history of art
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anonis-almost-art: ultimareuniverse: Long ago, in a time of disharmony and sorrow, there was a momentous gathering of ponies far and wide for an event promoting love and peace, recognized as one of the largest music concerts in history. There, two young
The History of Fighting
bidonica: the-history-of-fighting: Female ninjutsu practitioners showcase their skills in Iran 10/10 on the Van Damme scale
the-history-of-fighting: “It’s better to practice a little than talk a lot” - Muso Soseki (1275 – 1351)
tycianeb: Where do you think Van Gogh rates in the history of art?
ART HISTORY MEME || [2/3] countries/regions: Greek & Roman mosaics
dragondicks: art has been used throughout history as a tool of oppression just as much as it has been used as a tool of expression. it is important to dissect and critique art on every level, it does not get a free pass to perpetuate whatever potentially
railroadsoftware: Ancient Greek guy talking to Ancient Greek artist: so what kind of art do you do? Ancient Greek artist: handsome muscle boys Ancient Greek guy: nice, love that
italianartsociety: Today is the Feast of St. Jerome, one of the Four Doctors of the Western Church. Jerome supposedly died at Bethlehem on 30 September 420 CE. A very popular saint in Italian art, Jerome is sometimes shown as as a cardinal in his study,
italianartsociety: October 3 marks the death of St. Francis of Assisi in 1226. Images of St. Francis exploded in popularity soon after his canonization two years later, and many Italian artists have represented images of his funeral. Surrounded by his
italianartsociety: October 15 is the Feast Day of St. Theresa of Avila, the Spanish mystic who died on 4 October 1582 and was canonized in 1622. The patron saint of Spain, Theresa founded the order of Discalced (barefoot) Carmelites, a reform female
Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia
Valentin de Boulogne (Coulommiers c. 1490 - Roma 1632), The Judgement of Solomon, c. 1620; oil on canvas, 174 cm x 213 cm; Galleria Nazionale d'Arte Antica, Roma
a) Austrian composer Alban Berg (Vienna 1885 - 1935) leans out of the window of his studio, showing a portrait painted by his friend, teacher and mentor Arnold Shoenberg b) Arnold Schoenberg (Vienna 1874 - Los Angeles 1951); Portrait of Alban Berg, 1910
Fernand Khnopff (Grembergen 1858 - Brussels 1921); Memories (Lawn Tennis), 1889; pastel on paper, 127 cm x 200 cm; Royal Museum of Fine Arts of Belgium, Brussels
James Ensor (Ostend, 1860 - 1949); Tribulations of Saint Anthony, 1887; oil on canvas, 118 x 168 cm; MoMA
renaissance-art: Francesco Melzi c. 1517-1520 Pomona and Vertumnus It was not until the 1990’s that this painting achieved any sort of recognition. It was in need of restoration of and no one could prove who the original artist was. An 18th century
Mattia Preti (Taverna, Calabria, 1613 - Valletta, Malta, 1699); Morte di Sofonisba or Sofonisba riceve il calice (Death of Sophonisba or Sophonisba receiving the goblet), not dated (after 1630); oil on canvas, 178 x 202 cm; Musée des Beaux-Arts, Lyon
Peter Paul Rubens (Siegen 1577 - Antwerp 1640); Judas Maccabeus finds the hidden treasure of the heathen and prays for the souls of the slain sinners, c. 1635; oil on canvas, 130 x 150 cm; Musée des Beaux-Arts de Nantes
Theo van Rysselberghe (Ghent 1862 - Saint-Clair 1926); The sisters of the painter Schlobach, 1884; oil on canvas; Musée d'art moderne et d'art contemporain de Liège (Musée des Beaux-Arts de Liège)
Caravaggio (Michelangelo Merisi da Caravaggio; Milano 1571 - Porto Ercole 1610) a) The Sacrifice of Isaac, 1598, oil on canvas (135 x 104 cm); Galleria degli Uffizi, Firenze b) The Sacrifice of Isaac [uncertain attribution], 1597-99, oil on canvas (173
Michelangelo (Michelangelo Buonarroti; Caprese [now Caprese Michelangelo], Arezzo, 1475 - Roma 1564); Tomb of Pope Julius II (lower half) with the Moses, 1513-15 - 1542-45; Church of San Pietro in Vincoli, Roma
Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James
George Wesley Bellows (Columbus, Ohio, 1882 - New York City 1925); Return of the Useless, 1918; oil on canvas
Giambattista Tiepolo (Venezia 1696 - Madrid 1770); Mosè salvato dalle acque (The finding of Moses), c. 1740; oil on canvas, 339 x 200 cm; National Gallery of Scotland, Edimburgh
Antonello da Messina (Antonello di Giovanni de Antonio called Antonello da Messina; Messina, Sicily, c. 1430 - 1479); Ritratto d'uomo (portrait of a man) or Ritratto Trivulzio, 1476; oil on wood, 29,5 x 37,4 cm; Museo civico d'arte antica, Torino
Hans Bol (Malines 1534 - Amsterdam 1593); Landschap met Jachttaferelen (landscape with hunting scenes), c. 1585; gouache on parchment pasted on oak panel, 18,5 x 13,7 cm; Royal Museum of Fine Arts of Belgium, Brussels
Guercino (Giovanni Francesco Barbieri called il Guercino; Cento, 1591 - Bologna, 1666); David con la testa di Golia (David with the head of Goliath), ca. 1650; oil on canvas, 102 x 120,5 cm; National museum of western art, Tokyo
Lovis Corinth (Tapiau, Prussia [now Gvardeysk, Russia], 1858 - Zandvoort, 1925); Group of women, 1904; oil on canvas, 119 x 98 cm; Galerie Neue Meister, Dresden
Théodore Rousseau (Paris 1812 - Barbizon 1867); Landscape, c. 1835; oil on canvas, 43.4 x 33.2 cm; Art Institute of Chicago
Philips Wouwerman (Haarlem, 1619 - 1668); A Cavalry Battle, c. 1646-47; oil on canvas, 176.5 x 99 cm; Art Gallery of South Australia, Adelaide
Tintoretto (Jacopo Robusti or Jacopo Comin, Venezia 1518 - 1594), L'assedio di Asola (The Siege of Asola), 1544-45; oil on canvas, 467.5 x 197 cm; private collection, formerly in the collections of the Muzeum Narodowe, Poznań
René Magritte (Lessines 1898 - Brussels 1967); Le tombeau des lutteurs (the tomb of the wrestlers), 1960; oil on canvas, 89 x 116 cm; collection privée, Bologna
italianartsociety: Painter Paris Bordone died on 19 January 1571 in Venice, where he had spent the majority of his career. A native of Treviso, Bordone excelled in portraiture, mythologies, and history paintings. Working in both oil and fresco, Bordone
imageswithoutbodies:1. Khrua In Khong, People Viewing Giant Lotus, ca. 1865, Wat Bowornniwet Vihara.2. Khrua In Khong, Life of Buddha, 1851-68, Nakhon Pathom, Mondop Phra Phuttabat of Wat Phra Ngam. Mural showing attempts at linear perspective, 3.
Gustave Courbet (Ornans, 1819 - La Tour-de-Peilz 1877); Le ruisseau du Puits Noir (the brook of the Puits Noir), ca. 1855; oil on canvas, 64,8 x 81,3 cm, Montreal Museum of Fine Arts
Brett Whiteley (Australian, 1939-1992), Fidgeting with Infinity, 1966. Oil paint, collage, pencil, photographs and fibreglass on three panels, 244 x 382 cm. National Gallery of Australia, Canberra
Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence
Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral
Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National
Edvard Munch (Norwegian, 1863-1944), The Dance of Life (Livets dans), between 1899 and 1900. Oil on canvas, 129 x 191 cm; Nasjonalgalleriet, Oslo
French School, Virgin and Child, 1490-1500. Panel from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville. Oil on panel, 116 × 49.5 cm; the Art Institute of Chicago
retrogamingblog: The History of Nintendo in Lamp Form
blondebrainpower: Vincent and the Doctor, 2010 Doctor Whovan Gogh: How come I’m the crazy one and you two have stayed sane?The Doctor: I just wondered, between you and me—in a hundred words—where do you think van Gogh rates in the history of art?Dr.
eljackinton: tycianeb: Where do you think Van Gogh rates in the history of art? Stop it, this scene made me tear up.
yakuza-trash: DMMD!High AU: History of Arts and Homeroom 2 teacher: Mink I was gonna draw him with a cigar… but smoking on campus is not allowed…
amospoe: ““I love making, I love doing. I love being to the full, I love everything which is not sitting and watching and copying and dead at heart… Do you know that every great thing in the history of art and every beautiful thing in life is actually
lukafisher: Here’s another mixed media collage from my History of Art series.
quasarkisses:din-djarns:heartbreaking doctor who moments ♢ vincent hearing his worthI just wondered, between you and me, in a hundred words, where do you think Van Gogh rates in the history of art? i d in alt text
crematorie: “Approaches to the History of Art” Edie Campbell by Alasdair McLellan for 032c Magazine.
audreyhepburncomplex: history-of-art: Balthus -Therese on a Bench-seat (1939)
minimoefoe: doctor who + moments that get me every time 20/?: vincent and the doctor (5.10) where do you think van gogh rates in the history of art?
gallifreyanturtles: tycianeb: Where do you think Van Gogh rates in the history of art? This is definitely in my top 5 favorite episodes. Makes me sob every time.
anais-ninja-bitch:heretomemeyouraesthetic:meltedmountains: Doctors explaining hysteria in 1846 this is literally the only funny thing i have ever seen in my life, which includes a summa cum laude BA in the history of art
I have a History of Art exam in the morning so I’m going to sleep. Night everyone.
![ART HISTORY MEME || [2/3] countries/regions: Greek & Roman mosaics](https://64.media.tumblr.com/1ffd65c22f1a9b02956cf16f95c79c25/tumblr_n3knz7aUe91qak63ao1_250.jpg)
![Caravaggio (Michelangelo Merisi da Caravaggio; Milano 1571 - Porto Ercole 1610) a) The Sacrifice of Isaac, 1598, oil on canvas (135 x 104 cm); Galleria degli Uffizi, Firenze b) The Sacrifice of Isaac [uncertain attribution], 1597-99, oil on canvas (173](https://64.media.tumblr.com/06ffc302c115826d74d89ed46a89a3dd/tumblr_n0fmmqOpy61qzxzwso1_250.jpg)
![Michelangelo (Michelangelo Buonarroti; Caprese [now Caprese Michelangelo], Arezzo, 1475 - Roma 1564); Tomb of Pope Julius II (lower half) with the Moses, 1513-15 - 1542-45; Church of San Pietro in Vincoli, Roma](https://64.media.tumblr.com/23c104b333d75ddd8f6a2597fd5bafe6/tumblr_n1cyhhQgGh1qzxzwso1_250.jpg)
![Carlo Crivelli (Venezia 1430/35 - Ascoli [?] 1495); Presentazione delle chiavi a San Pietro (more precisely: Madonna and Child Enthroned with Presentation of the Keys to St. Peter, with Saints John of Capistrano, Emidius, Francis, Louis of Toulouse, James](https://64.media.tumblr.com/7498f8b23333e14b74f96c998b61eb49/tumblr_n267ha4WkR1qzxzwso1_250.jpg)
![Lovis Corinth (Tapiau, Prussia [now Gvardeysk, Russia], 1858 - Zandvoort, 1925); Group of women, 1904; oil on canvas, 119 x 98 cm; Galerie Neue Meister, Dresden](https://64.media.tumblr.com/baca983d8d89f0bac070d93f76e6a8d0/tumblr_n816rff9uq1qzxzwso1_250.jpg)
![Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral](https://64.media.tumblr.com/f0b88eebb7d60bccfde75986e869a439/4a22cb1842fc9391-8c/s500x750/45ab72aa72ba3ce338455bcc6de5d8052bdee815.jpg)
