17th century
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necspenecmetu: Francesco Cairo, David with the Head of Goliath, 17th century
hadrian6:Apollo Embraces Daphne Turned Into A Laurel Tree. 17th.century. Cavalier Mutti. Italian.1604-1653. oil/canvas. http://hadrian6.tumblr.com
hadrian6:A Shepherd Playing the Cetera. 17th.century. Astolfo Petrazzi. Italian 1580-1653. oil/canvas. Sotheby’s April 2021. http://hadrian6.tumblr.com
ganymedesrocks:Mercury, a 17th century statuette, Italian, Venitian or German, the latter, upon aesthetic canons observation, but also the provenance, electing this item as one more likely to enthusiasm a German ‘kustkammer’ collector, than one managing
hadrian6: French School, 17th Century - Hercules and the Lion of Nemea. marble. http://hadrian6.tumblr.com
maertyrer: French SchoolSt. SebastianOil on canvas, 115 x 89,5 cm, 17th century
beyond-the-pale: Neapolitan School, 17th Century - Saint SebastianDorotheum
hadrian6: Angels Bearing the Column of the Passion. 17th.century. Simon Vouet. French 1590-1649. oil/canvas. Sotheby’s Nov. 2021. http://hadrian6.tumblr.com
the-evil-clergyman: Bacchus (German 17th Century)
hadrian6:Semi Nude Male Chained to a Column. 17th.century. Heinrich Dittmers. German 1625-1677. charcoal on blue paper heightened with white chalk. http://hadrian6.tumblr.com
maertyrer: Francesco FuriniSt. SebastianOil on canvas, 91 x 74 cm, 17th century
maertyrer: Roman SchoolSt. Sebastian healed by St. IreneOil on canvas, 136 x 102 cm, 17th century
necspenecmetu: Louis Finson, Saint Sebastian, 17th century
maertyrer: Lombard SchoolSaint Sebastian with Saint Irene and two assistantsOil on canvas, 121 × 105 cm, 17th century
necspenecmetu:Domenico Fiasella (Il Sarzana), Portrait of a Young Man with a Sketchbook, 17th century
antonio-m: “Saint Sebastian”, (17th century). School of Nicolas Régnier (1591–1667). Painter, art dealer and art collector. oil on canvas
necspenecmetu: Onorio Marinari, Saint Sebastian, 17th century
antonio-m: “Winged genius”, late 17th century by Onorio Marinari (1627–1715). Italian Baroque painter and printmaker. oil on canvas
maertyrer: Circle of DomenichinoSt. GeorgeOil on canvas, 134.3 x 98 cm, 17th century
maertyrer: Biagio ManzoniMartyrdom of St. SebastianOil on canvas, 176 x 123 cm, 17th century
hadrian6: Saint Sebastian Martyr. 17th.century. Johannes Eillarts Dutch active 1600-1650. engraving. http://hadrian6.tumblr.com
maertyrer: German SchoolSt. Sebastian Ivory, h: 20.5 cm, second half of the 17th century,
necspenecmetu:Attributed to Tommaso Salini, Daedalus and Icarus, 17th century
antonio-m:“Saint Sebastian”, c.17th century by Giovanni Domenico Cerrini (1609–1681). Italian Baroque painter. oil on canvas
whetzell: 17th Century Say Anything.
Despair. Mosaic in the Cornaro Chapel, 17th century.
asylum-art: Lost Castle: Jan Stel on Behance Located in a park near the center of Lede, Belgium, the Castle of Mesen dates back to the 17th century where it served as a home for various lords before a conversion to an industrial site. Throughout the
victoriousvocabulary: TARANTISM [noun] 1. an urge to overcome melancholy by dancing. 2. a mania characterised by an uncontrollable impulse to dance, especially as prevalent in southern Italy from the 15th to the 17th century, popularly attributed to
magictransistor: Antonio Tempesta, Ovid’s ‘Metamorphoses’ (17th century engraving). ф
nihtegale: A hero wrestles a div, or demon, 17th century
design-is-fine: Maria Sibylla Merian, Black Tegu Lizard, 17th century. Pen and blank ink, transparent and opaque watercolor on vellum. The Morgan Library
signorformica: Damned in Hell in Frescoes on Venetian-Dominated Crete, Agia Paraskevi Church, Voutas 13th to 17th century Bibliothèque Infernale: http://on.fb.me/1Rmpe6H
vintagetieguy: The cravat is a neckband, the forerunner of the modern tailored necktie and bow tie, originating from 17th-century.
bluepueblo: 17th Century House, Provence, France photo via sarahklassen
bluepueblo: 17th Century Stone House, Aquitaine, France photo by laurence
allthingslinguistic: Next time someone complains about singular “they” I’ll point them to this 17th century rant against singular “you”. Here’s the original book the screencap is from.
womenwhokickass: Queen Nzinga of Ndongo (Angola) Why she kicks ass: Nzingha a Mbande (also known as Ana de Sousa Nzingha Mbande) was a 17th century queen (muchino a muhatu) of the Ndongo and Matamba Kingdoms of the Mbundu people in southwestern
vwcampervan-aldridge: Archway in 17th century garden folly, Shugborough Hall, Staffordshire, England All Original Photography by http://vwcampervan-aldridge.tumblr.com
theoddmentemporium: The Mistress of the Fairy King Karin Svensdotter was a 17th century Swedish woman who claimed to have had seven children by a man who identified himself to her as The King of the Fairies. According to Svensdotter, she had met the
superwherelock: mewkeirin: jasmine-blu: i never realized how realistic their moments were until now favorite movie interestingly in 17th century germany fitz was a prefix surname used for bastard sons so one of eugenes ancestors or maybe even
erikkwakkel: Spooky mask discovered in wall This object is not a book, but it’s just too special not to show you. It’s a 16th- or 17th-century “visard” or disguising mask from England, which was found in a most unusual place: buried inside a
art-of-swords: Composite Two-handed Sword Dated: first quarter of the 17th century Culture: German Measurements: overall length 185 cm The sword has a straight, undulated, double-edged blade, featuring a stamp at the base, between two crosses on a
art-of-swords: Cavalry Sword Dated: first half of 17th century Culture: probably German Measurements: overall length 100 cm The sword has a double-edged, straight blade with central fuller, two grooves and central point. On outer side features two marks
presentpasts: Model of the William Rex, a late 17th century Dutch warship. It was put on display as an example of a modern ship in the council chamber of the Admiralty of Zeeland in Middelburg. Now at the Rijksmuseum, Amsterdam.
hms-surprise: Flagship Brederode. by Jan Abrahamsz. Beerstraaten (17th century, Netherlandish)
hadrian6: The Archangel Michael expelling the bad Angels. 17th.century. after Rubens. Lucas Vorsterman. Flemish 1595-1675. engraving. http://hadrian6.tumblr.com
jaded-mandarin: Margherita Caffi. Detail from Still Life of Flowers in Vases on Stone Ledge, 17th Century.
hadrian6: Saint Sebastian. 17th.century. Ludovicus Finson. Flemish 1580-1617. oil/canvas. http://hadrian6.tumblr.com
dolce-vita-lifestyle: art-of-swords: Spanish Cup-hilt Rapier Dated: mid-17th century Culture: Spanish Provenance: Spain Measurements: overall lenght 123cm The sword has a straight, double-edged blade ribbed at the center, a very short tang while the
gthegentleman: japaneseaesthetics: “Red-lacquered nimaido gusoku samurai armor. 17th Century- Edo Period. Gift of Mr. Katsuichi Ito, Hikone Castle Museum, Japan.” Text and photography by Rekisha no tabi of Flickr
mindhost: 16th and 17th century swordsSource: myarmoury.com
barbucomedie: Sword of Justice from 17th Century Scotland on display at the Royal Armouries in the Tower of LondonThis sword has a blunted tip showing it was used for executions, hence it’s title. The guard is the Lowland clam shell style which protected
art-of-swords: Walloon Sword Dated: beginning of the 17th century Culture: French or German Measurements: overall length 99cm, blade length 87cm, weight 0.95 The hilt is typical of the Walloon swords with two large side-rings filled with two plates,
art-of-swords: Sword Dated: second half of 17th century Culture: Ottoman Measurements: overall length 94.5 cm; blade elngth 77.5 cm Source: Copyright © 2015 Fischer Auktionen
art-of-swords: Cup-hilted Rapier Dated: 17th century Culture: Spanish Measurements: overall length 119 cm The sword has a straight blade of lozenge section, grooved at the first part featuring the signature “IUANEZ DE TOLLEDO” and a short tang.
art-of-swords: Kiliç Sword Dated: 17th century Culture: Ottoman (Turkish) Measurements: overall length (in scabbard) 95 cm; blade length 75 cm The wooden scabbard is covered with a greenish ray skin and four butterfly shaped gilded silver mounts.
art-of-swords: Rapier Dated: 17th century Culture: Italian Measurements: overall length 121 cm The sword features a straight, double-edged, colichemarde blade of lozenge section, wider at the first part, grooved, featuring the signature “TOMAS AIALA
mindhost: 16th and 17th century Spanish rapiers. Source: vicentetoledo.es
art-of-swords: Rapier Dated: 17th century Culture: Italian Medium: steel, iron, gold Measurements: height 0.124 m; width 0.17 m; depth: 0.105 m Source: Copyright © 2015 Musée du Louvre/Photo: Stéphane Maréchalle
art-of-swords: Dress Sword Dated: mid-17th century Maker: Rundell Bridge & Rundell Culture: Dutch and English Medium and techniques: ivory, animal materials, steel, gilt/carved, gilded, etched Measurements: overall length 96.5 cm; blade length 80.5
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