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a-beautifulchaos: a-beautifulchaos:Joseph Beuys /GermanyMy favo!
artistandstudio: Dan Fischer, Joseph Beuys, 2009 Graphite on paper
loverofbeauty: Signed by Joseph Beuys and Andy Warhol…..
mrkiki: Joseph Beuys Passage der Zukunftplanetoiden. 1955 Watercolor on cardboard 29,5 x 49 cm VIA MORE
sarahjoyetotheworld: Joseph Beuys “I Like America and America Likes Me” performance, 1974 Art historian Uwe Schneede considers this performance pivotal for the reception of German avantgarde art in the U.S.A., it paved the way for the recognition
inneroptics: Joseph Beuys
endpiece: Joseph Beuys (1921–1986). I Hereby Resign from Art, 1985. From a set of postcards.
Joseph Beuys
Genova by Joseph Beuys, 1976
weareaccident: Joseph Beuys - I like America and America likes me (1974)
regardintemporel: Joseph Beuys
raveneuse: Joseph Beuys, How to Explain Pictures to a Dead Hare, 1965.
amcq: Tate Gallery actions Seven exhibitions by Joseph Beuys
fuckingneongreen: “Every human being is an artist.” — Joseph Beuys
sangatte: “The Chief” - Joseph Beuys - 1964
damirdoma: Inspiration: Joseph Beuys, ‘Felt Suit’, 1970.
daskabinett:Joseph Beuys Behind the bone will be counted/PAIN ROOM 1983 Collection of Contemporary Art Fundació “la Caixa”, Barcelona
yvessaintl:Maison Kitsuné AW15 x Joseph Beuys, “I Like America and America Likes Me”, New York, 1974
museumuesum: Joseph Beuys Scala Napoletana, 1985 Wood, steel wire and lead, installation dimensions variable Much of the work Beuys made in his last few years includes objects or themes which suggest death. This sculpture was originally inspired by a
Walking on the top-level platform, A photograph of Joseph Beuys in Buckminster Fuller’s iconic geodesic dome of the Expo 67 pavilion on Montreal’s Île Sainte-Hélène, 1984 — Robert Duchesnay
untitledblogproject: Joseph Beuys Directional Forces, 1971
vjeranski: Elch Joseph Beuys
vjeranski: Joseph Heinrich Beuys (1921 - 1986)Was birgt die Wolke?Offset color lithograph on newsprint, 1981. 480x620 mmSigned in pencil, lower right. Printed and published by Basler Magazin, Basel.
eclektic: artspotting: Joseph Beuys, Object for MANRESA. 1966 ‘Intuition is a higher form of reason"
vjeranski: PIETÁ Joseph Beuys
skullpatrouiller: “Everyone is an artist” — Joseph Beuys
vvni: In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in
loverofbeauty: Joseph Beuys: La rivoluzione siamo noi (1972) Phototype with handwritten text
softpyramid: Robert Duchesnay Walking on the top-level platform 1984A photograph of Joseph Beuys in Buckminster Fuller’s iconic geodesic dome of the Expo 67 pavilion on Montreal’s Île Sainte-Hélène.
artgods: I Like America and America Likes Me by Joseph Beuys
