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flashbackdandies: Detail of Portrait of a Young Man (1530s) – Bronzino (Italian, 1503–72)
Such beautiful art everywhere, even the ceilings are covered
Vitaliano Novello, my italian lost generation www.behance.com/dombarra #art #behancereviews #gif http://dombarra.tumblr.com
toinelikesart: Italian workers on bikes1935 Alexander Aleksandrovich Deineka was born in Kursk on May, 8th (20), 1899
italianartsociety: On this day [July 15] in 1609, Italian painter Annibale Carracci died in Rome at age 48. Widely recognized as one of the fathers of Italian Baroque art, after starting an academy in his native Bologna with his brother Agostino and
Vasilij Dmitrievič Polenov (1844 - 1927), Italian landscape with a peasant (1874)
Joan Eardley (1921 - 1963), Italian farmhouse (1948-49)
italianartsociety: Today is the Feast of St. Jerome, one of the Four Doctors of the Western Church. Jerome supposedly died at Bethlehem on 30 September 420 CE. A very popular saint in Italian art, Jerome is sometimes shown as as a cardinal in his study,
bonjourtableau: Les Comédiens italiens (The Italian comedians), 1719-20, Antoine Watteau, National Galery of Art
Renato Guttuso (Bagheria, Palermo, 1911 - Roma 1987); Fuga dall'Etna (Flight from Etna), 1940; Galleria Nazionale d'Arte Moderna, Roma
Vittore Carpaccio (Venezia, between 1455 and 1465 - Venezia or Capodistria 1525-26); Madonna col bambino benedicente (Madonna with blessing Child); c. 1505-10; tempera on canvas, 68 x 85 cm; Washington National Gallery of Art
Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society
Andrea Mantegna (1431-1506), Madonna della Vittoria (1495-96); oil on canvas, 285 x 168 cm; Louvre
Caravaggio (Michelangelo Merisi, 1571-1610); San Matteo e l’angelo (St Matthew and the Angel), 1602; oil on canvas, 232x183 cmThe painting was destroyed in the fire at the Flakturm Friedrichshain in Berlin (5-10 May 1945). No colour reproduction exists.
Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London
Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation
Guercino (birth name Giovanni Francesco Barbieri, Italian, 1591-1666); Sibilla Persica (The Persian Sybil), 1647-48; oil on canvas, 117 x 96 cm; Musei Capitolini, Rome
attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan
Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence
Francesco Squarcione (Italian, 1397-1468), Polittico de Lazara (De Lazara Altarpiece), 1449-52; tempera on panel, 150 x 220 cm; Musei Civici agli Eremitani di Padova (Padua, Italy)
Giovanni Battista Tiepolo (Italian, 1696-1770), Young Lady in a Tricorn Hat, circa 1755/1760; oil on canvas, 62.2 x 49.3 cm. National Gallery of Art, Washington
Pietro Perugino (Italian, 1446/52 - 1523), Portrait of Lorenzo di Credi, 1488; oil on panel transferred on canvas, 44 x 30 cm; National Gallery of Art, Washington
attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese
Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan
Francesco Cairo (Italian, 1607-1665), La figlia del Faraone accoglie Mosè salvato dalle acque (The Pharaoh’s daughter receives Moses saved from water), ca. 1645, oil on canvas; Turin, Musei Reali - Galleria Sabauda
Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed
Francesco Salviati (Italian, 1510-1565), Storie di Furio Camillo (Stories of Furius Camillus, 1543-45): Camillo sconfigge i Galli nei pressi di Ardea (Camillus defeats the Gauls near the city of Ardea). Fresco, 470 x 255 cm; Sala dell’Udienza of the
Altichiero da Zevio (Italian, about 1330 - ca. 1390), Decapitazione di San Giorgio (The Beheading of Saint George), 1384; fresco, left wall, lower section. Oratorio di San Giorgio, Padua
attributed to Bernardino Luini (Italian, ca. 1481-1532), previously ascribed to Leonardo da Vinci (1452-1519), Saint Catherine of Alexandria, unknown date; oil on panel, 52 x 44 cm. Statens Museum for Kunst, Copenhagen
Franciabigio (ca. 1482- 1525), Portrait of a Knight of Rhodes, 1514; oil on panel, 60.3 x 45.7 cm; National Gallery, London
Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid
Guido Reni (Italian, 1575-1642), Giuseppe con la moglie di Putifarre (Joseph and Potiphar’s Wife), about 1630; oil on canvas, 126.4 x 170 cm; The J. Paul Getty Museum
Andrea del Sarto (1486-1530), Giuseppe interpreta i sogni del Faraone (Joseph interprets the Dream of Pharaoh), ca. 1515-16; oil on board, 98 x 135 cm; Galleria Palatina, Florence
Domenico Gnoli (Italian, 1933-1970); Curl cioè ricciolo, 1965; acrylic and sand on canvas; private collection, Panama © MARZIA GNOLI, ROMA
Renato Guttuso (Italian, 1911-1987), La Battaglia di Ponte dell'Ammiraglio (The Battle of Ponte dell’Ammiraglio), 1951/52; oil on canvas, 321 x 521 cm; Galleria degli Uffizi, Florence
Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio
Domenico Gnoli (Italian, 1933-1970), Due Dormienti (Two Sleepers), 1966. Acrylic and sand on canvas, 98 x 127 cm. Fondazione Orsi“Domenico Gnoli’s last and celebrated New York show debuted in 1969 at the influential Sidney Janis Gallery. A year
Vittore Carpaccio (Italian, 1465-1526), Crocifissione dei Diecimila Martiri sul monte Ararat (Crucifixion of 10,000 Martyrs at Mount Ararat), 1515; oil on canvas, 307 x 205 cm; Gallerie dell’Accademia, Venice
Pietro da Cortona (Italian, 1596 - 1669), Madonna with the Child, Saint Catherine and Saint John (before 1620); oil on canvas, 140 x 210 cm; Musei Capitolini, Roma
Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York
Ludovico Carracci (Italian, 1555 - 1619)Saint Sebastian thrown into the Cloaca Maxima, 1612, Oil on canvas163.5 × 232.4 cm (64 3/8 × 91 ½ in.), 72.PA.14The J. Paul Getty Museum, Los Angeles
Felice Casorati (Italian, 1883 - 1963), Meriggio (Meridian Hour), 1923. Oil on panel, 120 x 130 cm. Civico Museo Revoltella, Trieste (Italy)
Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna
Bronzino (Italian, 1503 - 1572), Portrait of a Man holding a Statuette, between c. 1545 - 1555. Oil on panel transferred on canvas, 99 x 79 cm; Louvre Museum, Paris
Agostino Carracci (Italian, 1557-1602), The Last Supper, 1593-94. Oil on canvas, 172 x 237 cm; Museo del Prado
Carlo Dolci (Italian, 1616-1686), Portrait of Stefano Della Bella, 1631. Oil on panel, 59 x 48 cm. Galleria Palatina, Palazzo Pitti, Florence
Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid
Guido Reni (Italian, 1575-1642), Allegoria della fortuna con una corona in mano [Allegory of Fortune, holding a crown], ca 1637-1642. Oil on canvas, 164 x 132 cm
Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence
Sandro Botticelli (Florence, 1445-1510) The Birth of Venus, ca. 1485, detail. Galleria degli Uffizi, Florence.Venus, ca. 1490. Oil on canvas, 158 x 68.5 cm. Gemäldegalerie, Berlin
Alesso Baldovinetti (Italian, 1425-1499), Madonna and Child, ca. 1460-65. Tempera on wood panel, 106 x 75 cm. Musée du Louvre, Paris
Moretto da Brescia (Alessandro Bonvicino called il Moretto, Italian, c.1498-1554), Portrait of a Young Man - Fortunato Martinengo Cesaresco? -, c. 1540-1545. Oil on canvas, 114 x 94.5 cm; National Gallery, London
Parmigianino (Italian, 1503-1540), Santa Barbara, c. 1522. Oil on panel, 48 x 39 cm. Museo del Prado, Madrid
Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral
Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National
writernotwaiting:inag-mag:Wall paintings by Eron “Davide Salvadei, also known as Eron, is an Italian contemporary artist born in Rimini in 1978. He is considered to be one of the most gifted and virtuous Italian painters of the 21st century. Eron
desimonewayland: Giovanni Boldini A Man Standing in the Artist’s Studio Stephen Ongpin Fine Art, London
antonio-m:‘Male Nude Intent on Drawing’, by Pelagio Palagi (1775–1860). Italian painter, sculptor and interior decorator.
Samson and the Lion. 1604-07. Cristoforo Stati. Italian. 1556-1619. marble.
hadrian6: The Chariot of Aurora. early 18th.century. Salvatore Tresca. Italian 1750-1815. hand colored engraving. http://hadrian6.tumblr.com
![italianartsociety: On this day [July 15] in 1609, Italian painter Annibale Carracci died in Rome at age 48. Widely recognized as one of the fathers of Italian Baroque art, after starting an academy in his native Bologna with his brother Agostino and](https://64.media.tumblr.com/9889490a828d18a1df8b216ff49651f3/tumblr_mpujkvDNEn1syzcjgo1_250.jpg)
![Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna](https://64.media.tumblr.com/08da1b1eff6d0312afcae5fcd69b6550/tumblr_pvltfyXBK21qzxzwso1_250.jpg)
![Guido Reni (Italian, 1575-1642), Allegoria della fortuna con una corona in mano [Allegory of Fortune, holding a crown], ca 1637-1642. Oil on canvas, 164 x 132 cm](https://64.media.tumblr.com/1b91afa1571002df5c5a96f76be38c84/0357289439b15860-ff/s500x750/0b8a57f154cf8c2c2affaefea0c0538003f3d3ab.jpg)
![Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral](https://64.media.tumblr.com/f0b88eebb7d60bccfde75986e869a439/4a22cb1842fc9391-8c/s500x750/45ab72aa72ba3ce338455bcc6de5d8052bdee815.jpg)
