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Illustration by Ray Bradbury, from an interview with him in Sight and Sound, Spring 1974. From a collection of magazines given away free by Broadway Cinema. “Stage is fantasy; film is reality. The stage should never be real. That’s why the
Interview with Nicolas Roeg, from Sight and Sound, Winter 1973/4. Free from Broadway Cinema, Nottingham. “In all three films [Walkabout, Performance, Don’t Look Now], the impression is of people who at the end are more or less willing themselv
The Man In The Cryogenic Freezer: Interview with John Carpenter, from Sight and Sound Magazine, Spring 1978. Free from Broadway Cinema, Nottingham. “Do you really see yourself as belonging with the older generation of film-makers, people like Howard
Bressonisms, From Sight and Sound, Winter 1976/7 Free from Broadway Cinema, Nottingham.
Luis Buñuel on the set of The Phantom Of Liberty, from Sight and Sound magazine, Summer 1974 (BFI) Free from Broadway Cinema, Nottingham. Buñuel says that everything depends on contexts. ‘I shoot, I look, I draw conclusions. The rest is
cinefamily: Pussycat Cinema, Broadway and 50th Street
j-dueso: atomic-flash: The Ross Sisters do their acrobatics during the ‘Potato Salad’ number in the 1944 musical, ‘Broadway Rhythm’. Morbo+Cinema Broadway Rhythm (1944)
![Interview with Nicolas Roeg, from Sight and Sound, Winter 1973/4. Free from Broadway Cinema, Nottingham. “In all three films [Walkabout, Performance, Don’t Look Now], the impression is of people who at the end are more or less willing themselv](http://64.media.tumblr.com/45f5240f81bd1deca91f56f9769714a0/tumblr_mj520sKIG01qi4em3o1_250.jpg)
