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Historically, I’ve used paint to make these, because I’m terrible with photo editing.Â I’m going to be giving pixlr a shot, so here’s to a new era.

mybodypeaceofmind: lojo1815: feministhistorian: stfuhypocrisy: symmetrism: Artâ€™s great nudes have gone skinny Italian artist Anna Utopia Giordano has created a visual re-imagination of historic nude paintings, had the subjects conformed their bodie

the-seraphic-book-of-eloy: Shawãdawa girl - Acre, Brazil.“Since the beginning of the 1990s the Shawãdawa have been trying to rescue their own language to consolidate bilingual education within the group because they had historically been ridicularized

And wine … lots more wine

jessihasbeans: Omg, I finished something! Lucrezia Borgia, redone as a kind of historical and wildly inappropriate Disney Princess (more on this scandalous lady here: http://en.wikipedia.org/wiki/Lucrezia_Borgia ) Based on one of the only known painting

The Massacre at Chios by Eugene Delacroix, 1824. The Ottoman Empire’s invasion of Greece produced a lot of art that depicted the conflict in terms of male sexual aggression against female. While most of this painting is fairly realistic, the right-m

The myth of Salome, her dance, and the beheading of John the Baptist is a classical threatsex scenario, and a popular subject for paintings in the late 19th century.

historical-paintings: William Jacob Baer, Nymph, 1898. American, 1860-1941

signorcasaubon: Portrait of a 16th century Flemish gentleman; artist unknown

necspenecmetu: Paris Bordone, Portrait of a Man with Red Sleeves, 16th century

fragmentosnomadas: No ha habido época que no se haya sentido “moderna” en un sentido excéntrico, y que no haya creído encontrarse ante un abismo inminente. La conciencia desesperada y lúcida de hallarse en medio de una crisis decisiva es algo

c-adaverine: Ivan the Terrible and His Son Ivan on November 16, 1581 Ilya Repin This painting depicts the historical 16th century story of Ivan the Terrible mortally wounding his son in Ivan in a fit of rage. By far the most psychologically intense of

speciesbarocus: Francesco Guardi - Pope Pius VI receives the doge of Venice (1782).

snowce: Eugène Delacroix, Louis d’Orléans Showing His Mistress. 1825-26

blastedheath: John Lavery (Irish, 1856-1941), American Troops Embarking, Southampton, 1918. Oil on canvas, 76.2 x 76.2 cm. Imperial War Museums.

Cesare Dell'Acqua (1821 - 1905), Arrivo dell'Imperatrice Elisabetta a Miramare (arrival of Empress Elisabeth in Miramare)

philamuseum: In late 1804 Napoleon forced Pope Pius VII to travel to Paris in order to preside over his coronation. This double portrait by Jacques-Louis David (born on this date in 1748) shows the Pope, his hand raised in blessing, with the French papal

Paul (Hippolyte) Delaroche (1797 - 1856), La mort des fils de roi Edouard I dans la Tour (The death of the sons of king Edward in the Tower), 1831, Louvre

centuriespast: The Empress Eugénie (Eugénie de Montijo, 1826–1920, Condesa de Teba) Franz Xaver Winterhalter (German, Menzenschwand 1805–1873 Frankfurt) Date: 1854 Medium: Oil on canvas The Metropolitan Museum of Art

Tintoretto (Jacopo Robusti; Venezia 1518 - 1594), La conquista di Zara (the conquest of Zara), detail plus comprehensive view (black and white), 1582-1587, oil on canvas, 640 cm x 1060 cm; Palazzo Ducale, Venezia

Philip James de Loutherbourg (Strasbourg 1740 - Chiswick, London 1812), A distant hail-storm coming on and the march of soldiers with their baggage (1799); oil on canvas, 109 cm x 162 cm; Tate

Salvator Rosa (Napoli 1615 - Roma 1673); Pitagora e il pescatore (Pythagoras and the fisherman), 1662; oil on canvas, 188 x 132 cm; Gemäldegalerie der Staatlichen Museen, Berlin

Jan Matejko (Krakow, 1838 - 1893); Rejtan - The Fall of Poland, 1866; oil on canvas, 487 x 282 cm; Warsaw, Royal Castle’s Museum view high resolution: http://upload.wikimedia.org/wikipedia/commons/5/5b/Rejtan_Upadek_Polski_Matejko.jpg?uselang=it

hadrian6: Metellus Raising the Siege. 1805. Armand Charles Caraffe. French 1762-1822. oil /canvas. http://hadrian6.tumblr.com

Nikolai Ge (Voronezh 1831 - Khutor Ivanovsky 1894); Peter the Great interrogating the Tsarevich Alexei Petrovich at Peterhof, 1871; oil on canvas

Théodore Chassériau (Samanà, Dominican Republic, 1819 - Paris 1856); The Tepidarium, 1853; oil on canvas, 258 x 171 cm; Musée d'Orsay, Paris

José de Ribera (also known as Jusepe; Jàtiva 1591 - Napoli 1652); The Duel between Women or The Duel of Isabella de Carazzi and Diambra de Pettinella, 1636; oil on canvas, 235 x 212 cm; Museo del Prado, Madrid

Francisco de Zurbarán (Fuente de Cantos, Extremadura, 1598 - Madrid 1664); The defense of Cadiz against the English, 1634; oil on canvas, 323 x 302 cm; Museo Nacional del Prado, Madrid

Gerard ter Borch (or Terborch; Zwolle 1617 - Deventer 1681); Procession with Flagellants, c. 1636/40; oil on panel; Museum Boijmans Van Beuningen, Rotterdam

Albrecht Altdorfer (Regensburg, c. 1480 - 1538); Der Sieg Karls des Großen über die Awaren bei Regensburg, 1518; oil on wood, 122 x 110,5 cm; Germanishes Nationalmuseum, Nurnberg

artmastered: Rembrandt, Two Scholars Disputing, 1628, oil on panel, 72 x 60 cm, National Gallery of Victoria, Melbourne. Source This is believed to be a representation of Saints Peter and Paul, though they are not depicted with any of their recognisable

Philips Wouwerman (Haarlem, 1619 - 1668); A Cavalry Battle, c. 1646-47; oil on canvas, 176.5 x 99 cm; Art Gallery of South Australia, Adelaide

insipit: Jean-Léon Gérôme (1824– 1904, French)Oil paintings 2Gérôme was a French painter and sculptor in the style now known as Academicism, and one of the most important painters of the period. The range of his oeuvre included historical painting,

historical-paintings: Vincent van Gogh: Branches of an Almond Tree in Blossom, détail

charlottechevallier: Nouveau recueil d’ostéologie et de myologie Toulouse, 1779. Etching. National Library of Medicine. Jacques Gamelin(1739-1803)[artist] Anatomical studies, originally used in the composition of religious and historical paintings,

historical-paintings: Kris Knight (Canadian, b. 1980), Adonis Vernalis, 2010. Oil on canvas, 16 x 20 in.

insipit: Jean-Léon Gérôme (1824– 1904, French) Oil paintings 1 Gérôme was a French painter and sculptor in the style now known as Academicism, and one of the most important painters of the period. The range of his oeuvre included historical painting,

notablipintime: Hey cosplayers? Hey historical re-enactors? Hey wardrobers? This woman is creating historically accurate hairstyles based on statues, coin images, and paintings of historical figures from the prephotography era!It’s INCREDIBLE.

24hoursinthelifeofawoman:Mark Rothko September 25, 1903 – February 25, 1970“I realize that historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them, however … is precisely

did-you-kno: Back in the day, Detroit factory workers spray painted cars by hand. The excess paint drippings mixed into different colors and hardened into “Fordite,” which is often used to make jewelry. Source

did-you-kno: Ancient Egyptian paint could gives us better phones. The world’s 1st synthetic pigment was “Egyptian blue,” and scientists found that it’s made of nanomaterials that can be used to improve TV remotes, phones, satellites, medical

pursuit-of-shadows:Three-dimensional geometric Shape ~ in the form of a Stellated Dodecahedron, zinc retaining traces of historic paint, Continental, c.1880 via Robert Young Antiques

thecabinet: Eliseo Sala, Italian painter (Milan 1813 - Truggio 1879), was a pupil of L. Sabatelli at Brera, but also studied in Venice and Rome. Author of historical paintings and gender, he was successful as a painter primarily of portraits. Works

really-shit: Halley Docherty uses Google Street View superimposed against well known historical paintings to create this series.

Historical paintings

Historical paintings

historical-paintings: Henri Fantin-Latour, Asters and fruit on a table, 1868, detail. The Metropolitan Museum of Art

historical-paintings: 1. The End of Inheritance, Kris KnightOil on Canvas, 14x18” 2012 2. Aconitine (Howl At The Moon, but She Doesn’t Answer Back), Kris KnightOil on Canvas, 30x40” 2011

historical-paintings: The Rider, Kris KnightOil on Canvas, 30x40”

historical-paintings: Map Of Your Face, Kris KnightOil on Canvas, 30x40”

historical-paintings: Waves (Augustus), Kris KnightOil on Canvas, 30x40” 2011

historical-paintings: Cotton Wool, Kris KnightOil on prepared cotton paper, 8x10”

historical-paintings: Wormwood Haze, Kris KnightOil on Canvas, 30x40” 2011

historical-paintings: Open Season, Kris KnightOil on Canvas, 30x40” 2011

historical-paintings: Adonis Vernalis, Kris KnightOil on canvas, 16x20”

historical-paintings: Ginger No More, Oil on Canvas, Kris Knight 18x24” 2010

historical-paintings: Two Sons Too Many (Pink), Kris KnightOil on Canvas, 30x40” 2011

historical-paintings: She Hangs Brightly, Kris KnightOil on prepared cotton paper, 8x10”

really-shit: Halley Docherty uses Google Street View superimposed against well known historical paintings to create this series.

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