renaissance art
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renaissance-art: Hans Holbein c. 1533 The Ambassadors (detail of the Celestial Globe)
renaissance-art: Renaissance Art A-Z L: Leonardo da Vinci
saltycornchip: best-of-memes: Someone took a candid photo of a fight in Ukranian Parliament that is as well-composed as the best renaissance art this is currently my favorite thing on the entire internet
Renaissance Art
renaissance-art:Details from Botticelli’s Birth of Venus
likeniobe: dante and virgil, henri de triqueti, 1862 Triqueti, like many artists of his time, was inspired by medieval and Renaissance art and literature. He often represented the Italian poet Dante (1265-1321) or illustrated episodes from Dante’s Divine
renaissance-art: Tintoretto c. 1598-1602 Penitent Magdalene (details)
vincentvillella: As an art student, you’re hit over the head repeatedly with Renaissance art, so I’ve gotten a little tired of it, but something I’m not tired of is the seemingly impossible naturalistic detail attained from stone and a chisel back
fuckyeahrenaissanceart: Pallas and the Centaur Sandro Botticelli c. 1482 Tempera on wood 207 x 148 cm Galleria degli Uffizi , Florence, Tuscany, Italy In this painting we can see another side of Renaissance Art; namely that of
renaissance-art: Domenico Ghirlandaio c. 1483-1485 View of the Sassetti Chapel
renaissance-art: Domenico Ghirlandaio c. 1483-1485 Resurrection of the Boy (detail)
renaissance-art: Francesco Melzi c. 1517-1521 Flora
renaissance-art: Giorgione c. 1505 Moses Undergoing Trial by Fire
renaissance-art: Giorgione c. 1506 Portrait of a Young Woman (Laura)
renaissance-art: Andrea Mantegna c. 1500 Sampson and Delilah From the book of Judges biblical story of Sampson and Delilah. Delilah is cutting Sampson’s hair while he reclines with his head on her lap. As the narrative goes by cutting Sampson’s
renaissance-art: Lorenzo Lotto c. 1540 Venus and Cupid
renaissance-art: Lorenzo Lotto c. 1542 The Alms of Saint Antoninus
renaissance-art: Botticelli c. 1496-1504 The Story of Lucretia
renaissance-art: Botticelli c. 1500 Agony in the Garden
renaissance-art: Botticelli c. 1480s Dante: Divina Commedia
renaissance-art: Giotto c. 1320s Scenes from the Life of Mary Magdalene (detail)
renaissance-art: Bellini c. 1487 San Giobbe Altarpiece
renaissance-art: Hieronymus Bosch c. 1505-1506 Triptych of the Temptation of Saint Anthony (central panel)
renaissance-art: Domenico Ghirlandaio c. 1485-1490 View of the Tornabuoni Chapel
renaissance-art: Annibale Carracci c. 1597-1602 Ceiling Fresco, Palazzo Farnese Rome
renaissance-art: Sebastien Mamerot c. 1474-1475 The Campaigns of the French Against the Turks
renaissance-art: Tintoretto c. 1570 Origin of the Milky Way
renaissance-art: Francesco Melzi c. 1517-1520 Pomona and Vertumnus It was not until the 1990’s that this painting achieved any sort of recognition. It was in need of restoration of and no one could prove who the original artist was. An 18th century
renaissance-art: Raphael c. 1520-1524 Vision of the Cross Constantine Room
Vittore Carpaccio (Venezia, between 1455 and 1465 - Venezia or Capodistria 1525-26); Madonna col bambino benedicente (Madonna with blessing Child); c. 1505-10; tempera on canvas, 68 x 85 cm; Washington National Gallery of Art
Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society
Lorenzo di Credi (Firenze 1456/60 - 1537); Ritratto di giovinetta (portrait of a young woman), ca 1490-1500; oil on wood, 40 x 58,7 cm; Metropolitan Museum of Art, New York City
Pietro Perugino (Italian, 1446/52 - 1523), Portrait of Lorenzo di Credi, 1488; oil on panel transferred on canvas, 44 x 30 cm; National Gallery of Art, Washington
attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese
Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed
Petrus Christus (Flemish, 1410-1475), Portrait of a Carthusian, 1446; oil on oak panel, 29.2 x 18.7 cm; Metropolitan Museum of Art “Portrait of a Carthusian featured a halo above the monk’s head when it was acquired by the Metropolitan Museum of
Dirck Jacobsz (Dutch, 1497-1567), Portrait of a Woman, around 1530; oil on panel, 43 x 33 cm; Musée de Beaux-Arts et d’Archéologie de Besançon
Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York
Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence
Sandro Botticelli (Florence, 1445-1510) The Birth of Venus, ca. 1485, detail. Galleria degli Uffizi, Florence.Venus, ca. 1490. Oil on canvas, 158 x 68.5 cm. Gemäldegalerie, Berlin
French School, Virgin and Child, 1490-1500. Panel from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville. Oil on panel, 116 × 49.5 cm; the Art Institute of Chicago
renaissance-art: Symbols in Renaissance Art Lilies: Found almost exclusively in annunciation scenes, the lily symbolizes Mary’s purity. In some accounts the golden anthers in the center of the flower represent the “radiance of her soul”.
renaissance-art: Renaissance Art A-Z H: Hans Holbein the Younger
renaissance-art: Caravaggio c. 1598 Saint Catherine of Alexandria (detail)
renaissance-art: Renaissance Art: The Moon
red-lipstick: Jean-Luc Moerman (b. 1967, Brussels, Belgium) - Sans Titre/Untitled Tattoos on Renaissance Art
renaissance-art: Botticelli c. 1486 Birth of Venus
renaissance-art: Botticelli c. 1481-1485 Madonna of the Magnificat (detail)
renaissance-art: Titian c. 1520 Venus Rising from the Sea (detail)
renaissance-art: Botticelli c. 1490-1495 Madonna of the Pavilion
renaissance-art: Giovanni da Udine c. 1515-1520 Study of a Flying Sparrow
renaissance-art: Symbols in Renaissance ArtLilies: Found almost exclusively in annunciation scenes, the lily symbolizes Mary’s purity. In some accounts the golden anthers in the center of the flower represent the “radiance of her soul”.
exam: The renaissance sculptures were allegories of the world trough and for cultural or ethic knowledge. What would it be like nowadays ? Renaissance Full Hd is a virtual museum, letting people be in the internet posterity throughout the web culture.
