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Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra

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Blog: The gilded shell


tags: art, painting, art history, avant-garde, collage, australian art, brett whiteley, infinity, fidgeting with infinity, fidgeting, nga, canberra, modern art, australian artist, whiteley, brettwhiteley, national gallery of australia

original: https://climacus.tumblr.com/post/189271215200

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alaspoorwallace: Alberto Burri (Italian, 1915-1995), Cretto bianco [White Crack], 1958. Mixed media, 38.5 x 52 cm “The present work is a very early example of the series, and is only one of five Cretti produced in 1958, the same year that Burri first

alaspoorwallace: Alberto Burri (Italian, 1915-1995), Cretto bianco [White Crack], 1958. Mixed media, 38.5 x 52 cm “The present work is a very early example of the series, and is only one of five Cretti produced in 1958, the same year that Burri first

Jean Dubuffet (French, 1901-1985), L’Esplanade rose, 1953. Oil on canvas, 89 x 116 cm

Jean Dubuffet (French, 1901-1985), L’Esplanade rose, 1953. Oil on canvas, 89 x 116 cm

alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid

alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid

alaspoorwallace:Carel Willink (Dutch, 1900-1983), Wilma with Cat, 1940. Oil on linen, 88.2 x 64.5 cm; Museum Arnhem

alaspoorwallace:Carel Willink (Dutch, 1900-1983), Wilma with Cat, 1940. Oil on linen, 88.2 x 64.5 cm; Museum Arnhem

alaspoorwallace: Rembrandt (Rembrandt Harmenszoon van Rijn, Dutch, 1606-1669), Danaë, 1636 (probably altered by the painter before 1643). Oil on canvas, 185 x 202.5 cm; Hermitage Museum, Saint Petersburg The New York Times, March 14, 1986, Section C,

alaspoorwallace: Rembrandt (Rembrandt Harmenszoon van Rijn, Dutch, 1606-1669), Danaë, 1636 (probably altered by the painter before 1643). Oil on canvas, 185 x 202.5 cm; Hermitage Museum, Saint Petersburg The New York Times, March 14, 1986, Section C,

alaspoorwallace:Valentin Serov (Russian, 1865-1911), Girl in the Sunlight: Portrait of M.Y. Simonovich, 1888. Oil on canvas, 89 x 71 cm. Tretyakov Gallery, Moscow

alaspoorwallace:Valentin Serov (Russian, 1865-1911), Girl in the Sunlight: Portrait of M.Y. Simonovich, 1888. Oil on canvas, 89 x 71 cm. Tretyakov Gallery, Moscow

alaspoorwallace:Andrea Mantegna (Italian, about 1431-1506), Christ as the Suffering Redeemer, ca. 1495-1500. Tempera on wood panel, 78 x 48 cm. Statens Museum for Kunst, Copenhagen

alaspoorwallace:Andrea Mantegna (Italian, about 1431-1506), Christ as the Suffering Redeemer, ca. 1495-1500. Tempera on wood panel, 78 x 48 cm. Statens Museum for Kunst, Copenhagen

Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence

Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence

alaspoorwallace:Richard Diebenkorn (American, 1922-1993), Untitled, ca. 1963-1964. Oil on canvas, 71.5 x 66 cm

alaspoorwallace:Richard Diebenkorn (American, 1922-1993), Untitled, ca. 1963-1964. Oil on canvas, 71.5 x 66 cm

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