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dehumanizations: Detail of The Rape of the Sabine Women. Giambologna, 1583.
buffalo-divine-eden-no7: Colosso dell’Appennino, 1580sculptor: Giambologna (1529-1608)Villa Demidoff Park, Tuscany, Italy
Gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus located in the park of Villa Demidoff (just north of Florence, Italy). It was erected in 1580 by Italian sculptor Giambologna (1529-1608, Italy).
Colosso dell’Appennino, 1580sculptor: Giambologna (1529-1608)Villa Demidoff Park, Tuscany, Italy
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iseetheblood: iheartmyart: Urs Fischer, Untitled, 2011, Wax, pigments, wicks, steel, Giambologna sculpture: 57 7/8 x 57 7/8 x 248 1/8 in. (147 x 147 x 630 cm) I love Urs Fischer
red-lipstick: Gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus located in the park of Villa Demidoff (just north of Florence, Italy). It was erected in 1580 by Italian sculptor Giambologna (1529-1608,
renaissance-art: Giambologna c. 1581-1583Rape of the Sabine Women
asylum-art: Colosso dell’Appennino, 1580sculptor: Giambologna (1529-1608) Villa Demidoff Park, Tuscany, Italy
The Rape Of The Sabine Women, Giambologna (1574-82), Florence The English word “rape” is a conventional translation of Latin raptio, which in this context means “abduction” rather than its prevalent modern meaning of sexual violation.
red-lipstick:Gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus located in the park of Villa Demidoff (just north of Florence, Italy). It was erected in 1580 by Italian sculptor Giambologna (1529-1608, Italy).
yournineleafclover: Prometheus Bringing Fire to Mankind by Giambologna
perfectvessels: Giambologna (1529-1608) From the Villa di Pratolino “The complicated iconography of the garden is embodied in the brooding statue of "Appennino” (1579-1580), a colossal sculpture by Giambologna, which originally
plantyr: Gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus located in the park of Villa Demidoff (just north of Florence, Italy). It was erected in 1580 by Italian sculptor Giambologna (1529-1608, Italy).
devil–in–suit:Rape of the Sabine Women by Giambologna (1583).
asylum-art: Colosso dell’Appennino, 1580 sculptor: Giambologna (1529-1608) Villa Demidoff Park, Tuscany, Italy
stareintovaliumcoloredsky: The rape of the Sabine women - detail (Giambologna)
templeofapelles: Giambologna (Jean Boulogne) O Rapto da Sabina, 1582
blvckgxd: Giambologna, Rapture Of Sabine. Florence 1582.
dappledwithshadow: diectoke: who the fuck did this. who made this magic. how did someone make this rock look soft. Giambologna (Flemish, 1529 – 1608)
stonemen: Giambologna. Samson slaying a philistine. 1560-62. Victoria & Albert Musem. London
hadrian6: Detail : The Fountain of Neptune. 1565. Giambologna. Flemish/Italian 1529-1608. bronze. Bologna Italy. http://hadrian6.tumblr.com
stonemen: Villa Medici gardens, Roma. Fountain: copy of Giambologna’s Mercury (Original in Bargello Museum, Firenze)
ganymedesrocks: An antique italian bronze and silver oil library lamp, Rome, 19th century, modelled as Mercury, after Giambologna, supporting a reservoir defined with three neoclassical heads. The Lampshade with vegetal decorations and silk, reminds
inmemoriaaeterna: Giambologna (1529-1608, Flemish). Hercules and the Centaur Nessus, 1599. Loggia dei Lanzi, Florence.
uranist-art: Ian Rank-Broadley (1952) – Sculpteur britannique 1 /2 Homage to Giambologna / Hommage à Jean de Bologne Commandé par un client privé, cet hommage au sculpteur baroque Giambologna, utilise la pose de l’enlèvement des Sabines pour
ganymedesrocks: langoaurelian: Prometheus Bringing Fire to Mankind ~ Giambologna Sorry it took me this long to return…, leaving that cup of Tea, untracked, un-sugared… but, although not fathoming to be Prometheus, at my own modest scale of
stillrowing7-posingforart: After Giovanni da Bologna (Giambologna), Flying Mercury, with more erotic erect penis. The entire piece below. I’m just trying to image in da Bologna’s shop–or in a modern shop–just how this was modeled so exactly,
enchantemoimerlin: Hercules and the Centaur Nessus by Giambologna, Florence Italy (photo by Ricardo Andre Frantz)
thisblueboy:Hercules and Antaeus, Italian, Copy after Giambologna, c.1625, The Institute of Art of Chicago
hadrian6: Mercury. 19th.century Italian. after a model by Giambologna 1529-1608. bronze. http://hadrian6.tumblr.com
nudemeninart: ” Homage to Giambologna” by Ian Rank-Broadley “The naked figure, whether in the studio or on the beach, has always fascinated me. It is a subject that everyone can relate and respond to in their own way, often without conceptualising
ganymedesrocks:For the Medici, Pietro Tacca (1577 - 1640), cast a number of statuettes after Giambologna’s models, intended as princely gifts. While small reproductions were sought after and quite common, Tacca distinguished himself within the workshop
i-sing-the-gay-body-electric: Mercury by Giambologna
antonio-m: Alessandro Vittoria by Paolo Veronese (1528–1588). Metropolitan Museum of Art. Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school who rivaled even the great Giambologna as the foremost sculptors
didoofcarthage: Triton by Giambologna Florence, 1560-1670 bronze Metropolitan Museum of Art
ganymedesrocks: antinoo5: antonio-m: This Mercury is one of the most famous and most copied sculptures by the Mannerist sculptor Giambologna. The original sculpture was created in 1580 and it was placed on a fountain at the top of the steps to the
stonemen:GIAMBOLOGNA, Julius Caesar, circa 1551
ganymedesrocks: lefildelhorizon: GIAMBOLOGNA, Julius Caesar, circa 1551 Giambologna, also called Giovanni da Bologna, or Jean Boulogne (1529 - 1608)
immaginaria: Giambologna, Il Ratto delle Sabine, 1574 1582(altezza di 410cm, marmo), Loggia dei Lanzi, Firenze(dettaglio)
ganymedesrocks:Giambologna Venus Anadiomene “Fiorentina”
Ratto delle Sabine del Giambologna, 1574-1580Loggia dei Lanzi, Firenze
talesfromweirdland: The Fountain of Neptune (detail) at Piazza del Nettuno, in Bologna, Italy. By Flemisch sculptor, Giambologna, 16th century.
