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alaspoorwallace: Alberto Burri (Italian, 1915-1995), Cretto bianco [White Crack], 1958. Mixed media, 38.5 x 52 cm “The present work is a very early example of the series, and is only one of five Cretti produced in 1958, the same year that Burri first

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Guido Reni (Italian, 1575-1642), Allegoria della fortuna con una corona in mano [Allegory of Fortune, holding a crown], ca 1637-1642. Oil on canvas, 164 x 132 cm

Guido Reni (Italian, 1575-1642), Allegoria della fortuna con una corona in mano [Allegory of Fortune, holding a crown], ca 1637-1642. Oil on canvas, 164 x 132 cm

alaspoorwallace: Titian (Tiziano Vecellio, Italian, 1488/1490-1576), The Bacchanal of the Andrians, 1523-1526. Oil on canvas, 175 x 193 cm. Museo del Prado, Madrid “Having delivered the Bacchus and Ariadne to his patron Alfonso d’Este, Duke of

alaspoorwallace: Titian (Tiziano Vecellio, Italian, 1488/1490-1576), The Bacchanal of the Andrians, 1523-1526. Oil on canvas, 175 x 193 cm. Museo del Prado, Madrid “Having delivered the Bacchus and Ariadne to his patron Alfonso d’Este, Duke of

alaspoorwallace:Cima da Conegliano (Italian, ca. 1459- ca. 1517), Christ among the Doctors, 1504. Tempera on poplar panel, 54.5 x 84.5 cm; National Museum, Warsaw

alaspoorwallace:Cima da Conegliano (Italian, ca. 1459- ca. 1517), Christ among the Doctors, 1504. Tempera on poplar panel, 54.5 x 84.5 cm; National Museum, Warsaw

Jean Dubuffet (French, 1901-1985), L’Esplanade rose, 1953. Oil on canvas, 89 x 116 cm

Jean Dubuffet (French, 1901-1985), L’Esplanade rose, 1953. Oil on canvas, 89 x 116 cm

alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid

alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid

Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra

Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra

alaspoorwallace:Carel Willink (Dutch, 1900-1983), Wilma with Cat, 1940. Oil on linen, 88.2 x 64.5 cm; Museum Arnhem

alaspoorwallace:Carel Willink (Dutch, 1900-1983), Wilma with Cat, 1940. Oil on linen, 88.2 x 64.5 cm; Museum Arnhem

alaspoorwallace: Rembrandt (Rembrandt Harmenszoon van Rijn, Dutch, 1606-1669), Danaë, 1636 (probably altered by the painter before 1643). Oil on canvas, 185 x 202.5 cm; Hermitage Museum, Saint Petersburg The New York Times, March 14, 1986, Section C,

alaspoorwallace: Rembrandt (Rembrandt Harmenszoon van Rijn, Dutch, 1606-1669), Danaë, 1636 (probably altered by the painter before 1643). Oil on canvas, 185 x 202.5 cm; Hermitage Museum, Saint Petersburg The New York Times, March 14, 1986, Section C,

alaspoorwallace:Valentin Serov (Russian, 1865-1911), Girl in the Sunlight: Portrait of M.Y. Simonovich, 1888. Oil on canvas, 89 x 71 cm. Tretyakov Gallery, Moscow

alaspoorwallace:Valentin Serov (Russian, 1865-1911), Girl in the Sunlight: Portrait of M.Y. Simonovich, 1888. Oil on canvas, 89 x 71 cm. Tretyakov Gallery, Moscow

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