religious art
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Chevy Beckett in her ceremonial clothes for when angelic magic needs to be performed for the town settlement. She’s extremely skeptical of angels and their motives, but it’s traditional for the position of town/religious leader to be inherited
I don’t think I talk enough about Chevy Beckett. I actually don’t talk enough about any of my OCs, but it’s Chevy’s turn right now. Her mother and father are the joint political/religious leaders of the town, and she’s
howishughdancyevenpossible: chetom: [ Your heart’s a mess,You won’t admit to it ~]A late hannigram day tribute lol But okay so hear me out -(✿ ♥‿♥) What if post-fall Hannibal religiously kisses each one of Will’s scars every night?
klutzymoi: countofeight-hannibal: chetom: chetom: [ Your heart’s a mess,You won’t admit to it ~]A late hannigram day tribute lol But okay so hear me out -(✿ ♥‿♥) What if post-fall Hannibal religiously kisses each one of Will’s scars
Nicolas Poussin (1594 - 1665), The plague at Ashdod (1630) a) via The Athenaeum b) via WikiPaintings
Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510
Giovanni Lanfranco (1582 - 1647), Maria Maddalena trasportata dagli angeli (Mary Magdalene raised by angels), c. 1616
Giovanni Lanfranco (1582 - 1647), Elijah receiving bread from the widow of Sarepta (1624-25), J. Paul Getty Museum
hadrian6: Detail : Saint Liborius heals a sick man. 1712. Paolo Pagani. Italian. 1655-1716. oil on canvas. St.Augustine Chapel. Milan. http://hadrian6.tumblr.com
Joachim Patinir (1480 or 1485 - 1524) a) Rest during the flight to Egypt, oil on panel, 121 x 177 cm, Museo del Prado, Madrid b) The rest on the flight into Egypt, painted after 1515, oil on panel, 62 x 78 cm, Gemäldegalerie, Berlin
Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 c. - Roma 1547), Madonna del velo [Madonna of the veil] (1533-35), olio su lavagna [oil on slate], Museo Nazionale di Capodimonte, Napoli excerpt from en.wikipedia: “After the elevation of
Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)
italianartsociety: On this day in 1419, painter Gentile da Fabriano requested a letter from Pandolfo III Malatesta, Lord of Fano, Bergamo and Brescia for safe passage to travel to Florence on horseback in the company of seven others. Gentile had been
Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London
Andrea Appiani (Milano 1754 - 1817), Santi ed Evangelisti, fresco; Cupola di Santa Maria presso S. Celso, Milano; 1792 - 1795 (view high resolution)
Bartolomeo Manfredi (Ostiano [Mantova, oggi Cremona] 1482 - Roma 1622), Il sacrificio di Isacco (The sacrifice of Isaac), 1620-22; 180 cm x 150 cm, oil on canvas; Roma, Chiesa del Gesù
Andrea Sacchi (Nettuno 1599 - Roma 1661), Morte di Sant'Anna (Death of St. Anne), oil on canvas, 1649
Sebastiano del Piombo (Sebastiano Luciani, Venezia 1485 - Roma 1547), Cristo Portacroce (Christ bearing the Cross), c. 1516
Gerard David (c. 1460, Ouderwater - 1523, Bruges), The rest on the Flight into Egypt, c. 1512-15, oil on wood
Federico Barocci (Urbino, c. 1535 - 1612), L'ultima cena (The Last Supper), 1590-99, oil on canvas
Carlo Saraceni (Venezia c. 1579 - 1620), Miracolo di San Benno (Miracle of St. Benno), oil on canvas, 1617
Cosimo Rosselli (Firenze 1439 - 1507), Miracolo del Sangue (Miracle of the Blood), 1584-86, detached fresco; Chiesa di Sant'Ambrogio, Firenze
Jan Gossaert (called Mabuse; Maubege c. 1478 - Middelburg c. 1532), St. Donatian of Rheims, oil on board, after 1510
Sandro Botticelli (Sandro di Mariano Filipepi called il Botticelli; 1444 or 1445 Firenze - Firenze 1510), Compianto sul Cristo morto (Lamentation over the Dead Christ), c. 1495, tempera on panel, 107 x 71 cm; Museo Poldi Pezzoli, Milano
Bartolomé Esteban Murillo (Seville, 1617 - 1682), Sagrada Familia del pajarito (Holy Family with the little bird), c 1650, oil on canvas; Museo Nacional del Prado, Madrid
Hugo van der Goes (Ghent c. 1440 - Oudergem 1482); Death of the Virgin, c. 1475 -1480; oil on oak panel
James Ensor (Ostend, 1860 - 1949); Tribulations of Saint Anthony, 1887; oil on canvas, 118 x 168 cm; MoMA
Raffaello Sanzio (Urbino 1483 - Roma 1520); Trasfigurazione (Transfiguration), 1518 / 1520 (unfinished; probably completed by Giulio Romano before 1523); oil on wood, 405 x 278 cm; Pinacoteca Vaticana
Hans Memling (Selingenstadt c. 1430 - Bruges 1494); The martyrdom of St. Ursula, 1489, oil on panel (scene from St. Ursula Shrine)
Marten de Vos (Antwerp, 1532 - 1603), The Marriage at Cana, 1596-97; Cathedral of Our Lady, Antwerp
Lorenzo Lotto (Venezia c. 1480 - Loreto 1556); L'elemosina di Sant'Antonino (The Alms of St. Anthony), 1540-42; oil on canvas, 235 x 332 cm; Basilica dei Santi Giovanni e Paolo, Venezia
Rosso Fiorentino (Giovanni Battista di Iacopo called il Rosso Fiorentino; Firenze 1495 - Fountainebleau 1540); Assunzione della Vergine (Assumption of the Virgin), 1517; fresco, 385 x 337 cm; Chiostrino dei Voti, Firenze
Georges Rouault (Paris, 1871 - 1958), Young Jesus with the Doctor, 1893; watercolour and gouache on paper, 52 x 64 cm
Matthias Grünewald (Würzburg, ca. 1480 – Halle, 1528); Christ carrying the Cross, c. 1523-24; oil on wood, 152 x 193 cm; Kunsthalle, Karlsruhe
thegetty: A woman is brought to Christ after she is caught in the act of committing adultery. The people ask if she should be stoned, and Christ stoops to the ground and writes a message in the sand. “He that is without sin among you, let him
Andrea del Castagno (Castagno c. 1421 - Firenze 1457); Madonna col Bambino e i Santi (Madonna with Child and Saints), c. 1445; fresco, 212 x 290 cm; Galleria degli Uffizi, Firenze
Pordenone (Giovanni Antonio de’ Sacchis called il Pordenone; 1484 Pordenone - 1539 Ferrara); Storie della Passione (Stories of the Passion of Christ), 1520-21, fresco; Duomo di Cremona
Annibale Carracci (Bologna 1560 - Roma 1609); San Rocco e l'Angelo (St. Roch and the Angel), c. 1587; oil on canvas, 81 cm x 62 cm; Fitzwilliam Museum, Cambridge
Carel Fabritius (Beemster 1622 - Delft 1654); The raising of Lazarus, 1643, oil on canvas; Muzeum Narodowe w Warszawie (Warsaw
Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg
Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia
Guido Reni (Bologna, 1575 - 1642); San Giuseppe e Gesù Bambino (St. Joseph with the Infant Jesus), c. 1635; oil on canvas, 101 x 126 cm; Hermitage Museum, Saint Petersburg
William Hogarth (London, 1697 - 1764); Christ at the Pool of Bethesda, 1736, oil on canvas; St. Bartolomew’s Hospital, London
Frans Floris (Frans de Vriendt called Floris; Antwerp, 1517 - 1570); The Sacrifice of Jesus Christ, 1562; oil on wood, 230 x 165 cm; Musée du Louvre, Paris
Michael Pacher (c. 1435, Bruneck, Sudtyrol - 1498 Salzburg); The Martyrdom of St. Lawrence, c. 1480; oil on panel, 102 x 99 cm; Alte Pinakothek, Munich
Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James
Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris
Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna
Caravaggio (Michelangelo Merisi called il Caravaggio; Milano 1571 - Porto Ercole 1610); L'incredulità di San Tommaso (The incredulity of St. Thomas), c. 1600-01; oil on canvas, 146 x 107 cm; Bildergalerie, Potsdam
Fra Bartolomeo (real name Baccio della Porta, Firenze 1473 - 1517); Apparizione della Vergine a San Bernardo (the Vision of St. Bernard); 1504; tempera on panel, 220 x 213 cm; Galleria degli Uffizi, Firenze
attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan
Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid
barduils: im like a religious art piece. grotesque, haunting, full of melodrama and guilt and unsettlingly horny.
mmn2: Pokemon × Language of Flowers -Ⅴ- Mega Alakazam × lotus, white magnolia, passion flower, Amur adonislotus…sanctitywhite magnolia…clemencypassion flower…religious fervorAmur adonis…eternal happiness
catastrotaffy: My submission for the Fallout OC zine (@wastelandwanderszine) Based on religious imagery and featuring as many “Briany” things as I could think of. A bunch of people I showed this to asked about prints, so they’re coming and I’ll
Virgen de la Soledad, Zamora
Brain For Breakfast
fuckyeahlgbtqartists: Gabriel García Román- “Queer Icons.”They’re the same halos you see above sacred figures in religious art—except this artist adds the glowing discs around the heads of his gay, lesbian, bisexual and transgender subjects.Gabriel
cavetocanvas: Constantine the Great, c. 315-330, with a digital rendering of what the full statue might have looked like. Things to think about when studying: Why was Constantine important? How did religious art change under his rule?