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presidentforlife: Kehinde Wiley’s portrait of the musician Questlove, for Burkhard Bilger’s “The Rhythm in Everything,” November 12, 2012.“Questlove is an artist who I respect because he constantly shifts within the idiom, challenging perceptions
fatbodypolitics: freshest-tittymilk: bellygangstaboo: This is inspiring to young black artists who use “non traditional” approaches. If you ever get the chance to see his work in person, please do Do it for me Do it for the culture His paintings
baileyresearch: Kehinde Wiley - Artist
black-culture:Kehinde Wiley’s paintings often blur the boundaries between traditional and contemporary modes of representation. Rendered in a realistic mode–while making references to specific Old Master paintings–Wiley creates a fusion of period
aggienes: Kehinde Wiley’s very own King of Pop with Michael as King Philip II. I got chills looking at this!
99elephants: Kehinde Wiley: Morpheus, Oil on Canvas
ssdmmfr: Artist: Kehinde Wiley “Leviathan Zodiac (The World Stage: Israel)” 2011, Oil and Gold Enamel on Canvas, 8’ x 6’ Feet
100artistsbook: Kehinde Wiley, Equestrian Portrait
KEHINDE WILEY Emperor Napoleon I, 1912-1956, 2012 Oil on canvas 183 x 152cm, (72 x 60in)
Kehinde Wiley Etude pour la Mort d’Abel (2008
Kehinde Wiley (American, b. 1977), Samuel Eto’o, 2010. Oil on canvas, 72 x 60 in.
KEHINDE WILEY
Kehinde Wiley
Solomon Maashash II, by Kehinde Wiley, 2012
Kehinde Wiley (American, b. 1977), Marechal Floriano Peixot, 2009. Oil on canvas, 96 x 84 in. Phoenix Art Museum, Phoenix, Arizona
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alanspazzaliartist:by Kehinde Wiley
thunderstruck9:Kehinde Wiley (American, 1977), Passing/Posing #11, 2002. Oil and enamel on canvas, 60 1/8 x 48 in.
paintera999:Death of Abel Study by Kehinde Wiley, 2008
pbstv: Riccardo Tisci of the house of Givenchy joins forces with Kehinde Wiley while he explores, for the first time, painting portraits of African American women inspired by some of the Louvre’s most iconic masterpieces. Tune into PBS TONIGHT (9/5)
poetic-floetry: micdotcom: Kehinde Wiley is turning art history on its head — and every 20-something art lover should know his name Born in Los Angeles in 1977, the African-American artist works within the boundaries set by the Old European portrait
megangraceharned: Kehinde Wiley, Likunt Daniel Ailin (The World Stage: Israel), 2013, bronze, Museum Purchase: Funds provided by patrons of the 2014 NEW for the WALL evening, © Courtesy of the artist and Roberts & Tilton, Culver City, California,
laeelaalove: Gorgeous work from the Kehinde Wiley exhibit at the VMFA today
swagintherain: Kehinde Wiley is so everything. Black artists shouldn’t be ignored!
destinyrush: Kehinde Wiley and Amy Sherald were chosen to paint Barack and Michelle Obama’s portraits! You already know they’re going to be fire
baileyreseach:Kehinde Wiley - Artist
meteorological–phenomenon: meteorological–phenomenon: sixpenceee: President Barack Obama’s official portrait to be hung in the Smithsonian museum. Painted by Kehinde Wiley I think it’s also important to add that this made him the first
indikos: mimosamami: Judith and Holofernes through the years (Caravaggio, Artemesia Gentileschi, Gustav Klimt, Kehinde Wiley)
ohthentic: amanpayor: Kehinde Wiley Kern Alexander Study I, 2011 Oh
ohthentic: dayum62: KEHINDE WILEY Oh
blantonmuseum: Kehinde Wiley Le Roi à la Chasse [The King at the Hunt], 2006 Oil on canvas Promised gift of Julie Blakeslee and John Thornton, 2006
asylum-art:Kehinde Wiley FacebookFor most of Kehinde Wiley’s very successful career, he has created large, vibrant, highly patterned paintings of young African American men wearing the latest in hip hop street fashion. The theatrical poses and objects
poeticasvisuais: Kehinde Wiley (American, b. 1977), After Sir Anthony Van Dyck’s “La Roi A La Chasse” (from Black Light series), 2009. Archival inkjet print on Hahnemühle fine art paper, 30 x 22.5 in. Edition of 6
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jimlovesart: Kehinde Wiley - St. Francis of Adelaide, 2006.
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thunderstruck9: Kehinde Wiley (American, b. 1977), Diarra Mohamed and Mohamed Konate, Gabon, 2013. Oil on canvas, 92 x 92 in.
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felixinclusis:repubblicabanana: Kehinde Wiley Shared Hosten Study I, 2010
thunderstruck9: antonio-m: The Lamentation Over the Dead Christ. Kehinde Wiley, 2008. #kehindewiley #blackart #blackartists #blackartmatters #arthistory Kehinde Wiley (American, b. 1977), The Lamentation Over the Dead Christ, 2008. Oil on canvas,
radicalqueerbrownboy: black-culture: Kehinde Wiley’s paintings often blur the boundaries between traditional and contemporary modes of representation. Rendered in a realistic mode–while making references to specific Old Master paintings–Wiley
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seethestarsablaze: I meant to post about this last week after I went and saw these in person- but if you’re in brooklyn you have to go to the brooklyn museum and check out the Kehinde Wiley exhibit. If you’ve never heard of Wiley check him out
![blantonmuseum: Kehinde Wiley Le Roi à la Chasse [The King at the Hunt], 2006 Oil on canvas Promised gift of Julie Blakeslee and John Thornton, 2006](https://64.media.tumblr.com/7f0ad71f4ffade0af60dd689f8e70f4b/tumblr_mvt439TE2g1qljreuo1_r2_250.png)
