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nevver: Movie Matinée, Hiroshi Sugimoto
artruby: Hiroshi Sugimoto, Lightning Fields, (2008).
alecshao: Hiroshi Sugimoto - Lightning Fields (2008) Artist’s statement: “William Fox Talbot was the father of calotype photography. Fox Talbot’s momentous discovery of the photosensitive properties of silver alloys led to the development of
Hiroshi Sugimoto, Fidel Castro, 1999. © Hiroshi Sugimoto Courtesy Fraenkel Gallery, San Francisco
semioticapocalypse: Hiroshi Sugimoto [::SemAp FB || SemAp::]
afroui: Hiroshi Sugimoto
istmos:Hiroshi Sugimoto, Lightning Fields Composed 009, 2008
ce-sac-contient: Hiroshi Sugimoto - Le Pèlerinage à la déesse Kannon, extrait du Double Suicide à Sonezaki (曾根崎心中, Sonezaki Shinjū) du dramaturge Chikamatsu Monzaemon (1653-1724)
ryanpanos: Theater Series | Hiroshi Sugimoto | Socks Studio Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera
zzzze: Hiroshi Sugimoto ‘BAY OF SAGAMI’, ATAMI , 1997 Silver gelatin print
zzzze: Hiroshi Sugimoto CONCEPTUAL FORMS, 2004 gelatin silver print
nobrashfestivity: Hiroshi Sugimoto, Stadium Drive-in Orange, 1993 Gelatin silver print, 47 × 60.4 cm. more
screamingformoore: Hiroshi Sugimoto
dasswerke:Hiroshi Sugimoto, Glass Tea House Mondrian, 2014.
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Hiroshi Sugimoto - 杉本博司 The Brides in the Bath Murderer. Madame Tussaud’s Wax Museum, London, 1994
oedameux: Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across
likeafieldmouse: Hiroshi Sugimoto - More from the Seascapes series Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on
gelpisipisi: Hiroshi Sugimoto / Theatres
mooooooooooooooooooooooooooosick: 420lbsound: likeafieldmouse: Hiroshi Sugimoto - More from the Seascapes series Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security,
likeafieldmouse: Hiroshi Sugimoto - The Music Lesson (1999)
laudanumandarsenic: nothings: aiko273: Hiroshi Sugimoto - Alhambra Theater, San Francisco, 1992 (via bloodscents)
loveeejapan: Hiroshi Sugimoto
fiore-rosso: seascape - hiroshi sugimoto.
symmetrical: (via hermes) Hermès Editeur Couleurs de l’ombre by Hiroshi Sugimoto In 2008 Hermès edited its first “carré d’artiste”, Hommage au carré by Josef Albers followed by a second in 2010, Photos-souvenirs au carré by
museumuesum: Hiroshi Sugimoto photographs from the series Seascapes, 1989-1997 gelatin silver prints, dimensions vary with edition Caribbean Sea, Jamaica, 1980 Mediterranean Sea, Cassis, 1989 North Atlantic Ocean, Cliffs of Moher I, 1989 North Pacific
photolia: Hiroshi Sugimoto
nobrashfestivity: Hiroshi Sugimoto, Time Exposed #335: Norwegian Sea Vesteralen Island, 1990
afroui:Hiroshi Sugimoto
zoebalthus: Sea of Buddha (1997) Sugimoto Hiroshi
nevver: Still life, Hiroshi Sugimoto
moodboardmix: 79th Floor Residence at 432 Park Avenue, ManhattanRafael Viñoly Architect,Hiroshi Sugimoto + YUN Architecture Photo: Devon Banks
uvre: Mathematical Objects, Hiroshi Sugimoto X Untitled, Anish Kapoor
wayofthesamvrai: Hiroshi Sugimoto
arovingeye: Seascape: Baltic Sea, near Rügen, 1996 by Hiroshi Sugimoto
latterlig:new york city residence by hiroshi sugimoto
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