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lyghtmylife: SANTACROCE, Girolamo da Italian painter, Venetian school (b. 1480/85, Santa Croce, d. ca. 1556, Venezia) St John the Baptist1500sOil on panel, 69 x 46 cmSzépmûvészeti Múzeum, Budapest

Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510

Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)

Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia

Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia

Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris

Francesco Guardi (Venezia, 1712 - 1793); The lagoon looking toward Murano from the Fondamenta Nuove, 1765-70; oil on canvas, 52.7 x 31.7 cm; Fitzwilliam Museum, Cambridge

Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań

Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society

Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds

Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna

Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio

Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna

binnorie: Venetian School | Prometheus, 17th century

beyond-the-pale: Ganymede, 17th century - Venetian School Lempertz

beyond-the-pale: Saint Sebastian, Venetian School, 17th centuryBonham’s

alanspazzaliartist: Tiziano Vecelli or Vecellio c. 1488/90[ – 27 August 1576),known in English as Titian, was an Italian (Venetian) painter during the Renaissance, considered the most important member of the 16th-century Venetian school. He was

radiogirl27: Presentation at the Temple - Giovanni Bellini - 1460-64 Renaissance/Venetian School Fondazione Querini Stampalia (Venice, Italy)

koredzas: Venetian School, Follower of Antonello da Messina - Saint Sebastian. 1475-1500

lilacsinthedooryard: Christ Carrying the Cross. Unknown artist, Venetian School. Venice, circa 1515 oil on canvas

antonio-m: Alessandro Vittoria by Paolo Veronese (1528–1588). Metropolitan Museum of Art. Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school who rivaled even the great Giambologna as the foremost sculptors

beyond-the-pale: Ganymede, 17th century - Venetian School Lempertz

beyond-the-pale:Saint Sebastian, Venetian School, 17th centuryBonham’s

hadrian6: Study for the Adoration of the Shepherds. 1650-80. the Venetian School. oil/canvas. http://hadrian6.tumblr.com

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