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escapejournal: David (Michelangelo) Laocoön and His Sons Pietà (Michelangelo) Moses (Michelangelo) Apollo and Daphne (Bernini)

escapejournal: David (Michelangelo) Laocoön and His Sons Pietà (Michelangelo) Moses (Michelangelo) Apollo and Daphne (Bernini)

wasbella102: Jean-Etienne Liotard:  Apollo and Daphne                    

wasbella102: Jean-Etienne Liotard:  Apollo and Daphne                    

earth-song: xantheose: Apollo and Daphne (by Irina▲Mattioli)

earth-song: xantheose: Apollo and Daphne (by Irina▲Mattioli)

templeofapelles: Bernini, detail, Apollo and Daphne, 1622–25

templeofapelles: Bernini, detail, Apollo and Daphne, 1622–25

2headedsnake: beatriz.carbonmade.com Beatriz Martin Vidal - Daphne and Apollo

2headedsnake: beatriz.carbonmade.com Beatriz Martin Vidal - Daphne and Apollo

theerinater: Bernini, Apollo and Daphne, 1625

theerinater: Bernini, Apollo and Daphne, 1625

theerinater: Bernini, Apollo and Daphne, 1625

theerinater: Bernini, Apollo and Daphne, 1625

barcarole:Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.

barcarole:Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.

dhaaruni: “When Daphne transforms into a bay tree, the moment is one of both horror and deliverance. She is no longer what she once was, but the metamorphosis frees her from the unwanted attention of Apollo. This duality of horror and emancipation sits,

dhaaruni: “When Daphne transforms into a bay tree, the moment is one of both horror and deliverance. She is no longer what she once was, but the metamorphosis frees her from the unwanted attention of Apollo. This duality of horror and emancipation sits,

2headedsnake: Beatriz Martin Vidal ‘Dracula’ ‘Dissolving’ ‘Angel’ ‘Maid in the oak’ ‘Daphne and Apollo’

2headedsnake: Beatriz Martin Vidal ‘Dracula’ ‘Dissolving’ ‘Angel’ ‘Maid in the oak’ ‘Daphne and Apollo’

Apollo and Daphne

Apollo and Daphne

look-log: Gian Lorenzo Bernini, Apollo and Daphne (1622-25)

look-log: Gian Lorenzo Bernini, Apollo and Daphne (1622-25)

kecobe: Giovanni Battista Tiepolo (Italian; 1696–1770)Apollo Pursuing Daphne Oil on canvas, 1755–60 National Gallery of Art, Washington, D.C. As when th’ impatient greyhound slipt from far, Bounds o’er the glebe to course the fearful hare, She

kecobe: Giovanni Battista Tiepolo (Italian; 1696–1770)Apollo Pursuing Daphne Oil on canvas, 1755–60 National Gallery of Art, Washington, D.C. As when th’ impatient greyhound slipt from far, Bounds o’er the glebe to course the fearful hare, She

void-dance: Sculpture by Gianlorenzo Bernini: Apollo and Daphne (1622-4)

void-dance: Sculpture by Gianlorenzo Bernini: Apollo and Daphne (1622-4)

templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome

templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome

older-than-vintage:Apollo and Daphne - by Roberto Ferri

older-than-vintage:Apollo and Daphne - by Roberto Ferri

sean-clancy:Apollo and Daphne by Irina Mattioli on Flickr.Models: Francesco and Ale

sean-clancy:Apollo and Daphne by Irina Mattioli on Flickr.Models: Francesco and Ale

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

adapto: Apollo and Daphne

adapto: Apollo and Daphne

stresslesschaos:“Apollo and Daphne”, Gian Lorenzo Bernini.

stresslesschaos:“Apollo and Daphne”, Gian Lorenzo Bernini.

emeraldverses:Apollo and Daphne, Gian Lorenzo BerniniGalleria Borghese, Rome

emeraldverses:Apollo and Daphne, Gian Lorenzo BerniniGalleria Borghese, Rome

summerlilac: Apollo and Daphne (1688), Antoine Coypel II.

summerlilac: Apollo and Daphne (1688), Antoine Coypel II.

templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome

templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome

leuc: Bernini, Apollo and Daphne (Detail), 1622-25

leuc: Bernini, Apollo and Daphne (Detail), 1622-25

johnnybravo20: Apollo and Daphne (by Yony_Ro) Edited by JohnnyBravo20

johnnybravo20: Apollo and Daphne (by Yony_Ro) Edited by JohnnyBravo20

achasma: Apollo and Daphne (detail) by Jean-Etienne Liotard, c. 1736.

achasma: Apollo and Daphne (detail) by Jean-Etienne Liotard, c. 1736.

Apollo and Daphne

Apollo and Daphne

barcarole: Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.

barcarole: Bernini’s Apollo and Daphne at the Galleria Borghese in Rome, 2016. Photos by Stuart Franklin.

niiv: niiv: I’m really excited to show you my new doll, even though I’m still working on her. She is Daphne, inspired by a famous and tragic Greek myth of Daphne and Apollo. It’s an ancient story about Stalking, which sadly, still seems as relevant

niiv: niiv: I’m really excited to show you my new doll, even though I’m still working on her. She is Daphne, inspired by a famous and tragic Greek myth of Daphne and Apollo. It’s an ancient story about Stalking, which sadly, still seems as relevant

unfond: Bernini, Apollo and Daphne, detail, 1622–25.

unfond: Bernini, Apollo and Daphne, detail, 1622–25.

ablative-absolute: “Apollo and Daphne” by Bernini at the Galleria Borghese From one side, Daphne looks more human than three; the other, more tree than human.

ablative-absolute: “Apollo and Daphne” by Bernini at the Galleria Borghese From one side, Daphne looks more human than three; the other, more tree than human.

ilivefortheapplause: The inspiration behind the ARTPOP cover: “The Birth Of Venus“ by Botticelli: The goddess of Love, emerged from the sea as a fully grown woman, arriving at the sea-shore. “Apollo and Daphne” by Gian Lorenzo Bernini: The

ilivefortheapplause: The inspiration behind the ARTPOP cover: “The Birth Of Venus“ by Botticelli: The goddess of Love, emerged from the sea as a fully grown woman, arriving at the sea-shore. “Apollo and Daphne” by Gian Lorenzo Bernini: The

The inspiration behind the ARTPOP cover: “The Birth Of Venus“ by Botticelli: The goddess of Love, emerged from the sea as a fully grown woman, arriving at the sea-shore. “Apollo and Daphne” by Gian Lorenzo Bernini: The battle between

The inspiration behind the ARTPOP cover: “The Birth Of Venus“ by Botticelli: The goddess of Love, emerged from the sea as a fully grown woman, arriving at the sea-shore. “Apollo and Daphne” by Gian Lorenzo Bernini: The battle between

adapto: Apollo and Daphne

adapto: Apollo and Daphne

Bernini, Apollo and Daphne, detail, 1622–25.

Bernini, Apollo and Daphne, detail, 1622–25.

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

reals: Bernini Apollo And Daphne | Photographer

reals: Bernini Apollo And Daphne | Photographer

reals: Bernini Apollo And Daphne | Photographer

reals: Bernini Apollo And Daphne | Photographer

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

auxiliarity: Gian Lorenzo Bernini, Apollo and Daphne, 1622-1625

clara–lux: BERNINI, Gian Lorenzo (1598-1680) Apollo and Daphne, detail1622-1625marble, h. 243 cmGalleria Borghese, RomeEd. Orig. Lic.

clara–lux: BERNINI, Gian Lorenzo (1598-1680) Apollo and Daphne, detail1622-1625marble, h. 243 cmGalleria Borghese, RomeEd. Orig. Lic.

adapto: Apollo and Daphne

adapto: Apollo and Daphne

templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome

templeofapelles: Gian Lorenzo Bernini (1598-1680) Detail, Apollo and Daphne, 1622-24 Galleria Borghese, Rome

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