1826
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disturbthebookmites: Self Portrait, Samuel Palmer, c. 1826.
hadrian6: Hercules removes Cerberus from the gates of hell. 1855. Johann Koler. Russian. 1826-1899.
Edward Poynter (English, 1826-1919), The Prodigal’s Return, 1869. Oil on canvas, 47¼ x 36 in. (120 x 91.5 cm.)
1877 - Charles Bargue (c. 1826/1827 – April 6, 1883)
Charles Bargue (c. 1826/1827 – April 6, 1883)
Isodoro Loranzo (spanish, born 1826), male nude sawing, 1852
(Detail) Amédée-David, the Comte (later marquis) de Pastoret,1823-1826.Jean-Auguste-Dominique Ingres.
John Graham-Gilbert (Scottish, 1794-1866), Saint Sebastian, 1826. Oil on canvas, 96.5 x 72.4 cm. Glasgow Museums.
Joseph-Denis Odevaere (1778 - 1830 ), Lord Byron on His Death Bed, c. 1826
Detail : The Creation of Eve. 1798. Jean Jacques Le Barbier. French.1738-1826. oil on canvas.
Centaur and Cupid. 19th.century. Gustave Moreau. French. 1826-1898. oil on canvas.
A Young Artist Examining a Sketch in a Mirror - Wilhelm Bendz 1826
Academy Drawing (1760 - 1826), José Maea Madrid - Universidad Complutense, Fine Arts Collection
Eugène Delacroix, Faust and Mephistopheles on the Blocksberg (1826)
Death of Orpheus (detail) by Émile Lévy (1826-1890) oil on canvas, 1866
Study of Figures. 1826-27. Jean Baptiste Mauzaisse. French. 1784-1844. oil /canvas.
Portrait of Carl Edward Sonne. 1826. Ditlev Blunk.
Studies of the Face. Jean Jacques Francois Le Barbier. French 1738-1826. lithograph.
Wilhelm Bendz (1804-1832), A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror, 1826, Copenhagen, Statens Museum for Kunst, oil on canvas, cm 98x85
ANTOINE PHILIPPE DE LA TREMOILLE, PRINCE OF TALMONT, 1826 (OIL ON CANVAS) BY LEON COGNIET.
A Young Artist Examining a Sketch in a Mirror (1826), Wilhelm Bendz
Gladiator with an Axe. Jean Jacques Francois Le Barbier. French 1738-1826. black chalk on paper.
Portrait of A.F. Shishmarev (1826), Orest Kiprensky
Jean Jacques Francois Le Barbier. French 1738-1826. black chalk on paper.
Gustave Moreau (French, 1826-1898), Self-portrait, 1872. Ink on canvas, 41 x 32 cm. Musée Gustave Moreau, Paris.
antonio-m:Eugène Delacroix, Portrait (detail) of Louis-Auguste Schwiter, 1826. French. Acquired by the National Gallery, London, 1918.
coriesu:Martyrdom of St. SebastianAlejandro Blanco y Asensio—1826
weir1727:Constantin Hansen, Flute player 1826-27National Museum, Stockholm.
orest-kiprensky:Portrait of Athanasius Shishmarev, 1826, Orest Kiprensky
newloverofbeauty:Constantin Hansen: The Flute Player (1826)
coraltigerpizza:Merry Joseph Blondel (French 1781-1853). Seated Male Nude. 1826-27, study for ceiling mural in the Louvre.
beyond-the-pale: William Etty, R.A., Paris holding the golden apple, 1826-32, Sotheby’s
newloverofbeauty: Constantin Hansen: The Flute Player (1826)
polishpaintersonly: “Stefan Czarniecki (1599-1665)” (1863)by Leon Henryk Kapliński (1826–1873) oil on canvasNational Museum, Cracow
antonio-m: “Head of Young Man” (study), c.1860 by Charles Barque (1826–1883). French painter and lithographer. Nationalmuseum, Sweden.
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La barbe de Louis Coulon, mouleur à Montluçon (Allier), né à Vandenesse (Nièvre), le 26 février 1826. Longueur de la barbe : 3m30. Portrait du 10 mai 1904.
dekehlmark: Gustave Moreau (1826-1898), Leda - 1875
neoprusiano: @Neoprusiano Indian Sacrifice (Thomas Cole, 1826)
funeral-wreath: Samuel Palmer, The Haunted Stream, circa 1826.
barnsburntdownnow: Inume Pass, from the series Thirty-six Views of Mount Fuji (detail)Utagawa Hiroshige II (1826-1869)Japanese; Edo period, 1858Ukiyo-e woodblock print in vertical ōban format; ink and color on paper.
hadrian6: Pastoral Apollo. 1824. John Flaxman. British 1755-1826. marble. http://hadrian6.tumblr.com
silenceforthesoul: Emile Levy (1826-1890) - Dearth of Orpheus, 1866
hadrian6: Pastoral Apollo. 1825.John Flaxman. British 1755-1826. marble. Petworth House. UK.http://hadrian6.tumblr.com
mythologer: Pastoral Apollo. 1825. John Flaxman. British 1755-1826. marble. Petworth House. UK.
hadrian6: Cupid. 1826-29.John Gibson. British 1791-1866. marble. Sotheby’s 2007.http://hadrian6.tumblr.com
hadrian6: Michel de Montaigne. 1798-1800.Jean Baptiste Stouf. French 1742-1826. marble. Louvre. Paris.http://hadrian6.tumblr.com
hadrian6: Academic Male Nude Study. 1858. Gustave Moreau. French 1826-1896. charcoal/paper. http://hadrian6.tumblr.com
joachimmurat: antolldubh: Prince Alexandre Sergueewitch Menchikoff by George Dawe, 1826. The shag bathmat cape really adds something, doesn’t it.
somanyhumanbeings: Ditlev Blunck, Portrait of the engraver Carl Edvard Sonne (c. 1826)
oldroze: François Joseph Bosio 1826 The Louvre
silenceformysoul: Gustave Moreau (1826-1898) - Hesiod and the Muse, 1857
toanunnery: Portrait of Louis-Auguste Schwiter Eugène Delacroix, 1826
maertyrer: Jean-Auguste-Dominique Study for “The Martyrdom of St. Symphorien” (The Stone Thrower) graphite and black and red chalk on off-white wove paper, 1826-34
uranist-art: José Maea (1760-1826) – Peintre espagnol (néoclassique) Croquis académique / Academic Sketch La scène dans laquelle ces trois hommes nus sont placés montre à l’évidence une relation “équivoque” qui trahit les tendances
dead-molchun: Ferdinand Heilbuth (1826-1889) The Reader 1856. (I would say ‘Portrait Elijah Wood’). this is a joke, sorry.
history-of-fashion: 1826 José Gil de Castro - José Gerónimo Rodríguez