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Vittore Carpaccio (Venezia, 1472 - Capodistria, 1526); Meditation on The Passion, c. 1510
Vittore Carpaccio (1472 - 1526), The Virgin reading (1505 - 1510 circa)
Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia
Cima da Conegliano (Giovanni Battista Cima; Conegliano 1459/60 - 1517/18); Il Battesimo di Cristo (The Baptism of Christ), 1492; oil on wood, 210 x 350 cm; Chiesa di San Giovanni in Bragora, Venezia
Giorgione (Castelfranco Veneto 1477 - Venezia 1510) and/or Tiziano Vecellio (Pieve di Cadore c. 1485 - Venezia 1576); Concerto Campestre (Pastoral Concert), c. 1510; oil on canvas, 138 x 118 cm; Musée du Louvre, Paris
Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań
Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society
Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds
Tiziano Vecellio (1485/90-1576), Ecce Homo, 1543; oil on canvas, 242 x 361 cm; Kunsthistorisches Museum, Vienna
Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio
Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna
wunderkammer-der-willa: The Párisi Udvar in Budapest, Hungary. Arcade/department store/ galleria built 1907-1913, in a mix of styles- venetian gothic, orientalism, jugendstil, renaissance.
alanspazzaliartist: Tiziano Vecelli or Vecellio c. 1488/90[ – 27 August 1576),known in English as Titian, was an Italian (Venetian) painter during the Renaissance, considered the most important member of the 16th-century Venetian school. He was
fellofdarknotday-deactivated202:Aleksander Gierymski [1850-1901], ‘Bust of a man in Renaissance costume (Venetian)’ (1882), National Museum in Warsaw.
radiogirl27: Presentation at the Temple - Giovanni Bellini - 1460-64 Renaissance/Venetian School Fondazione Querini Stampalia (Venice, Italy)
japhers: a younger traveling noble Julian back when his only worries were music exams; this look draws more on Italian Renaissance / Venetian Carnival inspirations as compared to his simpler, more worn-out modern-day getup
![Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna](https://64.media.tumblr.com/08da1b1eff6d0312afcae5fcd69b6550/tumblr_pvltfyXBK21qzxzwso1_250.jpg)
![fellofdarknotday-deactivated202:Aleksander Gierymski [1850-1901], ‘Bust of a man in Renaissance costume (Venetian)’ (1882), National Museum in Warsaw.](https://64.media.tumblr.com/avatar_4afbbe22d451_128.png){kind=avatar}
