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retrocampaigns: … yeah, I don’t really know why I made this, either. Via the Brady National Photographic Art Gallery / National Archives
si-national-portrait-gallery: George Washington Carver and Student, Clifton Johnson, c. 1900, Smithsonian: National Portrait GallerySize: Image: 16.5cm x 11.5cm (6 ½" x 4 ½")Medium: Gelatin silver printhttps://npg.si.edu/object/npg_NPG.92.156
si-national-portrait-gallery: Henry Wadsworth Longfellow, Alphonse Legros, c. 1875, Smithsonian: National Portrait Gallery Size: Image: 29 x 22.7cm (11 7/16 x 8 15/16")Medium: Lithograph on paperhttp://npg.si.edu/object/npg_NPG.78.260
si-national-portrait-gallery:Cincinnatus Hiner Miller, John Howard Evelyn Partington, 1891, Smithsonian: National Portrait GallerySize: Image: 28.3cm x 24.5cm (11 1/8" x 9 5/8")Medium: Ink on paperhttp://npg.si.edu/object/npg_NPG.91.148
si-national-portrait-gallery:James Weldon Johnson, Winold Reiss, c. 1920, Smithsonian: National Portrait GallerySize: 76.3cm x 54.7cm (30 1/16" x 21 9/16"), AccurateMedium: Pastel on illustration boardhttp://npg.si.edu/object/npg_NPG.72.78
si-national-portrait-gallery:James Fenimore Cooper, Jacques Reich, c. 1899-1920, Smithsonian: National Portrait GallerySize: Sheet: 17.8 × 13 cm (7 × 5 1/8")Medium: Ink on paperhttps://npg.si.edu/object/npg_S_NPG.72.58
si-national-portrait-gallery: Amerigo Vespucci, Charles Willson Peale, 1816, Smithsonian: National Portrait GallerySize: Stretcher: 58.4 x 48.3cm (23 x 19")Medium: Oil on canvashttps://npg.si.edu/object/npg_NPG.2011.14
si-national-portrait-gallery: James Fenimore Cooper, Julien Leopold Boilly, 1831, Smithsonian: National Portrait GallerySize: Image: 24.8 x 14.5 cm (9 ¾ x 5 11/16")Medium: Lithograph on paperhttps://npg.si.edu/object/npg_NPG.77.330
si-national-portrait-gallery: John White Alexander, Francis Luis Mora, 1911, Smithsonian: National Portrait GallerySize: Sheet: 10.1 × 8.1 cm (4 × 3 3/16")Medium: Pencil on paperhttps://npg.si.edu/object/npg_NPG.87.91
si-national-portrait-gallery: Charles F. Hughes, Samuel Johnson Woolf, 1928, Smithsonian: National Portrait GallerySize: 33cm x 27.7cm (13" x 10 7/8"), AccurateMedium: Charcoal and chalk on paperhttps://npg.si.edu/object/npg_NPG.78.TC456
si-national-portrait-gallery: Arthur Stanley Eddington, Samuel Johnson Woolf, 1934, Smithsonian: National Portrait GallerySize: 38.1cm x 26.6cm (15" x 10 ½"), AccurateMedium: Charcoal on paperhttps://npg.si.edu/object/npg_NPG.78.TC344
si-national-portrait-gallery:William Sidney Mount, Charles G. Crehen, 1850, Smithsonian: National Portrait GallerySize: Image: 36.5 x 31 cm (14 3/8 x 12 3/16")Medium: Lithograph on paperhttps://npg.si.edu/object/npg_NPG.78.73
si-national-portrait-gallery: Arturo Toscanini, Samuel Johnson Woolf, 1934, Smithsonian: National Portrait GallerySize: 30.5cm x 26.5cm (12" x 10 7/16"), AccurateMedium: Charcoal and chalk on paperhttps://npg.si.edu/object/npg_NPG.78.TC788
si-national-portrait-gallery: Edwin Austin Abbey, Sir Leslie Mathew Ward, c. 1898, Smithsonian: National Portrait GallerySize: Image: 17.5 × 15 cm (6 7/8 × 5 7/8")Medium: Watercolor and pencil on paperhttps://npg.si.edu/object/npg_NPG.86.187
autosafari: Light Tunnel @ the National Gallery of Art, Washington D.C.Photo by Shawn Lenker 10
blackpaint20: National Gallery, Londres Source
colin-vian: Giovani Paolo Panini, The interior of the Pantheon, c. 1734, National Gallery of Art, Washington, D.C., c. 1734, oil on canvas, 128 x 99 cm
planturs: Closeup of Van Gogh’s Green Wheat Fields, Auvers from the National Gallery of Art
jes68: Claude Monet (1840-1926), La Promenade ou La Femme à l’ombrelle, 1875 National Gallery of Art, Washington, D.C.
kundst: Giovanni Girolamo Savoldo: Mary Magdalene (The National Gallery, London) (via casabet64.tumblr.com )
contemporary-art-blog: Ron Mueck, 100 sculpted skulls, The national gallery of Victoria, Australia
razorshapes: James Turrell at the National Gallery of Australia
thierry-facon: Exit the National Gallery
didoofcarthage: Detail from The Vintage Festival by Sir Lawrence Alma-Tadema 1871 oil on wood panel National Gallery of Victoria
coltre: I took this picture in the atrium of the National Gallery of Modern Art, Rome.
coltre:I took this picture in the atrium of the National Gallery of Modern Art, Rome.
autosafari: Light Tunnel @ the National Gallery of Art, Washington D.C.Photo by Shawn Lenker
twixnmix: Keith Haring painting the National Gallery of Victoria mural in Australia, February 1984. In 1984 during a three week visit to Australia, New York artist, Keith Haring, undertook a number of public art events. The artist’s willingness to
books0977: Woman Reading (c.1915). Agnes Goodsir (Australian, 1865-1939). Oil on canvas. National Gallery of Victoria, Melbourne. Cherry Dunn, an American friend, became Agnes’ artist’s model, lover and the dominant subject of later works. Cherry
kecobe: The Haunt of the HeronA. B. Webb (Australian; 1887–1944)ca.1920 Paper woodcut, printed in color in the Japanese manner, from five blocks, on thin cream paper (no. 13 from an edition of 50) National Gallery of Australia, Canberra, Australia
scandinaviancollectors: FRANK STELLA, Stella painting Getty Tomb in his New York studio, 1958–1962 (from the Black Paintings series 1958-1960). Photography by Hollis Frampton. / National Gallery of Art
netlex: Eugène Atget (France 1857-1927) Eclipse 1911, printed 1956- early 1970s Gelatin silver photograph National Gallery of Victoria
puffymoon: i got too excited when i walked into the Van Gogh/Monet room @ national gallery
horridlyclaire: Saw my babe Monet at the National Gallery today🌻☺️
blastedheath: shadesandshadows László Mednyánszky (1852-1919), Memento: Scene of Horror, 1895. Oil on cardboard and cloth. Slovak National Gallery, Bratislava.
At National Gallery
for-the-duke-of-paris: stonemen: From: ganymedesrocks.tumblr Gaetano-Cellini – L’Umanita contro il Male-1906-08 - National Gallery of Modern Art Rome, Italy Follow The Duke of Paris
motivationsforlife: The Nationals Gallery, London by Adam Birkett
poeticasvisuais: ELMGREEN & DRAGSET View of the exhibition “Elmgreen & Dragset Biography” at Statens Museum for Kunst National Gallery of Denmark Copenhagen (Denmark), 2014
itscolossal: Artist Leon Tarasewicz Covers the Poland National Gallery’s Great Hall Staircase in Splatter Paint
antonio-m: “Black Lake”, c.1904 by Jan Preisler. (1872–1918). Czech painter and art professor. National Gallery, Prague. oil on canvas
antonio-m: “Vulcan at his Forge”, c.1750 by Pompeo Batoni (1708–1787). Italian painter. National Gallery of Canada. oil on canvas.
a-l-ancien-regime: Self-portrait, by Joseph Wright of Derby (Detail) 1765-68(National Gallery of Victoria, Aus)
scottishsquirrel:Circle of Annibale Carracci (1550-1609) Saint John the Baptist seated in the Wilderness The National Gallery UK
ltulipifera: Van-Gogh’s “Wheat Field with Cypresses” as a living painting at the National-Gallery Trafalgar Square
inosanteria: Sleeping Beauty sculpture in the Berlin National Gallery
arscentre: Mies van der Rohe. New National Gallery. Berlin 1962-1968 Photographer 96dpi
thomortiz: Alte Nationalgalerie (Old National Gallery), Berlin architect: Friedrich August Stüler, completed 1876 architect reconstruction: H.G.Merz; completed 2001
quadar:National Gallery of Art
kittencrimson: Karoly Brocky 1850 - (Hungarian National Gallery (Budapest, Hungary))
beyond-the-canvas: Peter Paul Reubens, Daniel in the Lions’ Den. c. 1614, oil-on-canvas. National Gallery of Art, Wastington D.C.
tastefullyoffensive: The National Galleries [x]
elegantiaearbiter: Portrait of Elizabeth I of England, by Marcus Gerards de Jonge, National Gallery, London.
paperimages: James Gleeson, We Inhabit the Corrosive Littoral of Habit, 1940. Oil on canvas. National Gallery of Victoria. This painting has also been incorrectly attributed to Salvador Dali. Surrealism is the bombbbb ohmygod