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alaspoorwallace: Rembrandt (Rembrandt Harmenszoon van Rijn, Dutch, 1606-1669), Danaë, 1636 (probably altered by the painter before 1643). Oil on canvas, 185 x 202.5 cm; Hermitage Museum, Saint Petersburg The New York Times, March 14, 1986, Section C,

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alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid

alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid

Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra

Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra

alaspoorwallace:Carel Willink (Dutch, 1900-1983), Wilma with Cat, 1940. Oil on linen, 88.2 x 64.5 cm; Museum Arnhem

alaspoorwallace:Carel Willink (Dutch, 1900-1983), Wilma with Cat, 1940. Oil on linen, 88.2 x 64.5 cm; Museum Arnhem

alaspoorwallace:Valentin Serov (Russian, 1865-1911), Girl in the Sunlight: Portrait of M.Y. Simonovich, 1888. Oil on canvas, 89 x 71 cm. Tretyakov Gallery, Moscow

alaspoorwallace:Valentin Serov (Russian, 1865-1911), Girl in the Sunlight: Portrait of M.Y. Simonovich, 1888. Oil on canvas, 89 x 71 cm. Tretyakov Gallery, Moscow

alaspoorwallace:Andrea Mantegna (Italian, about 1431-1506), Christ as the Suffering Redeemer, ca. 1495-1500. Tempera on wood panel, 78 x 48 cm. Statens Museum for Kunst, Copenhagen

alaspoorwallace:Andrea Mantegna (Italian, about 1431-1506), Christ as the Suffering Redeemer, ca. 1495-1500. Tempera on wood panel, 78 x 48 cm. Statens Museum for Kunst, Copenhagen

Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence

Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence

alaspoorwallace:Richard Diebenkorn (American, 1922-1993), Untitled, ca. 1963-1964. Oil on canvas, 71.5 x 66 cm

alaspoorwallace:Richard Diebenkorn (American, 1922-1993), Untitled, ca. 1963-1964. Oil on canvas, 71.5 x 66 cm

alaspoorwallace:Nicolas Poussin (French, 1594-1665), The Assumption of the Virgin, 1630-32. Oil on canvas, 134.5 x 98 cm. National Gallery of Art, Washington

alaspoorwallace:Nicolas Poussin (French, 1594-1665), The Assumption of the Virgin, 1630-32. Oil on canvas, 134.5 x 98 cm. National Gallery of Art, Washington

alaspoorwallace: David Salle (American, born 1952), Lampwick’s Dilemma, 1989. Oil and acrylic on canvas, 240 x 345 cm In the meantime, the night became darker and darker. All at once in the distance a small light flickered. A queer sound could be heard,

alaspoorwallace: David Salle (American, born 1952), Lampwick’s Dilemma, 1989. Oil and acrylic on canvas, 240 x 345 cm In the meantime, the night became darker and darker. All at once in the distance a small light flickered. A queer sound could be heard,

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