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heaveninawildflower: Rosa Centifolia by P. J. Redoute (1821). Plate from ‘La Roses.’ Sutro Library. http://archive.org/stream/lesroses1821pjre#page/n7/mode/2up
heaveninawildflower: Rosa Indica by P. J. Redoute (1821). Plate from ‘La Roses.’ Sutro Library. http://archive.org/stream/lesroses1821pjre#page/n7/mode/2up
heaveninawildflower: Rosa Longiflora by P. J. Redoute (1821). Plate from ‘La Roses.’ Sutro Library. http://archive.org/stream/lesroses1821pjre#page/n7/mode/2up
ohmarieantoinette: Marie-Antoinette dit « à la Rose » (1783) - Louise Élisabeth Vigée Le Brun (detail)
k250966: Catherine La Rose
robertwilliment: marquis-de-la-rose-noire: WTF!😱 I want her
my-ear-trumpet: loveofbeauty: oldhollywood: “I wish to live until 150 years old but the day I die, I wish it to be with a cigarette in one hand and a glass of whiskey in the other” - Ava Gardner To Ava Gardner, the first half of ‘La Dolce Vita’
aristocratic-elegance: itsdelovely: forrome: Christina Hendricks for LA Times Magazine (July 2010)
black-and-white: la dame de fer
dreamingviolet: glamnoir: stephaniereinhart: la-dance-macabre: knivesandpompoms: The Devil’s Bible
laudanumandarsenic: glamnoir:karminaburana: la-dance-macabre: (via sicklypaleness)
artemisdreaming: Escalier de la rue Vilin, Belleville 1959 Willy Ronis
nonrev: milk: paradoxintell: La trasparenza è una gran virtù. dailyporno: cantiknya: skinart: (via happyhowie) (via happyhowie-deactivated20100628-)
laudanumandarsenic: missfolly:Michelangelo’s “Pietà” by Aurelio Amendola from the art book “Michelangelo: La Dotta Mano”
artemisdreaming: “La Seine”, circa 1940 Marcel Bovis
black-and-white: La Tour Eiffel
keng001: Alyssa Miller & Elsa Hosk par Ellen von Unwerth pour la campagne Guess automne 2010 - Paperblog Elen <3
itskinkydarling: Corseted La Femme Fatale
girlsbravo: Editorial “A la Bardot” - House of Models (via Tiago Chediak)
black-and-white: Manhattan. (by {.clochette la fée.})
fashionnude: suicideblonde: Paz de la Heurta photographed by Ellen von Unwerth for Vanity Fair, Sept 2010
artemisdreaming: La Sricte Intimite Robert Doisneau
black-and-white: PALACETE FINCA DE LA HIGUERA (by Julián Contreras)
batchiara: Adorissimo. (Grazie all’adorata Solitaire per la segnalazione) Ja chcę!
entregulistanybostan: Lee Miller - Portrait of Space, final version, 1937 Lee Miller o la invención del amor
Tu popatrz, na dół. Na tak zwane dolne rejony. Słuchasz, co mówię? Żeby nie było, że dopowiadasz sobie, czemu ma taki rozmarzony wyraz twarzy i o czym śpiewa. Mnie niepokoi patent a'la Ronnie. Bo, rozumiesz, jak Ron se czegoś nakładł do
milk: extranuance: floradoragirl: darksilenceinsuburbia: Á la Bibliothéque du Château de Groussay par Cecil Beaton (source)
black-and-white: La Defense
luzfosca: liquidnight: Brassaï Allumeur de réverbères [Lighting the Lamps] Place de la Concorde, Paris 8e, circa 1932-1933 From Brassaï, Paris
whatshewanted: la prima
firsttimeuser: Pointe de la Tour Eiffel, Paris, circa 1989. François Dupuy
luzfosca: Chema Madoz La Escalera y el Espejo via
blackv: Emilio Vedova’s (1919-2006) Per la Spagna, which has remained off the market for over 30 years, is estimated at £350,000-450,000. Photo: Sotheby’s
delightfuldelicious: lustforthemoonlight: acidadebranca: reblololo: suzukichiyo: rivzoe: handa: La scalinata (via Alessandro Innocenti)
dempow: L’orda – La horde By Alalettre
homedesigning: Housing in Mera-La Coruna / A-cero | ArchDaily
cabbagerose: Smooth Building by Jorge Hernandez de la Garza via: vectroave
turnofthecentury: L’inondation de 1910 à Paris Crue de la Seine. Quai de Grenelle. Paris, janvier 1910 © Neurdein
turnofthecentury: L’inondation de 1910 à Paris Crue de la Seine. Paris, avenue Ledru-Rollin, janvier 1910. © Neurdein
alkemilk: ratak-monodosico: “The lucky Star” - La Lumière d’en Face - Georges Lacombe - 1956
paradiseisnowhere: *a Firenze c’è stata la neve.
darksilenceinsuburbia: Brassaï (dit), Halasz Gyula (1899-1984) Deux femmes assises sur la terrasse d’un café, vers 1932
black-and-white: Cave la Tonnelle (by Jérôme Sneuw)
luzfosca: Place de la Concorde, Paris, 1928 by André Kertész Thanks to newamsterdamlemonade .
regardintemporel: René Jacques - L’homme de la nuit, 1939
firsttimeuser: La Jana, an erotic dancer / movie actress in the 20 years in beautiful clothes during a carnival ball in Vienna, 1929. Photographer: Arthur Benda
luzfosca: Subida del Cristo de la Luz en 1967. Fotografía de John Fyfe Thanks to firsttimeuser .
luzfosca: Édouard Boubat Le café ‘La Tartine’, Paris, ca 1980 via chayette Thanks to chagalov
luzfosca: Pierre Dubreuil La Place de L’Opera From here
luzfosca: Brassaï Escalier de la butte Montmartre au chien blanc Description : 1932-1933 From RMN Thanks to yama-bato and undr
heleneiswaiting: Auguste Rodin. La Porte de l’Enfer
pigtailsandcombatboots: La petite pièce attenante
luzfosca: André Kertész Place de la Concorde, Paris, 1928
gacougnol: Paris, Montmartre la nuit, août 1958 Marcel Bovis (1904-1997) © RMN
anaistheninja: La vie et les temps d’un amant libertin J’ai pris Versailles Girl à une réception ambassade que mon invité. Ninja
luzfosca: Ken Russell From La Pluie sans parapluie Toż to Atsushi i Imai! Nawłaju, w Twoje ręce, miła :*
luzfosca: Brassaï From La Pluie sans parapluie
luzfosca: Miguel Mealha From La Pluie sans parapluie
luzfosca: Robert Doisneau Musicien sous la pluie, 1957
![luzfosca: liquidnight: Brassaï Allumeur de réverbères [Lighting the Lamps] Place de la Concorde, Paris 8e, circa 1932-1933 From Brassaï, Paris](https://64.media.tumblr.com/tumblr_l706mxMWMX1qzhl9eo1_250.jpg)
