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stilllifequickheart: Willem van Aelst Still Life with Fish, Bread and Nautilus Cup 17th century

stilllifequickheart: Willem van Aelst Still Life with Fish, Bread and Nautilus Cup 17th century

jaded-mandarin:Egidius Nuemans. Detail from Still Life, 17th Century.

jaded-mandarin:Egidius Nuemans. Detail from Still Life, 17th Century.

via-appia: Still Life wth Flowers, 17th century Maria van Oosterwijck (1630–1693)

via-appia: Still Life wth Flowers, 17th century Maria van Oosterwijck (1630–1693)

archaicwonder: Rare Renaissance Gold and Type IIA Diamond Ring, 16th-17th Century AD A slender D-section gold hoop with graduated rosettes to the shoulders, scrolls supporting a cupped bezel with egg-and-dart modeling to the rim, open to the underside;

archaicwonder: Rare Renaissance Gold and Type IIA Diamond Ring, 16th-17th Century AD A slender D-section gold hoop with graduated rosettes to the shoulders, scrolls supporting a cupped bezel with egg-and-dart modeling to the rim, open to the underside;

jaded-mandarin:After Guido Reni. Detail from Europa and the Bull, 17th Century.

jaded-mandarin:After Guido Reni. Detail from Europa and the Bull, 17th Century.

treasures-and-beauty: Carved ivory case for two pairs of wire-nose spectacles, designed in the form of a book with sundials showing Italian hours on the front and back covers, possibly made in Nuremberg. 17th century.

treasures-and-beauty: Carved ivory case for two pairs of wire-nose spectacles, designed in the form of a book with sundials showing Italian hours on the front and back covers, possibly made in Nuremberg. 17th century.

artofshunga: Tosa school ( 土佐派 ) 17th century An emaki about an individual’s memories.5/10

artofshunga: Tosa school ( 土佐派 ) 17th century An emaki about an individual’s memories.5/10

jaded-mandarin:Hendrick de Fromantiou. Detail from Still Life, 17th Century.

jaded-mandarin:Hendrick de Fromantiou. Detail from Still Life, 17th Century.

eloybida: “Take yourself by your nose” It’s also called “Bird of self-knowledge”. 17th century

eloybida: “Take yourself by your nose” It’s also called “Bird of self-knowledge”. 17th century

loveinaromanticcity: “A 17th century shunga woodblock printing from Japan depicting two women having sex. One has tied a tengu mask around her waist, and penetrates her partner using its long nose.” | via Whores of Yore on twitter.com

loveinaromanticcity: “A 17th century shunga woodblock printing from Japan depicting two women having sex. One has tied a tengu mask around her waist, and penetrates her partner using its long nose.” | via Whores of Yore on twitter.com

sommartidsvarmod: Portrait of a Lady in Allegorical Guise, Holding a Dish of Pearls (detail), attributed to Pierre Mignard (17th century)

sommartidsvarmod: Portrait of a Lady in Allegorical Guise, Holding a Dish of Pearls (detail), attributed to Pierre Mignard (17th century)

historyarchaeologyartefacts:17th Century Skull Pocket Watch [3797x2125]

historyarchaeologyartefacts:17th Century Skull Pocket Watch [3797x2125]

abystle: Mors Triumphans, Leoneart Bramer, 17th Century.

abystle: Mors Triumphans, Leoneart Bramer, 17th Century.

historyarchaeologyartefacts: Mounted Samurai wearing Tatehagidō Armor with horse wearing a horned dragon mask, Japan, 17th century [960 x 860]

historyarchaeologyartefacts: Mounted Samurai wearing Tatehagidō Armor with horse wearing a horned dragon mask, Japan, 17th century [960 x 860]

blondebrainpower:“Contessa with Squid” is a beautiful oil painting by West Tisbury, Massachusetts-based artist Omar Rayyan of a “17th-century Octopus Contessa dressed in her finest court attire, with her beloved squid.” 2011

blondebrainpower:“Contessa with Squid” is a beautiful oil painting by West Tisbury, Massachusetts-based artist Omar Rayyan of a “17th-century Octopus Contessa dressed in her finest court attire, with her beloved squid.” 2011

blairwitchh: me: (dies) 17th century lady ghost in my room that i can suddenly see now: oh hey me, a ghost: aw fuck her: yeah me: so its ghosts? its ghosts? her: yeah its ghosts me: is there a heaven i can reach or– her: its just ghosts

blairwitchh: me: (dies) 17th century lady ghost in my room that i can suddenly see now: oh hey me, a ghost: aw fuck her: yeah me: so its ghosts? its ghosts? her: yeah its ghosts me: is there a heaven i can reach or– her: its just ghosts

ganymedesrocks:The Archangel Michael -a ‘Haute Epoque’ 17th century Polychrome Statuette Courtesy de Grande 

ganymedesrocks:The Archangel Michael -a ‘Haute Epoque’ 17th century Polychrome Statuette Courtesy de Grande 

blondebrainpower:Sculpture of Yama, god of death and king of Hell, JapanMomoyama period, 16th-17th century 

blondebrainpower:Sculpture of Yama, god of death and king of Hell, JapanMomoyama period, 16th-17th century 

classicalbritain: Eyford House, Upper Slaughter, Gloucestershire Eyford House was commissioned in 1911 from the architect Guy Dawber in the style of a late-17th-century provincial Baroque country house. The Arts and Crafts garden is also to Dawber’s

classicalbritain: Eyford House, Upper Slaughter, Gloucestershire Eyford House was commissioned in 1911 from the architect Guy Dawber in the style of a late-17th-century provincial Baroque country house. The Arts and Crafts garden is also to Dawber’s

coolfriendlyguy: actuary-tattoo: deathandmysticism: Plague, Dance of the Rats, 17th century Me n the girls new yorkers having fun

coolfriendlyguy: actuary-tattoo: deathandmysticism: Plague, Dance of the Rats, 17th century Me n the girls new yorkers having fun

hbombcollector: galligaskins - a type of loose breeches worn in the 16th and 17th centuries

hbombcollector: galligaskins - a type of loose breeches worn in the 16th and 17th centuries

bloodstiel: queenquong: bloodstiel: what? johnlock? you mean John Locke, the 17th century English philosopher and Father of Classical Liberalism *cries real tears* NO! johnlock is way more important!!

bloodstiel: queenquong: bloodstiel: what? johnlock? you mean John Locke, the 17th century English philosopher and Father of Classical Liberalism *cries real tears* NO! johnlock is way more important!!

callmekitto: alexandraerin: silverilly: bookshop: mydaywithd: Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest

callmekitto: alexandraerin: silverilly: bookshop: mydaywithd: Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest

callmekitto: alexandraerin: silverilly: bookshop: mydaywithd: Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest

callmekitto: alexandraerin: silverilly: bookshop: mydaywithd: Julie D’Aubigny was a 17th-century bisexual French opera singer and fencing master who killed or wounded at least ten men in life-or-death duels, performed nightly shows on the biggest

anatomicdeadspace: Queens House GhostOne of the most famous spirit photographs ever on record was taken in 1966 at Queens House in Greenwich England, however there was no tradition of this 17th century house being haunted prior to the photograph. The

anatomicdeadspace: Queens House GhostOne of the most famous spirit photographs ever on record was taken in 1966 at Queens House in Greenwich England, however there was no tradition of this 17th century house being haunted prior to the photograph. The

hinducosmos: Blue Tile Work in Shah Jahan Mosque, Thatta, Pakistan Shah Jahan’s mosque built in 17th century Thatta, Sindh. Intriguing that it has no minaret only bricks. Inspired indo-saracenic revival in London. (via Twitter: Authindia)

hinducosmos: Blue Tile Work in Shah Jahan Mosque, Thatta, Pakistan Shah Jahan’s mosque built in 17th century Thatta, Sindh. Intriguing that it has no minaret only bricks. Inspired indo-saracenic revival in London. (via Twitter: Authindia)

barcarole:Town of Essaouira, Morocco, 1991. The fortified ramparts with canons of 16th and 17th centuries. Photo by Bruno Barbey.

barcarole:Town of Essaouira, Morocco, 1991. The fortified ramparts with canons of 16th and 17th centuries. Photo by Bruno Barbey.

Jean Rousseau, Skull watch, 17th century

Jean Rousseau, Skull watch, 17th century

consciousvariety: 17th century Hindu painting, a meditation on “the endless dance of energy.”

consciousvariety: 17th century Hindu painting, a meditation on “the endless dance of energy.”

moon-sylph: pankurios-templeovarts: Maria Clara Eimmart, Ten Depictions of Heavenly Phenomena, (late 17th century) ☽ ⁎ ˚ * ☀ Transylvanian forest ✵ ⁎ * ☾

moon-sylph: pankurios-templeovarts: Maria Clara Eimmart, Ten Depictions of Heavenly Phenomena, (late 17th century) ☽ ⁎ ˚ * ☀ Transylvanian forest ✵ ⁎ * ☾

lorilynn15: Merry Company - Judith Leyster, c. 17th century

lorilynn15: Merry Company - Judith Leyster, c. 17th century

yolk-of-the-sun: Jacob Ferdinand Voet. Portrait of a Young Man of the Chigi Family. 17th century.

yolk-of-the-sun: Jacob Ferdinand Voet. Portrait of a Young Man of the Chigi Family. 17th century.

necspenecmetu: Carlo Maratta, Flagellation of Christ, 17th century

necspenecmetu: Carlo Maratta, Flagellation of Christ, 17th century

necspenecmetu: Sebastien Bourdon, Portrait of a Man wearing Black Ribbons, 17th century

necspenecmetu: Sebastien Bourdon, Portrait of a Man wearing Black Ribbons, 17th century

necspenecmetu: Francesco Trevisani, Dead Christ Supported by Angels, late 17th century

necspenecmetu: Francesco Trevisani, Dead Christ Supported by Angels, late 17th century

necspenecmetu: Giovanni Domenico Cerrini (Il Cavalier Perugino), Saint Sebastian, 17th century

necspenecmetu: Giovanni Domenico Cerrini (Il Cavalier Perugino), Saint Sebastian, 17th century

necspenecmetu: Michele Desubleo, David with the Head of Goliath, 17th century

necspenecmetu: Michele Desubleo, David with the Head of Goliath, 17th century

antonio-m: School of Nicolas Regnier, Saint Sebastian, 17th century

antonio-m: School of Nicolas Regnier, Saint Sebastian, 17th century

necspenecmetu: Ortensio Crespi, Portrait of a Printer, 17th century

necspenecmetu: Ortensio Crespi, Portrait of a Printer, 17th century

necspenecmetu: Giulio Cesare Procaccini, Self-Portrait, 17th century

necspenecmetu: Giulio Cesare Procaccini, Self-Portrait, 17th century

necspenecmetu: Orazio Riminaldi, Daedalus and Icarus, 17th century

necspenecmetu: Orazio Riminaldi, Daedalus and Icarus, 17th century

100artistsbook: Andrea Sacchi, Daedalus and Icarus, 17th century

100artistsbook: Andrea Sacchi, Daedalus and Icarus, 17th century

necspenecmetu: Nicolas Tournier, Deposition, 17th century

necspenecmetu: Nicolas Tournier, Deposition, 17th century

poboh: A Cavalrist Reading in a 17th Century Interior, Lambertus Lingeman. Germany (1829-1894)

poboh: A Cavalrist Reading in a 17th Century Interior, Lambertus Lingeman. Germany (1829-1894)

necspenecmetu: Ortensio Crespi, Portrait of a Printer, 17th century

necspenecmetu: Ortensio Crespi, Portrait of a Printer, 17th century

necspenecmetu: Sir Peter Paul Rubens, The Death of Samson, 17th century

necspenecmetu: Sir Peter Paul Rubens, The Death of Samson, 17th century

northsuite: Soviet propaganda poster, celebrating Russian-Ukrainian friendship. (Probably, issued around the 300th anniversary of the treaty of 1649), depicting a 17th century Russian soldier and a Ukranian Cossack. The caption: “Forever Together”.

northsuite: Soviet propaganda poster, celebrating Russian-Ukrainian friendship. (Probably, issued around the 300th anniversary of the treaty of 1649), depicting a 17th century Russian soldier and a Ukranian Cossack. The caption: “Forever Together”.

necspenecmetu: Giuseppe Cesari (Cavaliere d’Arpino), The Passion of Christ, 17th century

necspenecmetu: Giuseppe Cesari (Cavaliere d’Arpino), The Passion of Christ, 17th century

necspenecmetu: Domenico Piola, Saint Sebastian, 17th century

necspenecmetu: Domenico Piola, Saint Sebastian, 17th century

necspenecmetu: Jan van Bijlert, Feast of the Gods, 17th century

necspenecmetu: Jan van Bijlert, Feast of the Gods, 17th century

necspenecmetu: Ludovico Carracci, The Trinity with the Dead Christ, 17th century

necspenecmetu: Ludovico Carracci, The Trinity with the Dead Christ, 17th century

necspenecmetu: Alessandro Turchi (L’Orbetto), Honour, 17th century

necspenecmetu: Alessandro Turchi (L’Orbetto), Honour, 17th century

necspenecmetu: Marcantonio Bassetti, The Lamentation, 17th century

necspenecmetu: Marcantonio Bassetti, The Lamentation, 17th century

necspenecmetu: Andrea Celesti, Saint Sebastian, 17th century

necspenecmetu: Andrea Celesti, Saint Sebastian, 17th century

necspenecmetu: Jacopo Vignali, The Martyrdom of Saint Lawrence, 17th century

necspenecmetu: Jacopo Vignali, The Martyrdom of Saint Lawrence, 17th century

necspenecmetu: Giovanni Ambrogio Figino, Saint Maurice, 17th century

necspenecmetu: Giovanni Ambrogio Figino, Saint Maurice, 17th century

necspenecmetu: Michele Desubleo, Saint John the Baptist, 17th century

necspenecmetu: Michele Desubleo, Saint John the Baptist, 17th century

necspenecmetu: Tommaso Salini, The Young Bacchus, 17th century

necspenecmetu: Tommaso Salini, The Young Bacchus, 17th century

necspenecmetu: Giovanni Battista Caracciolo (Battistello), Adam and Eve Mourning the Dead Abel, 17th century

necspenecmetu: Giovanni Battista Caracciolo (Battistello), Adam and Eve Mourning the Dead Abel, 17th century

necspenecmetu: Antonio d’Enrico (Tanzio da Varallo), Saint John the Baptist, 17th century

necspenecmetu: Antonio d’Enrico (Tanzio da Varallo), Saint John the Baptist, 17th century

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