paintings: Oil on Canvas
redlipstickresurrected: Rudy Cremonini (Italian, b. 1981, Bologna, Italy) - Educazione 7 from series, 2015 Paintings: Oil on Linen
jakface: Oh man!! Wasn’t that episode yesterday wild?! It was animated so good!! Okuyasu is so pure. After watching it, I got the idea to make a parody of all those bold Italian food paintings you see up in restaurants. I searched until I found one
Madonna with lillies and eight angels (detail) Sandro Botticelli, 1478
kavesinisukka: English: It fits like a glove.Spanish: It fits like a ring on the finger.Italian: It fits like shoes painted on with a brush. Finnish: It fits like a . FiST. iN. the EYe . (ง'̀-‘́)ง
Andrea del Verrocchio (Firenze, 1436 - Venezia, 1488), San Girolamo (Saint Jerome), c. 1465 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-11760.html
Dosso Dossi (Giovanni Luteri detto Dosso Dossi, c. 1490 - 1542); Giove, Mercurio e la Virtù (1523-24)
Carlo Carrà (1881 - 1966), Meriggio (Noon), 1927 via Atlante dell'arte italiana http://www.atlantedellarteitaliana.it/artwork-15911.html
Mimmo Paladino (b. 1948, Benevento), Il respiro della bellezza VI (The breath of beauty VI); 1990-91, oil on board, 205 cm x 205 cm
Mario Sironi (1885, Sassari - 1961, Milano), Still life with a blue cup
Giuseppe De Nittis (Barletta 1846 - Saint-Germain-en-Laye 1884), Il salotto della principessa Matilde (1883), pastel on paper mounted on canvas
Tullio Crali (Igalo 1910 - Milano 2000), Bombardamento aereo (aerial bombing), 1932
Gino Severini (1883 - 1966), Still life with St. Peter’s Dome (1941-43)
Giorgio Morandi (Bologna 1890 - 1964), Natura Morta (still life), 1932
Fortunato Depero (Fondo [Trento] 1892 - Rovereto 1960), Case alpestri (Alpine Houses), 1936
Pontormo (Jacopo Carrucci, 1494 Pontorme - 1557 Firenze); Niccolò Ardighelli, 1518
Silvestro Lega (1826 Modigliana - Firenze 1895); L'elemosina (The Alms), 1864
Giovanni Fattori (Livorno 1825 - Firenze 1908), Signora con ventaglio (Lady with a Fan), 1865
Carlo Carrà (Quargnento, Alessandria, 1881 - Milano 1966), Estate (Summer), 1930
Telemaco Signorini (Firenze 1835 - 1901), Il ghetto di Firenze (The ghetto of Florence), oil on canvas, 1882
Giuseppe Abbati (Napoli 1836 - Firenze 1868), Il lattaio di Piagentina (The milkman of Piagentina), 1864, oil on canvas
Niccolò Dell'Abate (Modena c. 1509 - Fontainebleau (?), 1571), Ritratto di un cavaliere dell'Ordine di Santiago (Portrait of a knight of the Order of Santiago), 1548-1552; oil on canvas; Staatliche Museen, Berlin
Giambattista Tiepolo (Venezia 1696 - Madrid 1770), The Olympus or The Triumph of Venus, 1761-1764, oil on canvas; Museo Nacional del Prado, Madrid
Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma
Francesco Solimena (Canale di Serino 1657 - Barra, Napoli, 1747), Cacciata di Eliodoro dal Tempio (Expulsion of Heliodorus from the Temple), c. 1725; oil on canvas; Louvre [enlarge]
Antonio del Pollaiolo (Antonio Benci called il Pollaiolo; Firenze 1431 or 1432 - Roma 1498); David vittorioso (David victorious over Goliath); c. 1472; tempera on wood; Staatliche Museen, Berlin
Carlo Maratti (or Maratta; b. 1625, Camerano - d. Roma, 1713); Il Bagno di Diana (Bath of Diana), 1684; oil on canvas, 49 x 65 cm; private collection
Sofonisba Anguissola (Cremona c. 1531 - Palermo 1626); Portrait of the Infanta Isabella Clara Eugenia, c. 1578; Prado, Madrid
Giorgio Morandi (Bologna, 1890 - 1964), Natura Morta (Still life), oil on canvas, 1960
Lavinia Fontana (Bologna 1552 - Roma 1614); Bianca degli Utili Maselli and Six of Her Children, 1603-5 by arthistory390 on Flickr.
Giovanni Lanfranco (Terenzo, Parma, 1582 - Roma 1647); Giuseppe e la moglie di Putifarre (Joseph and Potiphar’s wife), 1615 (?); oil on canvas, 101 x 157 cm; Galleria Borghese, Roma
Umberto Boccioni (Reggio Calabria 1882 - Verona 1916), Il Bevitore (The Drinker), 1914; oil on canvas, 87 x 88 cm; Pinacoteca di Brera, Milano
Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna
Caravaggio (Michelangelo Merisi called il Caravaggio; Milano 1571 - Porto Ercole 1610); L'incredulità di San Tommaso (The incredulity of St. Thomas), c. 1600-01; oil on canvas, 146 x 107 cm; Bildergalerie, Potsdam
Fra Bartolomeo (real name Baccio della Porta, Firenze 1473 - 1517); Apparizione della Vergine a San Bernardo (the Vision of St. Bernard); 1504; tempera on panel, 220 x 213 cm; Galleria degli Uffizi, Firenze
Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria
Alessandro Allori (Firenze, 1535 - 1607); The Deposition, c. 1660; oil on copper, 54 x 70 cm; Museo Nacional del Prado, Madrid
Vittore Carpaccio (Venezia, between 1455 and 1465 - Venezia or Capodistria 1525-26); Madonna col bambino benedicente (Madonna with blessing Child); c. 1505-10; tempera on canvas, 68 x 85 cm; Washington National Gallery of Art
Annibale Carracci (Bologna 1560 - Roma 1609); Elemosina di San Rocco (Saint Roch distributing Alms), 1595; oil on canvas, 477 x 331 cm; Gemäldegalerie Alte Meister; Dresden
Santi di Tito (Borgo San Sepolcro 1536 - Firenze 1603); La visione di San Tommaso d'Aquino (the vision of St. Thomas Aquinas), 1593; oil on table, 233 x 362 cm; Chiesa di San Marco, Firenze
Antonello da Messina. St. Jerome in his Study. c.1475 by arthistory390 on Flickr.
Daniele Crespi (Busto Arsizio c. 1590 - Milano 1630); La Deposizione di Cristo (The Deposition), c. 1620; oil on canvas, 99 x 123 cm; Szépművészeti Múzeum, Budapest
Raffaello Sanzio (1483-1520), Madonna and Child with saint Giovannino (known as La belle Jardinière), 1507; oil on poplar wood, 122 x 80 cm; Louvre
Cavalier d’Arpino (Giuseppe Cesari, 1568-1640), Perseus and Andromeda, 1592; oil on slate, 70x55 cm; Kunsthistorisches Museum, Vienna
Michael Browne painted this tribute to Eric Cantona based on Italian Renaissance artist Piero della Francesca’s painting Resurrection
victoriousvocabulary: PASTOSE [adjective] painted thickly; covered or filled with paint. Etymology: from Italian pastoso, “doughy, soft”, from pasta, “dough, paste”, from Late Latin. [Ben Weiner]
innocenttmaan: The amazing Body Painting creations by Italian artist Johannes Stötter, who erases his models in landscapes and still lifes with a pretty mastery of painting, as a subtle camouflage. Johannes Stötter puts people at the heart of nature
crossconnectmag: Finger Painting by Paolo Troilo Stand in front of one of Italian artist Paolo Troilo’s ( born in 1972) paintings, and you’ll marvel over what appears an impossible process. With an effect that looks akin to charcoal or pastel,
asylum-art: Miniature hyperrealistic paintings by Dina Brodsky Facebook The techniques used to create Italian Renaissance-era fresco paintings, 15th-century Flemish portraits, illuminated manuscripts, and Islamic miniature art have all played a role
wordsnquotes: culturenlifestyle: Stunning Hand Painted Painted Lamps Italian astrophysicist from Pulsar Moonlight creates stunning and ethereal lamps from recycle material. He confesses, “The first moon I made was built on a request from a girl that