16th century
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privatecabinetstuff: Youth from the Magdalensberg ca. 1551 Anonymous (16th century) Germany Bronze - Cast copy of a Roman original Austria - Vienna - Kunsthistorisches Museum The original is considered a work of Roman ideal sculpture from the 1st
v-ersacrum: Attributed to Lorenzo di Credi, Portrait of a man holding a lira da gamba, 16th century
monsieurlabette: Benvenuto Tisi (Il Garofalo) Saint Sebastian, early 16th century
maertyrer: Unknown ArtistSaint Sebastian Gilt Bronze, Italy, 16th Century
hadrian6: Bust of a Man. 16th.century. Baccio Bandinelli. Italian 1493-1560. marble. http://hadrian6.tumblr.com
ganymedesrocks: This post is fascinating in that the picture, astutely staged and taken, almost stands to evoke these reliquary statuaries of the 16th centuries, painted pale, and adorned with gold filaments set on a piece of tapestry covered, earlier
maertyrer: Unknown ArtistSaint SebastianSuisse, 16th century
hadrian6:St. Sebastian. 16th.century. Jacopo Palma Il Giovane. Italian 1544-1628. oil/canvas. http://hadrian6.tumblr.com
italianartsociety: Florentine artist Franciabigio died on this day in 1525 in Florence at age 41. Known for his religious scenes and portraits, Franciabigio worked with Andrea del Sarto in the first decades of the 16th century. Reference: Andrew John
hadrian6: Male Nude . 16th. century. The Italian School. black chalk,and brown ink brown wash on paper. Christie’s Dec.2018. http://hadrian6.tumblr.com
ganymedesrocks:Johann Gregor van der Schardt (1530-1581), a sculptor and Wenzel Jamnitzer, (1508-1585), a goldsmith, did collaborate on this Allegory of the Four Seasons, which commissioned in the second half of the 16th century, assembled around the
hadrian6: Apollo Standing on the Dragon Python. 16th.century. Francesco de Rossi, called Salviati (artist) (Florence 1510 - 1563 Rome). http://hadrian6.tumblr.com
history-of-fashion: 1570-1590 Spanish School - Portrait of a man (Accademia Carrara)
history-of-fashion: 1527 Hans Brosamer - Portrait of Wolff Fuerleger wearing an embroidered black outfit (Private collection)
laviedesanges: Follower of Michelangelo Buonarroti, 16th Century The Abduction of Ganymede, oil on panel
ganymedesrocks: A Gilt-Bronze Statuette Representing Saint Sebastian - Italian 16th Century Saint Sébastien - Bronze Doré - Italie - milieu du XVIe Siècle. Courtesy Sotheby’s - an earlier sale
ganymedesrocks: artist-titian: The Bravo, 1520, Titian Medium: oil,canvas The greatest painter of 16th-century Venice, Titian, in full Tiziano Vecellio or Tiziano Vecelli, (circa 1488/90 — 1576).
beyond-the-pale:St. Sebastian, 16th century, unknown artist
hadrian6:Statue of a Young Man from Magdalensberg. modern cast of a 16th.century after a Roman original. bronze. http://hadrian6.tumblr.com
history-of-fashion:1585 Attr. to Adriaen Thomasz. Key - Portrait of a gentleman (Museum of Fine Arts, Tournai)
antonio-m:Prince Umberto of Savoy, Prince of Piedmont (King Umberto II of Italy). Portrait by Philip de László, 1928During the mid-15 and 16th centuries, high collars and pleated ruff become so imposing they were nicknamed “millstones” – making
history-of-fashion:ab. 1550 French School - Portrait of a Man holding Gloves and a Sword (Private collection via Christie’s)
ganymedesrocks:Saint Sebastan - A Gilt Bronze Statuette - Italy - Mid to Second half of the 16th Century - Courtesy of Sotheby’s
thisblueboy: Antico, Mercury, 16th century
maertyrer: Spanish SchoolSt. SebastianOil on panel, 80 x 54 cm, 16th century
cauldronandcross: Emblem 16 from Andrea Alciato’s Emblematum liber 16th Century
magictransistor: Brueghel the Elder, 16th Century Ship. Nd. [x]
blackpaint20: A Knight, Death, and the Devil, 16th century After the engraving by Albrecht Dürer (German, 1471-1528), dated 1513 (Bartsch 98) Attributed to Cornelis van Dalem, Netherlandish (active Antwerp), first documented 1545, died 1573
design-is-fine: Hans Tucher, Diptych dial, late 16th century. Ivory. Germany. Museo Galileo. This Instrument maker used a snake shaped trademark.
oursoulsaredamned: Arnaud Nicolai’s mid 16th-century imitation of Holbein’s soldier does not deviate greatly from the original. He replicates the scene, the pose and the death, but reverses the scene’s composition. The background to the scene is
prettyskeletons: Engraving by Marco Dente, 16th century.
scribe4haxan: Allegory of Vanity ~ German school, late 16th century
oursoulsaredamned: ouijanymphet: The Blessed and the Damned Souls (Visions of the Afterlife) Ascent of the Blessed into Heaven, by Joren Anthoniszoon Van Aeken known as Bosch Hieronymus, 1500 - 1504, 16th Century, oil on panel, 87 x 40 each panel.
laveyinthehouse: The biblical dragon Leviathan was identified with the Devil and Witches were represented submitting to their Master in the form of a dragon Hans Baldung Grien (16th century)
animulavagulablandula: Cats dance to a Satanic tune in a detail from “The Witches Cove”, a 16th century Flemish painting by a follower of Jan Mandijn.
mudwerks: blackpaint20: 16th century #cat running about with some guy’s penis And there is a bargain going on well you know the old saying: “when a cat steals your penis you’re wise to have a fish at hand”
museum-of-artifacts: Golden altar in the Seville Cathedral. Made of gold and silver from the Inca. 16th century This bullshit. Return the gold to its rightful owners, The incas.
museum-of-artifacts: Double-headed serpent. Mexico, 15th-16th century ADAn icon of Mexica (Aztec) art, this striking object was probably worn on ceremonial occasions as a pectoral (an ornament worn on the chest).It is carved in wood (Cedrela odorata)
thechirurgeonsapprentice: A physician’s handbook of practical medicine, with notes on medical astrology, blood-letting & uroscopy (16th Century).
theatlantic: What a Hot Mobile Device from the 16th Century Tells Us About 2014 This miniature book was meant to be worn like a holstered Blackberry. Those two holes across the top were for the string that would attach to one’s girdle or belt. The
druggedthinking: I accidentally fell in love with a painting of a woman from 16th century germany
witch-lock:onceandfuturehimbo:speaknowtaylor:This is one for the OGs when else could a post like this come together. imagine showing this to someone from the 16th century or someone 300 years into the future. this website is free
j1tters: This is Arendal, Norway. “Arendal was established in the middle of the 16th century, and was then called Arendall. At that time it had no formal town status. When Kristiansand was founded by King Christian IV in 1641, he granted the
talesfromweirdland: The Fountain of Neptune (detail) at Piazza del Nettuno, in Bologna, Italy. By Flemisch sculptor, Giambologna, 16th century.
hadrian6: Nude Male with Spear. 16th.century. Giuseppe Cesari / Cavaliere d’Arpino. Italian 1568-1640. red chalk on paper. http://hadrian6.tumblr.com
waylandsforge:The spada da lato or “side-sword” is the Italian term for the type of sword popular during the late 16th century, corresponding to the Spanish espada ropera. It is a continuation of the medieval arming sword and in turn the predecessor
darksword-armory:Germany, last quarter of the 16th Century Posted from : www.darksword-armory.com
mindhost: 16th century German longsword with complex guardSource: christies.com
mindhost: Two-handed KatzbalgersOriginal two-handers are very rare but they are often found in 16th century depictions.Katzbalger came in different types of appearances, with flared grips, pommel caps and real pommels. A katzbalger must meet all 3 of
art-of-swords: Rapier Dated: 16th century Culture: Spanish Measurements: overall length 121cm The sword has a straight, double-edged blade of lenticular section, grooved at the forte, with the inscription “CLEMENS HORNN”. It has a richly chiselled
art-of-swords: Cinquedea Shortsword Dated: early 16th century Culture: Italian Measurements: overall length 22 ½ inches (27.15cm) Inscription: the inscription around the tang is a quotation from Lucius Annaeus Seneca’s ‘Medea’ The short sword
art-of-swords: Dussage Sword Dated: 16th century Culture: Austrian (Styrian) or South German Measurements: overall length 94 cm Source: Copyright © 2015 Bolk Antiques
museum-of-artifacts: Italian battle armor, from the workshop of Pompeo della Cesa, 16th century
ordinaryvisionary: art-of-swords: Two-handed Sword Dated: middle of the 16th century Culture: German Measurements: overall length 146 cm The sword has a double-edged blade, lightly ridged in the upper half, with cabalistic brass inlays on both sides
piptheworst: Maximilian armour, early 16th century. Kelvingrove Museum, Glasgow.
museum-of-artifacts: Armor for the Duke of Medina Sidonia, Italy, 16th century
art-of-swords: Rapier with Scabbard Date: about 1540 Culture: Italian Medium: steel, silver, wood Measurements: overall length 43 3/8 inches (110.2 cm); blade length 38 ¼ inches (97.2 cm) From the early 16th century onward, the practice of wearing
art-of-swords: Longsword Dated: probably 3rd quarter of the 16th century Maker: Ulrich Diefstetter (active between 1555 - 1589) Culture: German, Munich Medium & Techniques: iron or steel, wood and fish-skin, blackened Measurements: overall length 107
barbucomedie: Italian Embossed Half-Armour (unfinished) dated late 16th Century on display at the Wallace Collection in London
![magictransistor: Brueghel the Elder, 16th Century Ship. Nd. [x]](https://64.media.tumblr.com/71451b6ab540fbb641e68056e450c477/tumblr_n01e91FhO81rtynt1o1_250.gif)
