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nevver: Movie Matinée, Hiroshi Sugimoto

artruby: Hiroshi Sugimoto, Lightning Fields, (2008).

alecshao: Hiroshi Sugimoto - Lightning Fields (2008) Artist’s statement: “William Fox Talbot was the father of calotype photography. Fox Talbot’s momentous discovery of the photosensitive properties of silver alloys led to the development of

Hiroshi Sugimoto, Fidel Castro, 1999. © Hiroshi Sugimoto Courtesy Fraenkel Gallery, San Francisco

semioticapocalypse: Hiroshi Sugimoto [::SemAp FB || SemAp::]

afroui: Hiroshi Sugimoto

istmos:Hiroshi Sugimoto, Lightning Fields Composed 009, 2008

ce-sac-contient: Hiroshi Sugimoto - Le Pèlerinage à la déesse Kannon, extrait du Double Suicide à Sonezaki (曾根崎心中, Sonezaki Shinjū) du dramaturge Chikamatsu Monzaemon (1653-1724)

ryanpanos: Theater Series | Hiroshi Sugimoto | Socks Studio Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera

zzzze: Hiroshi Sugimoto ‘BAY OF SAGAMI’, ATAMI , 1997 Silver gelatin print

zzzze: Hiroshi Sugimoto CONCEPTUAL FORMS, 2004 gelatin silver print

nevver: Movie Matinée, Hiroshi Sugimoto

nobrashfestivity: Hiroshi Sugimoto, Stadium Drive-in Orange, 1993 Gelatin silver print, 47 × 60.4 cm. more

screamingformoore: Hiroshi Sugimoto

nobrashfestivity: Hiroshi Sugimoto, Stadium Drive-in Orange, 1993 Gelatin silver print, 47 × 60.4 cm. more

dasswerke:Hiroshi Sugimoto, Glass Tea House Mondrian, 2014.

Hiroshi Sugimoto - ‎杉本博司 The Brides in the Bath Murderer. Madame Tussaud’s Wax Museum, London, 1994

oedameux: Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across

likeafieldmouse: Hiroshi Sugimoto - More from the Seascapes series Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on

gelpisipisi: Hiroshi Sugimoto / Theatres

mooooooooooooooooooooooooooosick: 420lbsound: likeafieldmouse: Hiroshi Sugimoto - More from the Seascapes series Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security,

likeafieldmouse: Hiroshi Sugimoto - The Music Lesson (1999)

laudanumandarsenic: nothings: aiko273: Hiroshi Sugimoto - Alhambra Theater, San Francisco, 1992 (via bloodscents)

loveeejapan: Hiroshi Sugimoto

fiore-rosso: seascape - hiroshi sugimoto.

symmetrical: (via hermes) Hermès Editeur  Couleurs de l’ombre by Hiroshi Sugimoto  In 2008 Hermès edited its first “carré d’artiste”, Hommage au carré by Josef Albers followed  by a second in 2010, Photos-souvenirs au carré by

museumuesum: Hiroshi Sugimoto photographs from the series Seascapes, 1989-1997 gelatin silver prints, dimensions vary with edition Caribbean Sea, Jamaica, 1980 Mediterranean Sea, Cassis, 1989 North Atlantic Ocean, Cliffs of Moher I, 1989 North Pacific

photolia: Hiroshi Sugimoto

nobrashfestivity: Hiroshi Sugimoto, Time Exposed #335: Norwegian Sea Vesteralen Island, 1990

ryanpanos: Theater Series | Hiroshi Sugimoto | Socks Studio Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera

afroui:Hiroshi Sugimoto

zoebalthus: Sea of Buddha (1997) Sugimoto Hiroshi

nevver: Still life, Hiroshi Sugimoto

nevver: Still life, Hiroshi Sugimoto

moodboardmix: 79th Floor Residence at 432 Park Avenue, ManhattanRafael Viñoly Architect,Hiroshi Sugimoto + YUN Architecture Photo: Devon Banks

uvre: Mathematical Objects, Hiroshi Sugimoto X Untitled, Anish Kapoor

wayofthesamvrai: Hiroshi Sugimoto

arovingeye: Seascape: Baltic Sea, near Rügen, 1996 by Hiroshi Sugimoto

likeafieldmouse: Hiroshi Sugimoto - More from the Seascapes series Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on

nevver: Still life, Hiroshi Sugimoto

latterlig:new york city residence by hiroshi sugimoto

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