1826
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oldroze: François Joseph Bosio 1826 The Louvre
Pelo d’Autore n° 1826 Invito alla leccata…. irresistibile….
chained meat mastersandslaves: 1826
wetreesinart: Frederic edwin Church (Am. 1826-1900), The River of Light, 1877, huile sur toile, Washington, National Gallery of Art
oldroze: Gustave MOREAU (1826-1898) Oreste et les Erinyes
andantegrazioso: Psyche | Paul Lemoyne Hope, 1826
evergod: Hercules and the Lernaean Hydra, 1876 Gustave Moreau (French, 1826-1898)
mobius1: (bin10524.jpg (1278×1826)から)
saturnsdaughter: Gustave Moreau (1826-1898), La mort de Sapho
man-icipium: 1826
dynamicafrica: Arrival at Mora. The capital of Mandara. From Narrative of travels and discoveries in Northern and Central Africa, in the years 1822, 1823, and 1824. Vol I & II (published 1826). The Mandara Kingdom (sometimes called Wandala)
loumargi:Achille Zo, 1826-1901
Jean-Jacques Lequeu (September 14, 1757 – March 28, 1826)1794
halfsavages: from an entry of mary shelley’s journal, september 5, 1826.
baredmirror: “HORROR VS. TERROR In an 1826 essay, Ann Radcliffe wrote: ‘Terror and horror are so far opposite, that the first expands the soul, and awakens the faculties to a high degree of life; the other contracts, freezes, and nearly annihilates
turntechxgnostic: writing-prompt-s: You live in a world where pictures are always in color until the person photographed dies. While looking through your grandparents’ closet, you find a picture dated back to 1826. The picture hasn’t faded to black
hadrian6: Parthenon. 1871.Fredric Edwin Church. American. 1826-1900. oil on canvas. Metropolitan Museum of Art. NYC. http://hadrian6.tumblr.com
centuriespast: The Empress Eugénie (Eugénie de Montijo, 1826–1920, Condesa de Teba) Franz Xaver Winterhalter (German, Menzenschwand 1805–1873 Frankfurt) Date: 1854 Medium: Oil on canvas The Metropolitan Museum of Art
Silvestro Lega (1826 Modigliana - Firenze 1895); L'elemosina (The Alms), 1864
the-paintrist: andmymouthisanhourglassofblood: Domenico Morelli, Ritratto di Bernardo Celentano, 1859 - cm 67x52 Olio su tela, Roma,Galleria nazionale d’arte moderna e contemporanea Domenico Morelli (4 August 1826, Naples, Italy – 13 August 1901,
Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris
hadrian6: Frontispiece of Antiquities of Albano. 1826. Luigi Rossini Italian 1790-1857. etching on wove paper. http://hadrian6.tumblr.com
design-is-fine: Karl Friedrich Schinkel, Sketch of cotton spinning mills in Manchester, from his travel diary, 1826. Architectural drawing, Großer Packhof, Berlin 1830. Source
wapiti3: Travel in South America (Brazil, Eastern Republic of Uruguay, Argentina, Patagonia, the Republic of Chile, the Republic of Bolivia, the Republic of Peru), performed during the years 1826, 1827, 1828, 1829, 1830, 1831, 1832 and 1833 on Flickr.
wetreesinart: Joseph Mallord William Turner (Brit. 1775-1851), Under the Trees, c.1826, graphite and watercolour on paper, 14.6 x 27.4 cm, London, Tate
kundst: Edwin Church (US 1826-1900) Iceberg (1861)
pwlanier: Nightfall near Olana 1872Frederic Edwin Church, American, 1826–1900 Smithsonian American Art Museum
Andrey Yefimovich Martynov (1768-1826), The Witch Of Endor
centuriespast: Perseus and Andromeda Gustave Moreau (1826–1898) Bristol Museum & Art Gallery
die-rosastrasse: Frederic Edwin Church American, 1826-1900
fuckyeaharchaeology: Rediscovering the Cottage of “Joe the Quilter”On January 3rd, 1826, an elderly, widowered quilter by the name of Joseph Hedley was found brutally murdered in his cottage in Northumberland. Purportedly a kindly soul, Hedley
twirld:Gustave Moreau (France, 1826 - 1898) Samson and Delilah 1882
twirld:Carl Blechen (1798 - 1840) Stormy Sea with Lighthouse ca.1826
hadrian6: Detail : The Creation of Eve. 1798. Jean Jacques Le Barbier. French.1738-1826. oil on canvas. http://hadrian6.tumblr.com
sharinganqueen-deactivated20200:Happy five year canonversary to my Otp!!Its been 1826 days since my ship sailed yet it feels like yesterday.Happy sasusaku day you all!!!
loumargi:Gustave Moreau (French Symbolist Painter, 1826-1898)The Chimera
centuriespast: John Flaxman, IIEnglish, 1755-1826 Othus and Ephialtes Holding Orestes Captive, n.d. Art Institute of Chicago
missfolly: Portrait of John Adams, by Gilbert Stuart, 1826
antonio-m: Academy Drawing (1760 - 1826)José Maea Madrid - Universidad Complutense, Fine Arts Collection
Wilhelm Bendz. Model Class at the Copenhagen Academy. 1826.
peira: Jean-Auguste-Dominique Ingres: Amedee David, Comte de Pastoret (1826)
peira: Eugene Delacroix: Portrait of Louis Auguste Schwiter (1826-1827)
poboh: Portrait of Alfred Elmore in his studio, 1859, William Maw Egley. English (1826-1916)
loquaciousconnoisseur: Joseph-Denis Odevaere Lord Byron on his Death-bed (1826) Groeninge Museum, Belgium
aweekofkindness: Horace Vernet - Napoleon on his deathbed (1826)
mimirsartgallery: Italian Monk Reading, 1826-1828 Jean-Baptiste-Camille Corot. French (1796 – 1875)
blastedheath: Domenico Morelli (Italian, 1826-1901), Self-portrait. Oil on canvas, early 1860s. The Asmolean Museum of Art and Architecture, University of Oxford.
ville-rose: Moreau Gustave (1826-1898)
blastedheath: Ramón Martí i Alsina (Catalan, 1826-1894), Portrait of the painter Ramón Tusquets, 1865. Oil on canvas. 124 x 74,5 cm. Abadía de Montserrat, Catalonia, Spain.
blastedheath: erretratu Samuel Palmer (English, 1805-1881), Self-portrait, 1826. Black chalk, heightened with white, on buff paper. Ashmolean Museum of Art and Archaeology, Oxford.
hadrian6: Portrait of Carl Edward Sonne. 1826. Ditlev Blunk. http://hadrian6.tumblr.com
necspenecmetu: Joseph-Denis Odevaere, Lord Byron on His Death-Bed, c. 1826
1826 Guillaume Bodinier - Théodore Jubin
1826 Pietro Benvenuti - Alessandro Saracini
#1826 - Savage Republic - Attempted Coup: Madagascar#1826 – Savage Republic – Attempted Coup: MadagascarView On WordPress
bloghqualls: hismarmorealcalm: John Flaxman (1755-1826) Engraving ‘Deliver Us From Evil’ Lyra Germanica 1861 John Flaxman R.A. ( 1755 – 1826) was a British sculptor.
