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dollyvisha: I love that He’s getting off to her pain. It’s so yummy!
wiscoman: “You do not change the presets on the car radio, bitch.”
Note the multiple fetish objects (leather, furs, stockings/garters, boots, whip), and the way the woman’s boot stands in for the man’s penis.
oldhollywood: Chorus girls in Hell in Hellzapoppin’ (1941, dir. H.C. Potter) (via)
An example of the association of deviant politics (slavery, aristocracy, “the South”) with deviant sexuality (rape, sadism, interracial)
Engraving by William Blake, for an abolitionist publication, 1796. The colour version has visible blood. blackslavegirlsandmore: A whipping.
Judging by the art style, a more modern work. I suspect this isn’t terribly realistic, and slave women serving whites would be dressed to the whites’ idea of modesty (at least while there were white ladies present).
motheranddaughterbeauty: thank you for flying Lufthansa mein Furher
Beauty and the Beast, a threatsex classic rats-in-the-walls: onelonelybird: Lovely. Every time I see this, it makes me so happy.It’s such a perfect piece of art.
We usually think of racism applied to non-white people, but WWII propaganda often used similar techniques of depicting Germans and Italians as physically flawed and subhuman.
There’s an unpleasant racial subtext to this particular “damsel in distress” image, which links it to previous images like Powers’ The Greek Slave and Delacroix’ Massacre at Chios: white woman menaced by dark hordes.
Probably from one of the men’s adventure magazines. This is almost certainly a reference to les femmes tondues. In post-liberation France, women who allegedly collaborated with occupying fascists (especially “horizontal collaboration”)
FromOuimagazine, October 1973. Intended to be humorous.Ouiwas aPlayboyspinoff intended to into harder-core and compete withPenthouseandHustler.
Mad Men S5303 “Mystery Date”: an exploration of fear, anger and desire, and what happens when they mix. welaystagnantawake: one of the most shocking moments in mad men so far. i couldn’t move for a minute.
The Gothic in literature and art is all about threatsex.
erosart: Original art by Vic Prezio for REAL MEN, June 1964
Flagellation scene set in Russia. Note that until relatively recently, Europeans considered Russia part of “the Orient”, with the usual Orientalist fantasies.
From Grant Morrison’s comic series The Invisibles. These two characters (King Mob and Ragged Robin) are reacting to psychic infiltration via sexual roleplay. wiffthecliff: mmmm role playing
From a section on paganism in Understanding Human Behavior, Vol. 4, a bizarre 1970s series of pseudo-science books Nothing like a Black Mass to serve up the threatsex.
Nothing like a good black mass to deliver the threatsex. Again, association of deviant sexuality with deviant religion.
Again, deviant religion = deviant sexuality.
thevintagepornconnoisseursclub: Retro magazine Scan / Le Vintage Porn club de connaisseurs. Captivity narrative suggested.
thevintagepornconnoisseursclub: Le Vintage Porn club de connaisseurs The little known middle film of the Snake Plisskin franchise: Escape from Porno Valley
nickdrake: Playmen Italian Magazine.
“In the early years of the 16th century, to combat the rising tide of religious unorthodoxy, the Pope gave Cardinal Ximinez of Spain leave to move without let or hindrance throughout the land, in a reign of violence, terror and torture that makes
coitusandcarnage: at first, the chanting was gay.
le-messe-noir: Anton LaVey, during ritual (2)
Movie poster? Paperback cover?
One of those “white men saving brown women from brown men” scenarios.
oldhollywood: Notable moments in pre-Code Hollywood: The Sign of the Cross (1932), in which Cecil B. DeMille re-created in sadistic detail the excesses of the “Arena Games” in Nero’s Rome. Highlights include gladiator vs. bear wrestling matches,
vintagebdsm: O
mudwerks: (via Men’s Adventure Magazines: Men’s adventure magazine covers that stoked “ophidiophobia” (and some ophidiophilia)…) illustration - Clarence Doore
Swallow My Dominance: Law & Order SVU: Fifty Shades of Cain
Lucky Number 13: How Fifty Shades of Grey should have gone
