16th century
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“The Scold’s Bridle, a British invention, possibly originating in Scotland, used between the 16th and 19th Century. It was a device used to control, humiliate and punish gossiping, troublesome women by effectively gagging them. Scold comes
missfolly: Portrait of Japanese Christians (‘Kirishitan’) in Portuguese costume, 16th-17th century
art-of-swords: Sword with Scabbard Dated: 16th–19th century Culture: Chinese or Korean Medium: steel, wood, bronze, gold, silver, iron, pigment Measurements: blade length 2 ft. (61 cm) Source: Copyright © 2014 The Metropolitan Museum of Art
thingsofthisworld: Images from an Arabic manuscript featuring schematics for water powered systems, pulleys and gearing mechanisms. The date is unknown but is thought to be from sometime between the 16th and 19th century.
heathenbookofshades: This grimoire is considered to be written in the 16th or 17 century. It was written by four male witches, three Icelanders and one Dane. This is a magical book that has been preserved, which contains the “black magic” and magic
we-are-rogue: Chilanum daggers, India, 16th-18th centuries.
a-fools-love: jessica-drewz: malglories: women in the 16th and 17th centuries wore creepy, featureless masks which made it impossible to speak in order to hide their faces from the sun bring this back
coolartefact: Gimmel rings (made of 2 or 3 hoops or links that fit together to form one complete ring) were often used as betrothal rings in the 16th and 17th century [408x936]Source: http://i.imgur.com/aod0YV6.jpg
collectorsweekly: Wearing a Vizard Kept Women Pale and Interesting in the 16th and 17th Centuries
archaicwonder: Rare Renaissance Gold and Type IIA Diamond Ring, 16th-17th Century AD A slender D-section gold hoop with graduated rosettes to the shoulders, scrolls supporting a cupped bezel with egg-and-dart modeling to the rim, open to the underside;
blondebrainpower:Sculpture of Yama, god of death and king of Hell, JapanMomoyama period, 16th-17th century
hbombcollector: galligaskins - a type of loose breeches worn in the 16th and 17th centuries
barcarole:Town of Essaouira, Morocco, 1991. The fortified ramparts with canons of 16th and 17th centuries. Photo by Bruno Barbey.
oil on canvas 19th century Ilya Yefimovich Repin - Ivan the Terrible and His Son Ivan on November 16th 1581
dandyportraits: McDermott & McGough - Violate Me, In Violent Times, 1915 Currently on view at Sperone Westwater in the exhibition ‘Portraits / Self-Portraits from the 16th to the 21st Century’, January 12, 2012 through February 25, 2012.
necspenecmetu: Follower of Alessandro Allori, Portrait of Alessandro de’ Medici (Il Moro), Duke of Florence and Penne, Head and Shoulders, late 16th or early 17th century
necspenecmetu: Lodovico Carracci, Study of a Nude Youth, late 16th or early 17th century
necspenecmetu: Michelangelo Merisi da Caravaggio, Saint John the Baptist, late 16th or early 17th century
The Lamentation by Orazio Borgianni (16th/17th century)
Antonio Carracci, Lute Player (16th-17th Century)
mrsramseysshawl: Denijs Calvaert (Netherlandish, Antwerp ca. 1540–1619 Bologna), Standing Male Nude, mid 16th–early 17th century
scribe4haxan: Catholic “Catacomb Saints” - (c. 16th and 17th centuries) I. Saint Faustus II. Saint Coronatus III. Saint Deodatus IV. Saint Valentinus V. Saint Leontius
sixpenceee: A chopine is a type of women’s platform shoe that was popular in the 15th, 16th and 17th centuries. Chopines were originally used to to protect the shoes and dress from mud and street soil. They were popularly worn in Venice. Women who
sixpenceee: This is a Momento Mori Ring. Memento mori is a Latin phrase meaning “remember that you will die.” It also describes mourning jewelry and trinkets popular from the 16th through the 18th centuries. Those mourning the dead would wear these
necspenecmetu: Girolamo Massei, Saint Sebastian, late 16th or early 17th century
via-appia: Menelaus bearing the corpse of Patroclus Roman, 1st century with restorations made in the 16th & 17th centuries
antinoo5: ganymedesrocks: The Arconati Visconti Apollo is quite a uniquely monumental statue, which was expertly cast in a single pour to its 54 inches (137 cm) total bronze height, dated to the late 16th to early 17th Century. The ‘God of Light’,
freystupid: Rosary Bead, early 16th centurySouth Netherlandish (Brabant)Boxwood; Diam. 2 1/16 in. (5.2 cm) Rosary beads, miniature altars, and other small devotional objects produced in Brabant in the early sixteenth century inspire awe by the
erikkwakkel: Spooky mask discovered in wall This object is not a book, but it’s just too special not to show you. It’s a 16th- or 17th-century “visard” or disguising mask from England, which was found in a most unusual place: buried inside a
art-of-swords: European SwordDated: 16th and 19th centuryCulture: GermanMedium: steelThe sword has straight quillons, one side ring, probably dating from the 19th century. The pommel and grip date from circa 1550, but the blade is probably 19th century.
mindhost: 16th and 17th century swordsSource: myarmoury.com
mindhost: 16th and 17th century Spanish rapiers. Source: vicentetoledo.es
kadrey: “Oath Skull” would be a great name for a metal band. blackpaint20: Europe; Circa 16th-17th century Utilized during the tumultuous post-Middle Age Europe, this oath skull was used in the legendary Vehmic courts of present-day Germany
More Art Monday: Blue Monday “Blue World”, 1989, Gilbert & George. “Caryatid”, c. 1912-14, Amedeo Modigliani “Bohemian Procession”, Mid- 18th century, Artist/maker unknown “Tile Mosaic Panel” Safavid Dynasty (1501-1722), 16th
peashooter85: Public humiliation masks worn by criminals for minor crimes, 16th and 17th century. from Hermann Historica
microphonefiend:bae: come overme: i can’t, i’m in 16th century japanbae: i’m home aloneme:
asylum-art: Rosary of skulls and faces: This early 16th century Rosary, ca. 1500–1525
little-jonny-hairflips: fur24: raptorific: I’M SO ANGRY SOME 16TH CENTURY ASSHOLE WROTE “GOD B W YE” IN A LETTER AS AN ABBREVIATION FOR “GOD BE WITH YE” AND IT APPEARED AS “GODBWYE” WHICH WAS THEN READ AS “GOODBYE” AND THAT’S WHY
nobrashfestivity: Unknown, Shamsa Medallion, Iran, 16th/17th century Opaque watercolor, gold, and black ink inlaid on laid paper
thehobbutts: thehobbutts: im a hoe for art restoration me, pretending I’m an intellectual while watching someone remove yellowed varnish from a 16th century painting on YouTube for three hours straight
biglawbear: no-youth: i have an incredibly hard time believing the fact that the phrase “i will face god and walk backwards into hell” was created by dril and not taken from some 16th century literary epic Alright, I had to do some research on