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kingstitt:“What Happens If You Break an Artwork?” (via) [Nick Flynn tripped and damaged several Qing dynasty vases at Cambridge’s Fitzwilliam Museum in 2006. Photo: Steve Baxter, via the Telegraph.]

art-of-swords: Child’s Smallsword Dated: circa 1750 Culture: German Medium: steel, enamel Source: Copyright © 2014 The Fitzwilliam Museum, University of Cambridge, UK

art-of-swords: SmallswordDated: circa 1680Culture: FrenchMedium: steelSource: Copyright © 2015 The Fitzwilliam Museum, University of Cambridge, UK

historyfan: A combined axe/wheel lock gun. Circa 1609. As seen at the Fitzwilliam Museum. forget gunswords lol

Annibale Carracci (Bologna 1560 - Roma 1609); San Rocco e l'Angelo (St. Roch and the Angel), c. 1587; oil on canvas, 81 cm x 62 cm; Fitzwilliam Museum, Cambridge

Francesco Guardi (Venezia, 1712 - 1793); The lagoon looking toward Murano from the Fondamenta Nuove, 1765-70; oil on canvas, 52.7 x 31.7 cm; Fitzwilliam Museum, Cambridge

centuriespast: Flowers under a Lion Mask Fountain Augusta Wilhelmine Reichelt (1840–1907) The Fitzwilliam Museum

drawingdetail: Peter Paul Rubens (1577–1640), Study of a Male Figure, Seen from Behind. Charcoal heightened with white, 35.7 x 28.5 cm. Fitzwilliam Museum, Cambridge.

blastedheath: Isidore Pils (French, 1813/1815-1875), Study for the Head of a Young Arab, c. 186-62. Oil on canvas, 33 x 24 cm. The Fitzwilliam Museum, Cambridge.

blastedheath: Antonis Mor (after), Portrait of a Man as St. Sebastian. Oil on panel, 89.8 x 71.1 cm. The Fitzwilliam Museum, Cambridge.

Paul Cézanne (French, 1839-1906) A Male Nude, 1863, chalk on paper, 49.3 x 31 cm, Fitzwilliam Museum, Cambridge, England.

Philip Wilson Steer (British, 1860-1942), Self-portrait, 1920. Oil on canvas, 73.7 x 59 cm, The Fitzwilliam Museum, Cambridge.

A van Dyck self-portrait, circa 1627-35. The Fitzwilliam Museum, Cambridge

langoaurelian: “Study for the Head of a Young Arab” ~ Isidore Pils c.1869The Fitzwilliam Museum

history-of-fashion: ab. 1603 Isaac Oliver - Ludovick Stuart, 2nd Duke of Lennox and Duke of Richmond(Fitzwilliam Museum)

antinoo5: honorthegods: Antinous. Roman, 2nd century CE. Marble. Fitzwilliam Museum, Cambridge. Height: 16.1 inches/41 cm This bust of Antinous was discovered at the site of Hadrian’s villa at Tivoli in 1769.Today, the modern cult of Antinous celebrates

dopediamond: Dope…Antinous, Fitzwilliam Museum, Cambridge - England

antinoo5: attilioworld: Portrait of Sassoon by Glyn Warren Philpot, 1917 (Fitzwilliam Museum) @muralisto

antonio-m:The head of the famous Vatican statue of Antinous, beloved of the Roman Emperor Hadrian. Here as Dionysus or Bacchus with grape wreaths. Originally in the Fitzwilliam Museum, Cambridge, UK and transferred to Rome in 1884. Roman sculpture, early

beyond-the-pale: Ludovico Carracci (1555–1619) Saint Sebastian The Fitzwilliam Museum

art-of-swords: Swept-hilt RapierDated: circa 1600 — 1700Medium: steelMeasurements: overall length 103.5cmSource: Copyright © 2015 The Fitzwilliam Museum, University of Cambridge, UK

art-of-swords: Broadsword Dated: unknown Medium: steel, leather Source: Copyright © 2015 The Fitzwilliam Museum, University of Cambridge, UK

mindhost: art-of-swords: Broadsword Medium: steel, leatherSource: Copyright © 2016 The Fitzwilliam Museum, University of Cambridge, UK This is quite interesting, a sort of early simple pappenheimer hilt on a less thrust-oriented blade than usual.

wetreesinart:Paul Cézanne (1839-1906), Undergrowth, 1880c, oil on canvas 55 x 60 cm Fitzwilliam Museum, Cambridge UK

centuriespast: NoonClaude-Joseph Vernet (1714–1789)The Fitzwilliam Museum

art-of-swords: Left-hand DaggerDated: circa 1670 — 1700Culture: ItalianMedium: steelSource: Copyright © 2015 The Fitzwilliam Museum, University of Cambridge, UK

art-of-swords: BroadswordDated: unknownCulture: EuropeanMedium: steel, leatherSource: Copyright © 2015 The Fitzwilliam Museum, University of Cambridge, UK

Fitzwilliam museum, Cambridge University, England.

- Landscape of the Bland -

infected: The Fitzwilliam Museum, Cambridge, UK, photo by Winona Jade

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