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Paolo Veronese (Paolo Caliari called Veronese; 1528 Verona - 1588 Venezia); Pietà, 1581; oil on canvas, 111 x 147 cm; Hermitage Museum, Saint Petersburg
Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia
hadrian6: Metellus Raising the Siege. 1805. Armand Charles Caraffe. French 1762-1822. oil /canvas. http://hadrian6.tumblr.com
kecobe: Andrea del Sarto (Italian; 1486–1530)The Virgin and Child Between Saint Matthew and an Angel Oil on panel, 1522 Museo Nacional del Prado, Madrid, Spain
the-paintrist: crystallizations: Natalia Goncharova, Female Nude (Life Study)(Naturshchitsa), 1908-1909, oil on canvas, Tomlina-Larianov Bequest, State Tretyakov Gallery, Moscow. This painting was confiscated after being on exhibition for one day.
Guido Reni (Bologna, 1575 - 1642); San Giuseppe e Gesù Bambino (St. Joseph with the Infant Jesus), c. 1635; oil on canvas, 101 x 126 cm; Hermitage Museum, Saint Petersburg
William Hogarth (London, 1697 - 1764); Christ at the Pool of Bethesda, 1736, oil on canvas; St. Bartolomew’s Hospital, London
Nikolai Ge (Voronezh 1831 - Khutor Ivanovsky 1894); Peter the Great interrogating the Tsarevich Alexei Petrovich at Peterhof, 1871; oil on canvas
Frans Floris (Frans de Vriendt called Floris; Antwerp, 1517 - 1570); The Sacrifice of Jesus Christ, 1562; oil on wood, 230 x 165 cm; Musée du Louvre, Paris
Théodore Chassériau (Samanà, Dominican Republic, 1819 - Paris 1856); The Tepidarium, 1853; oil on canvas, 258 x 171 cm; Musée d'Orsay, Paris
Michael Pacher (c. 1435, Bruneck, Sudtyrol - 1498 Salzburg); The Martyrdom of St. Lawrence, c. 1480; oil on panel, 102 x 99 cm; Alte Pinakothek, Munich
blastedheath: Alberto Burri (Italian, 1915-1995), Muffa, 1952. Oil and fabric on canvas, 56.5 x 66 cm. muffa (it) = mould, mildew
José de Ribera (also known as Jusepe; Jàtiva 1591 - Napoli 1652); The Duel between Women or The Duel of Isabella de Carazzi and Diambra de Pettinella, 1636; oil on canvas, 235 x 212 cm; Museo del Prado, Madrid
athousandwinds: Scene from a Wainwright’s Workshop, 1909, oil on wood by Carl von Merode, Austrian, 1853-1909. A wainwright is a maker and repairer of wagons. Von Merode was a landscape and genre painter and operated a school of painting for women
lawrenceleemagnuson: Paysage Méditerranée 1954 Nicolas de Staël oil on canvas 60 x 81 cm.
Gustave Moreau (Paris, 1826 - 1898); Le Christ au Jardin des Oliviers (Christ in the Garden of Olives), c. 1880; oil on canvas, 70 x 85 cm; Musée Gustave Moreau, Paris
Francisco de Zurbarán (Fuente de Cantos, Extremadura, 1598 - Madrid 1664); The defense of Cadiz against the English, 1634; oil on canvas, 323 x 302 cm; Museo Nacional del Prado, Madrid
Raffaello Sanzio (Urbino 1483 - Roma 1520); Estasi di Santa Cecilia (The Ecstasy of Saint Cecilia), 1514; oil on panel transferred to canvas, 149 x 236 cm; Pinacoteca Nazionale di Bologna
Gerard ter Borch (or Terborch; Zwolle 1617 - Deventer 1681); Procession with Flagellants, c. 1636/40; oil on panel; Museum Boijmans Van Beuningen, Rotterdam
Caravaggio (Michelangelo Merisi called il Caravaggio; Milano 1571 - Porto Ercole 1610); L'incredulità di San Tommaso (The incredulity of St. Thomas), c. 1600-01; oil on canvas, 146 x 107 cm; Bildergalerie, Potsdam
Bartholomeus Breenbergh (Deventer 1598 - Amsterdam 1657); The preaching of St. John the Baptist, 1634; oil on wood, 75 x 55 cm; Metropolitan Museum of Art, New York
Albrecht Altdorfer (Regensburg, c. 1480 - 1538); Der Sieg Karls des Großen über die Awaren bei Regensburg, 1518; oil on wood, 122 x 110,5 cm; Germanishes Nationalmuseum, Nurnberg
Alessandro Allori (Firenze, 1535 - 1607); The Deposition, c. 1660; oil on copper, 54 x 70 cm; Museo Nacional del Prado, Madrid
Lucas van Leyden (Leiden, 1494 - 1533); Last Judgement (triptych), 1526-27; oil on panel, 435 x 301 cm; Stedelijk Museum De Lakenhal, Leiden
Petrus Christus (Baerle c. 1410 - Bruges c. 1475); Lamentation over the dead Christ, c. 1450; oil on panel, 188 x 98 cm; Musée Royaux des Beaux-Arts, Brussels
Alonso Cano (Granada, 1601 - 1667); Christ in the Limbo, c. 1665; oil on canvas, 120 x 167 cm; LACMA (Los Angeles County Museum of Art)
Jacob Jordaens (Antwerp, 1593 - 1678); Saint Carlo Borromeo cares for the plague victims of Milan, 1655; oil on canvas; Sint Jacobskerk, Antwerp
Juan de Valdés Leal (Seville, 1622 - 1690); Christ carrying the Cross, c. 1661; oil on canvas, 71.5 x 88.5 cm; Museo de Bellas Artes, Bilbao
artmastered: Rembrandt, Two Scholars Disputing, 1628, oil on panel, 72 x 60 cm, National Gallery of Victoria, Melbourne. Source This is believed to be a representation of Saints Peter and Paul, though they are not depicted with any of their recognisable
Annibale Carracci (Bologna 1560 - Roma 1609); Elemosina di San Rocco (Saint Roch distributing Alms), 1595; oil on canvas, 477 x 331 cm; Gemäldegalerie Alte Meister; Dresden
Hendrick van Balen (Antwerp, 1575 - 1632); Holy Trinity, 1620’s; oil on panel; Sint Jacobskerk, Antwerp
Howard Hodgkin (London 1932); Interior with figures, 1977-84; oil on wood, 152 x 137 cm
Hugo van der Goes (Ghent c. 1430/1440 – Auderghem 1482); Monforte Altarpiece, c. 1470, Oil on wood, 247 x 150 cm, Staatliche Museen, Berlin
Hans von Kulmbach (Hans Süß, Kulmbach around 1480 - Nuremberg c. 1522); The Coronation of the Virgin, 1514; oil on panel, 79 x 117 cm; Kunsthistorisches Museum, Vienna
William Hogarth (London, 1697 - 1764); Marriage à la mode: the marriage settlement, ca. 1743; oil on canvas, 91 x 70 cm; National Gallery, London
Santi di Tito (Borgo San Sepolcro 1536 - Firenze 1603); La visione di San Tommaso d'Aquino (the vision of St. Thomas Aquinas), 1593; oil on table, 233 x 362 cm; Chiesa di San Marco, Firenze
blastedheath: Serge Poliakoff (Russian-French, 1900-1969), Composition abstraite, 1964. Oil on canvas, 100 x 81 cm.
artmastered: Adolphe-Félix Cals, Fisherman, 1874, oil on canvas, 25 x 31 cm, Musée d’Orsay, Paris. Source Cals is a lesser-known exponent of the realism movement in 19th-century France. This piece was painted after the artist permanently moved from
italianartsociety: Painter Paris Bordone died on 19 January 1571 in Venice, where he had spent the majority of his career. A native of Treviso, Bordone excelled in portraiture, mythologies, and history paintings. Working in both oil and fresco, Bordone
thunderstruck9: Carlo Carrà (Italian, 1881–1966), Solitudine, c.1917–1926. Oil on canvas, 91.5 x 55.5 cm.
José de Ribera (also known as Jusepe de Ribera and Spagnoletto; Xàtiva 1591 - Napoli 1652); Martyrdom of Saint Andrew, 1628; oil on canvas, 183 x 209 cm; Szépművészeti Múzeum, Budapest
kecobe:Giovanni Battista Moroni (Italian; ca.1525–1578)A Gentleman in Adoration Before the Baptism of Christ ca.1555–60 Oil on canvas Collection Gerolamo and Roberta Etro
Daniele Crespi (Busto Arsizio c. 1590 - Milano 1630); La Deposizione di Cristo (The Deposition), c. 1620; oil on canvas, 99 x 123 cm; Szépművészeti Múzeum, Budapest
Pieter Aertsen (Amsterdam, c. 1508 - 1575); The Cook, 1559; oil on canvas, 85 x 171 cm; Musei di Strada Nuova, Genova
artmagnifique: ANDREA DEL VERROCCHIO. The Baptism of Christ, 1472-75, oil on wood.
Raffaello Sanzio (1483-1520), Madonna and Child with saint Giovannino (known as La belle Jardinière), 1507; oil on poplar wood, 122 x 80 cm; Louvre
Cavalier d’Arpino (Giuseppe Cesari, 1568-1640), Perseus and Andromeda, 1592; oil on slate, 70x55 cm; Kunsthistorisches Museum, Vienna
Tiziano Vecellio (1490-1576), St Margaret and the Dragon, ca. 1565; oil on canvas, 209 x 183 cm; Museo del Prado
Guido Reni (1575 - 1642), Carità (Charity), ca. 1630; oil on canvas, 137x106 cm; Metropolitan Museum
Roelant Savery (Flemish, 1576-1639), Noah’s Ark, 1628; oil on canvas, 174x212 cm; Muzeum Narodowe w Warszawie
tripstothemuseum: Celebes, Max Ernst, 1921 Oil paint on canvas.Tate Modern “The central rotund shape in this painting derives from a photograph of a Sudanese corn-bin, which Ernst has transformed into a sinister mechanical monster. Ernst often re-used
Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London
Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds
Annibale Carracci (Italian, 1560-1609), Allegory of the Night, ca. 1602-1605; oil on canvas, 128 x 155 cm; Musée Condé, Chantilly
Salomon de Bray (Dutch, 1597-1664), Martyrdom of Saint Lawrence, 1652; oil on canvas, 152 x 124 cm; Los Angeles County Museum of Art
attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese
Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed
Dosso Dossi (about 1490-1542), Mythological Scene (Allegory of Pan), about 1524; oil on canvas, 164 x 145 cm; J. Paul Getty Museum, Los AngelesThe questions concerning the meaning of the painting have given rise to many theories among scholars, who tried
Paul Gauguin (1848-1903), Porteuses de fruits à l'anse Turin, 1887; oil on canvas, 46 x 61 cm; private collection“Gauguin’s Martinique paintings were a precursor to his later Tahiti works, presenting something of an idealized vision of a colorful,
Andrea del Sarto (1486-1530), Madonna della scala (Madonna of the Stairway), ca.1522-23; oil on board, 177 x 135 cm; Museo del Prado, Madrid
