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somedevil: Josef Albers. from the series Day and Night: Homage to the Square. 1963.
Josef Albers, Sanctuary, from the series Graphic Tectonic. 1942.
nobrashfestivity:Josef Albers
poplifeplus: Josef Albers
alaspoorwallace:Josef Albers (German-American, 1888-1976), Homage to the Square: Between two Skies, 1954. Oil on masonite, 61 x 61 cm
desimonewayland: Josef Albers “If we must accept education as life and as preparation for life, we must relate all school work, including work in art, as closely as possible to modern problems. It is not enough to memorize historical interpretations
artfromthefuture: garadinervi: Anni Albers, Typewriter study to create a textile effect, n.d.; made on Olivetti Lettera 22 typewriter [The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York] love this
scandinaviancollectors: JOSEF ALBERS, Desert Glow II, 1971. Oil on masonite. / Galerie Melki
nobrashfestivity: Josef Albers, Let Hands Speak, 1930
Lois Gaigg, poster design for men’s wear, 1934. Kaufhaus JAWO, Vienna. Using the bold font, which was designed by Josef Albers. Via plakatkontor.de
Paul Klee by Josef Albers Nudes & Noises
artexpansion: Josef Albers, Segments, 1934
vjeranski: Homage to the Square: Lone Light, 1962 Josef Albers
northmagneticpole: Study for Homage to the Square: Now, 1962, Sunny Side Up Exhibition, 2017-Josef Albers at David Zwirner
design-is-fine: Lois Gaigg, poster design for men’s wear, 1934. Kaufhaus JAWO, Vienna. Using the bold font, which was designed by Josef Albers. Via plakatkontor.de
symmetrical: (via hermes) Hermès Editeur Couleurs de l’ombre by Hiroshi Sugimoto In 2008 Hermès edited its first “carré d’artiste”, Hommage au carré by Josef Albers followed by a second in 2010, Photos-souvenirs au carré by
noir-de-mars:Josef Albers, artwork for Persuasive Percussion, 1959. USA.
projecteurart:Josef Albers proof for white line square series 1966
topcat77: Josef Albers proof for white line square series, 1966 •
eibhlindoran:Structural Constellation (1950) – Josef Albers
garadinervi: Josef Albers in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-1]
garadinervi: From: Art at Yale, Box 1, Folder 14: Clippings, 1958, Josef Albers papers, 1929-1970, Archives of American Art, Smithsonian Institution, Washington, D.C.
garadinervi: Josef Albers with a folded paper structure in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-2]
Structural Constellation III - Josef Albers, c. 1950
foldersleeping:Josef Albers
hipinuff: Josef Albers (German-American, 1888-1976), Homage to the square, 1964, oil on masonite, 100 x 100 cm
preciousandfregilethings: Josef Albers
hipinuff: Josef Albers (German-American, 1888-1976), Homage to the Square, Last Century, 1956. Oil on masonite, 100 x 100 cm.
colin-vian: Josef Albers (1888 - 1976) Homage to the Square. Saturation, 1967
magictransistor: Josef Albers. Homage to the Square: Against Deep Blue. 1955.
equator
atmospheric-minimalism: Josef Albers, Color Study for Mitered Square, not dated
felixinclusis: art-history: Josef Albers, Homage to the Square: Soft Spoken, 1969. Oil on Masonite, 48 x 48 in. Metropolitan Museum of Art, New York
museumuesum: Josef Albers Four Xs in Red, 1938 Oil on fiberboard, 18 1/8” x 18 1/8” (45.9 x 46 cm)
somedevil:Josef Albers, from the series Day and Night: Homage to the Square, 1963
womensweardaily: Roksanda Ilincic RTW Spring 2013 The contrasting aesthetic languages of artists Josef Albers and Niki de Saint Phalle were the foundation upon which the designer built her spring collection. For More See all of WWD.com’s RTW Spring
quincampoix: Josef Albers, Light Construction, 1945
letargos: Josef Albers, Structural Constellations, 1959
cavetocanvas:Structural Constellation III - Josef Albers, c. 1950
![artfromthefuture: garadinervi: Anni Albers, Typewriter study to create a textile effect, n.d.; made on Olivetti Lettera 22 typewriter [The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York] love this](https://64.media.tumblr.com/60c77e518ced527ec2597d50c193dc93/tumblr_pl19u530ws1sizr65o1_250.jpg)
![garadinervi: Josef Albers in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-1]](https://64.media.tumblr.com/6c892d5c5075203127f15c791392732d/tumblr_pcqvsl8PR61sizr65o1_250.jpg)
![garadinervi: Josef Albers with a folded paper structure in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-2]](https://64.media.tumblr.com/5737e4ffbd9df87564a7b8b6056ab279/tumblr_pcqvwa6vNC1sizr65o1_250.jpg)
