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The Executioner and Justice by: John Heartfield, 1933, more

Hurrah, die Butter ist alle! by John Heartfield, 1935, more about this & other appropriations here

John Heartfield, 1929

John Heartfield, Sweet Ink, 1929

John Heartfield - Nevermore!, 1932

John Heartfield - Never again! 1960 poster of the photomontage originally created for Workers Illustrated Newspaper (AIZ, Berlin), 1931

5 Finger hat die Hand. Mit 5 packst Du den Feind! by John Heartfield, 1928

John Heartfield On the Crisis Party Congress of the SPD (German Social Democratic Party) Workers Illustrated Newspaper (AIZ, Berlin), 1931

John Heartfield I Only Know Legal Paragraphs (1929)

netlex: John Heartfield - Never again! 1960 poster of the photomontage originally created for Workers Illustrated Newspaper (AIZ, Berlin), 1931

surrealist-phantoms:John Heartfield, Sweet Ink, 1929

surrealist-phantoms:John Heartfield, 1929

surrealist-phantoms: John Heartfield, Sweet Ink, 1929

surrealist-phantoms:John Heartfield - Nevermore!, 1932

surrealist-phantoms:John Heartfield, 1929

surrealist-phantoms:John Heartfield - Nevermore!, 1932

grigiabot: John Heartfield

inneroptics: Never Again! -John Heartfield

John Heartfield, 1924 - Profit means war Nudes & Noises

the-seed-of-europe: Der Dada journal cover No. 3 (April 1920), edited by Raoul Hausmann, John Heartfield, and George Grosz. Die Elektrische (The Electric Tram) collage, Otto Dix, 1919. Lärm der Strasse (Street Noise), Otto Dix, 1920. “November 11.

66lanvin: kvetchlandia: John Heartfield Self-portrait-Dada ist Gross und John ist Sein Prophet (Dada is Big and John is Its prophet-the “Gross” is clearly a reference to fellow leftist and Berlin Dadaist George Grosz), Berlin c.1920)

grupaok: Erste Internationale Dada-Mess (First International Dada Fair), Otto Burchard Gallery, Berlin 1920—Main room, with Raul Hausmann, John Heartfield, George Grosz and Dada puppets.

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