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art-of-swords: Cinquedea Sword Dated: circa 1500 Culture: Italian Source: Copyright © 2014 Historische Waffen

italian-luxury:A museum holding precious art. Also known as a library. Photo by: Razvan Macavei The beauty of knowledge.

Players Mag - (Wires: Flusso e Processo nel Web - pag. 68 / di Vito Campanelli Illustrazioni di Domenico Barra http://lnkd.in/TVMQn2

art-of-swords: European Sword Dated: 16th century Culture: the pommel is Italian, 1540-50, whilst the rest of the sword is German circa 1570 Medium: steel Measurements: overall length, 124.5 cm; blade length, 108 cm; grip length, 10.2 cm; quillons

art-of-swords: Italian Bill Dated: 16th Century Provenance: Bologna Measurements: height 236 cm The polearm has an iron head with long, straight cusp of square section and a double-edged hook. At the back it features a large tooth with pointed wings,

art-of-swords: Two-handed Processional Sword Dated: circa 1560-70 Culture: Italian Measurements: overall length 147 cm; blade length 108.5 cm The sword features a double-edged blade of flattened hexagonal section tapering towards a short point, formed

art-of-swords: ‘Hidden’ Dagger (handle for a walking cane) Dated: late 16th century Culture: North Italian Measurments: overall length 40 cm This dagger was hidden inside a walking cane and served as a handle. It has a straight, double-edged

Giambattista Tiepolo (Venezia 1696 - Madrid 1770), The Olympus or The Triumph of Venus, 1761-1764, oil on canvas; Museo Nacional del Prado, Madrid

Dosso Dossi (Giovanni Luteri called Dosso Dossi; Tramuschio 1486 [?] - Ferrara 1542); Melissa (Circe), between 1518 and 1531; Galleria Borghese, Roma

Francesco Solimena (Canale di Serino 1657 - Barra, Napoli, 1747), Cacciata di Eliodoro dal Tempio (Expulsion of Heliodorus from the Temple), c. 1725; oil on canvas; Louvre [enlarge]

Antonio del Pollaiolo (Antonio Benci called il Pollaiolo; Firenze 1431 or 1432 - Roma 1498); David vittorioso (David victorious over Goliath); c. 1472; tempera on wood; Staatliche Museen, Berlin

Carlo Maratti (or Maratta; b. 1625, Camerano - d. Roma, 1713); Il Bagno di Diana (Bath of Diana), 1684; oil on canvas, 49 x 65 cm; private collection

Sofonisba Anguissola (Cremona c. 1531 - Palermo 1626); Portrait of the Infanta Isabella Clara Eugenia, c. 1578; Prado, Madrid

Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana

Lavinia Fontana (Bologna 1552 - Roma 1614); Bianca degli Utili Maselli and Six of Her Children, 1603-5 by arthistory390 on Flickr.

Giovanni Lanfranco (Terenzo, Parma, 1582 - Roma 1647); Giuseppe e la moglie di Putifarre (Joseph and Potiphar’s wife), 1615 (?); oil on canvas, 101 x 157 cm; Galleria Borghese, Roma

Umberto Boccioni (Reggio Calabria 1882 - Verona 1916), Il Bevitore (The Drinker), 1914; oil on canvas, 87 x 88 cm; Pinacoteca di Brera, Milano

Lorenzo Lotto (Venezia c. 1480 - Loreto 1556); L'elemosina di Sant'Antonino (The Alms of St. Anthony), 1540-42; oil on canvas, 235 x 332 cm; Basilica dei Santi Giovanni e Paolo, Venezia

Tiziano Vecellio (Pieve di Cadore 1488-90 - Venezia 1576); Il supplizio di Marsia (The flaying of Marsyas), c. 1570; oil on canvas, 212 x 207 cm; National Museum, Kroměříž, Czech Republic

Palma il Vecchio (Jacopo Negretti called Palma il Vecchio; Serina, Bergamo, 1480 - Venezia 1528); Diana e Callisto, 1525-28; oil on panel, 124 x 78 cm; Kunsthistorisches Museum, Vienna enlarge

Salvator Rosa (Napoli 1615 - Roma 1673); Pitagora e il pescatore (Pythagoras and the fisherman), 1662; oil on canvas, 188 x 132 cm; Gemäldegalerie der Staatlichen Museen, Berlin

Rosso Fiorentino (Giovanni Battista di Iacopo called il Rosso Fiorentino; Firenze 1495 - Fountainebleau 1540); Assunzione della Vergine (Assumption of the Virgin), 1517; fresco, 385 x 337 cm; Chiostrino dei Voti, Firenze

Domenichino (Domenico Zampieri called il Domenichino; Bologna 1581 - Napoli 1641); Diana e le sue Ninfe (Diana and her Nymphs), 1617; oil on canvas, 320 x 225 cm; Roma, Galleria Borghese

Telemaco Signorini (Firenze, 1835 - 1901), Mattinata nei pressi dell'Arno (A morning by the Arno), 1868; oil on canvas

Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze

Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona

Caravaggio (Michelangelo Merisi da Caravaggio; Milano 1571 - Porto Ercole 1610) a) The Sacrifice of Isaac, 1598, oil on canvas (135 x 104 cm); Galleria degli Uffizi, Firenze b) The Sacrifice of Isaac [uncertain attribution], 1597-99, oil on canvas (173

Carlo Saraceni (Venezia, 1579 - 1620), Il Diluvio Universale (The Deluge), c. 1610; oil on canvas, 92 x 117 cm

Annibale Carracci (Bologna 1560 - Roma 1609); San Rocco e l'Angelo (St. Roch and the Angel), c. 1587; oil on canvas, 81 cm x 62 cm; Fitzwilliam Museum, Cambridge

Eugenio De Blaas (also known as Eugene de Blaas, Eugene von Blaas, etc.; Albano Laziale 1843 - Venezia 1931); Pulcinella in convento (Punch Puppet at the convent), n/d; oil on canvas, private collection

Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg

Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia

Guido Reni (Bologna, 1575 - 1642); San Giuseppe e Gesù Bambino (St. Joseph with the Infant Jesus), c. 1635; oil on canvas, 101 x 126 cm; Hermitage Museum, Saint Petersburg

Giovanni Lanfranco (Terenzo, Parma, 1582 - Roma 1647); Erminia tra i pastori (Erminia among the shepherds), 1633-37; oil on canvas, 196 x 146 cm; Pinacoteca dei Musei Capitolini, Roma

Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James

Moretto da Brescia (Alessandro Bonvicino called il Moretto; Brescia 1498 - 1554); Saletta delle nobili dame (Hall of the noble ladies), 1543, fresco; Palazzo Martinengo, Brescia

Giambattista Tiepolo (Venezia 1696 - Madrid 1770); Mosè salvato dalle acque (The finding of Moses), c. 1740; oil on canvas, 339 x 200 cm; National Gallery of Scotland, Edimburgh

Giovanni Cariani (Giovanni Busi called il Cariani; Fuipiano al Bembo, Bergamo 1485 - Venezia 1547); Resting maiden with a white dog in a landscape, c. 1510; oil on panel, 94 x 74 cm; Gemäldegalerie der Staatlichen Museen, Berlin

Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); La cena nella casa di Levi (the feast in the house of Levi), 1573; oil on canvas, 1280 x 555 cm; Gallerie dell'Accademia, Venezia

Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna

Giovanni Francesco Romanelli (called Raffaellino or Il Viterbese; Viterbo, 1610 - 1662); Galatea, n/d; oil on canvas, 298 x 198 cm

Caravaggio (Michelangelo Merisi called il Caravaggio; Milano 1571 - Porto Ercole 1610); L'incredulità di San Tommaso (The incredulity of St. Thomas), c. 1600-01; oil on canvas, 146 x 107 cm; Bildergalerie, Potsdam

Fra Bartolomeo (real name Baccio della Porta, Firenze 1473 - 1517); Apparizione della Vergine a San Bernardo (the Vision of St. Bernard); 1504; tempera on panel, 220 x 213 cm; Galleria degli Uffizi, Firenze

Masaccio (Tommaso [Maso] di ser Giovanni [di Simone] Cassai; San Giovanni Valdarno 1401 - Roma 1428); Madonna Casini or “Madonna del Solletico” (“Tickling Madonna”), c. 1426; tempera and gold leaf on panel, 18,2 x 24,5 cm; Galleria

Guido Reni (Calvenzano 1575 - Bologna 1642); Cleopatra with the Asp, c. 1630; oil on canvas, 95 x 114 cm; Royal Collection, Windsor Castle

Giovanni Fattori (Livorno 1825 - Firenze 1908); La diligenza a Sesto (The stage coach at Sesto), c. 1872-73; oil on canvas; 53,5 x 39,5 cm high definition and zoomable image at http://www.museidigenova.it/zoom/fattori.jpg

Alessandro Allori (Firenze, 1535 - 1607); The Deposition, c. 1660; oil on copper, 54 x 70 cm; Museo Nacional del Prado, Madrid

Gino Severini (Cortona 1883 - Paris 1966); Sulla spiaggia (on the beach), c. 1948; oil on canvas, 251 x 175.5 cm; private collection

Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris

Annibale Carracci (Bologna 1560 - Roma 1609); Elemosina di San Rocco (Saint Roch distributing Alms), 1595; oil on canvas, 477 x 331 cm; Gemäldegalerie Alte Meister; Dresden

Antonio Canova (Possagno, Treviso, 1757 - Venezia 1822); Adone incoronato da Venere (Adonis crowned by Venus), 1789; plaster cast (detail); Gipsoteca Canoviana, Possagno

Francesco Guardi (Venezia, 1712 - 1793); The lagoon looking toward Murano from the Fondamenta Nuove, 1765-70; oil on canvas, 52.7 x 31.7 cm; Fitzwilliam Museum, Cambridge

Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań

Giacomo Balla (Torino 1871 - Roma 1948); Il Fallimento (the Bankruptcy), 1902; oil on canvas

Sandro Botticelli (Firenze, 1445 - 1510); The Story of Nastagio degli Onesti (from Giovanni Boccacio’s Decameron), 4th and final episode (c. 1483); tempera on panel, 142 x 83 cm; Palazzo Pucci (private collection), Firenze

Artemisia Gentileschi (Roma 1593 - Napoli 1656); Susanna e i vecchioni (Susanna and the elders), 1622; oil on canvas, 123 x 161.3 cm; Burghley House, Stamford

Santi di Tito (Borgo San Sepolcro 1536 - Firenze 1603); La visione di San Tommaso d'Aquino (the vision of St. Thomas Aquinas), 1593; oil on table, 233 x 362 cm; Chiesa di San Marco, Firenze

Daniele Crespi (Busto Arsizio c. 1590 - Milano 1630); La Deposizione di Cristo (The Deposition), c. 1620; oil on canvas, 99 x 123 cm; Szépművészeti Múzeum, Budapest

Pesellino (born Francesco di Stefano, ca. 1422-1457), Madonna and Child with six Saints, late 1440s; tempera and gold on panel, 22.5 x 20.3 cm; the Metropolitan Museum of ArtLeft to right of the observer, the Saints are Anthony Abbot, Jerome, Cecilia,

Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna

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