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centuriespast: The Empress Eugénie (Eugénie de Montijo, 1826–1920, Condesa de Teba) Franz Xaver Winterhalter  (German, Menzenschwand 1805–1873 Frankfurt) Date: 1854 Medium: Oil on canvas The Metropolitan Museum of Art

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Blog: The gilded shell


tags: art, painting, historical painting, franz xaver winterhalter, portrait, empress eugenie

original: https://climacus.tumblr.com/post/63397537576

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amare-habeo: Raoul DUFY (1877-1953) Poplars in the fields, N/D Dessin-Aquarelle

amare-habeo: Raoul DUFY (1877-1953) Poplars in the fields, N/D Dessin-Aquarelle

neurosciencestuff: To predict, perchance to update: Neural responses to the unexpected Among the brain’s many functions is the use of predictive models to processing expected stimuli or actions. In such a model, we experience surprise when presented

neurosciencestuff: To predict, perchance to update: Neural responses to the unexpected Among the brain’s many functions is the use of predictive models to processing expected stimuli or actions. In such a model, we experience surprise when presented

bofransson: Ulf Gripenholm, Yvonne

bofransson: Ulf Gripenholm, Yvonne

museumuesum: Annemarie Heinrich Self Portrait with Children, 1947 gelatin silver print, 8 1/2 x 9 1/8 inches

museumuesum: Annemarie Heinrich Self Portrait with Children, 1947 gelatin silver print, 8 1/2 x 9 1/8 inches

kairosgrzincic: Auguste Herbin, Iron Bridge; Pont de Fer, 1911

kairosgrzincic: Auguste Herbin, Iron Bridge; Pont de Fer, 1911

gentlewave: Joseph Kleitsch: Aliso-Laguna Overpass, oil on canvas, 63,5 cm x 76,2 cm, private collection, (source: the-athenaeum.org).

gentlewave: Joseph Kleitsch: Aliso-Laguna Overpass, oil on canvas, 63,5 cm x 76,2 cm, private collection, (source: the-athenaeum.org).

Pontormo (Jacopo Carrucci, 1494 Pontorme - 1557 Firenze); Niccolò Ardighelli, 1518

Pontormo (Jacopo Carrucci, 1494 Pontorme - 1557 Firenze); Niccolò Ardighelli, 1518

Silvestro Lega (1826 Modigliana - Firenze 1895); L'elemosina (The Alms), 1864

Silvestro Lega (1826 Modigliana - Firenze 1895); L'elemosina (The Alms), 1864

centuriespast: Earring in the form of a three-lobed wineskin Period: Parthian Date: ca. 2nd–1st century B.C. Geography: Mesopotamia, said to be from Nineveh Culture: Parthian Medium: Gold The Metropolitan Museum

centuriespast: Earring in the form of a three-lobed wineskin Period: Parthian Date: ca. 2nd–1st century B.C. Geography: Mesopotamia, said to be from Nineveh Culture: Parthian Medium: Gold The Metropolitan Museum

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