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American Samoan dancers, photographed at the Festival de las Artes del Pacifico in 2016, by Steve Hardy.

American Beauty by Henrich Kimerling (3D art)

American Jewel and Engel Venus are superheroine trainees who are part of the crime fighting group, Dura City Guardians (D.C.G). While pursuing two criminals they were led into a trap, where the villainess Miss Mindbender turned them into her slut

Elena Marie / American Apparel 5961 (San Leandro, 2010) photo: Craig Morey

peira: Walker Everett: Freight Station (1966) via the Smithsonian American Art Museum

peira: Morris Davidson: Riverfront (c.1934) via the Smithsonian American Art Museum

peira: Thomas Chimes: Untitled (1962) via the Smithsonian American Art Museum a volo d'uccello, così, come paracadutandosi su di un enorme Mondrian

paperimages: Oscar Bluemner (1867–1938) Last Evening of the Year, c. 1929. Oil on board mounted on wood, Whitney Museum of American Art

a-r-t-history: Jean-Michel Basquiat, Hollywood Africans, 1983, mixed media (via Whitney Museum of American Art) what is bwana? pop corn sugar cane tobacco tax free hero.ism self portrait as a heel

peira: William Kienbusch: Across Four Pines (1956) via Smithsonian American Art Museum

peira: Jenne Magafan: The Windmill (c.1937) via Smithsonian American Art Museum

thevinylfactorygalleries: 50 reasons to get excited about our AMERICAN HARDCORE 1978-1990 exhibition….. opening April 11- May 4. Vinyl Factory Chelsea

Seattle teen calls out her dad’s Native American art. He learns she’s right

dappledwithshadow:Rock Cliffs by the SeaEdward Hopper circa 1916 Whitney Museum of American Art - New York, NY (United States) Painting - oil on board Height: 24.4 cm (9.61 in.), Width: 32.7 cm (12.87 in.)

peira: George C. Ault: Hudson Street (1932) via Whitney Museum of American Art

peira: Charles Pollock: Man at the Well (before 1942) via Smithsonian American Art Museum

arsvitaest: The Chinese Fishmonger Author: Theodore Wores (American, 1859-1939)Date: 1881Medium: Oil on canvasLocation: Smithsonian American Art MuseumTheodore Wores came to know San Francisco’s Chinatown as a child, when he walked home from his father’s

a-r-t-history: Arshile Gorky, The Betrothal II, 1947, oil on canvas (via Whitney Museum of American Art)

peira: Maurice Kish: End of Day’s Toil (c.1932) via Smithsonian American Art Museum

peira: William H. Johnson: Village Houses, Cagnes-sur-Mer (1928-1929) via Smithsonian American Art Museum

chasingtailfeathers: E. Martin Hennings (1886 – 1956) Riders at Sunset,1935 Oil on canvas, 30 x 36 inches Smithsonian American Art Museum

lyghtmylife: TIFFANY, Louis Comfort [American Art Nouveau Stained Glass Artist, 1848-1933] Au nouveaux cirque, Papa Chrysanthème1894-95Favrile glass, leaded, 120 x 85 cmMusée d’Orsay, Paris In 1894, in cooperation with the eminent Parisian art

arsvitaest: “The Subway” Author: George Tooker (American, 1920-2011)Date: 1950Medium: Egg tempera on composition boardLocation: Whitney Museum of American Art

arsvitaest: “Lunch” Author: George Tooker (American, 1920-2011)Date: 1964 At a moment when segregated Southern lunch counters were being occupied by African American activists, often with violent consequences, Tooker’s Lunch depicted a black man

arsvitaest: “Third Avenue” Author: Charles L. Goeller (American, 1901-1955)Date: 1934Medium: Oil on canvasLocation: Smithonian American Art Museum Charles Goeller would often have passed the dramatic Manhattan vista looking north from East

peira: Douglass Crockwell: Paper Workers (1934) via Smithsonian American Art Museum

the-paintrist: Arthur Bowen Davies - Interwoven - 1916 Arthur Bowen Davies (September 26, 1863 – October 24, 1928) was an avant-garde American artist and influential advocate of modern art in the United States circa 1910-1928. Davies was born in Utica,

Charles Demuth (Lancaster, Pennsylvania 1883 - 1935), Aucassin and Nicolette, oil on canvas, 1921; Columbus Museum of Art

lyghtmylife: Fairfield Porter [American Painter, 1907-1975] Forsythia and Pear in Bloom 1968 oil on canvas 36 1/8 x 29 in. (91.7 x 73.6 cm) Smithsonian American Art Museum

Abraham A. Manievich (Mstsislaw, Russia, 1881 - Bronx 1942); Bronx I (c. 1923-24), oil on canvas (via The Athenaeum) full size: http://www.the-athenaeum.org/art/full.php?ID=112344

Joseph Stella (Muro Lucano [Italy] 1887 - New York City 1946), Children’s Toys (Marionettes), c. 1930, oil on canvas, 65 cm x 82 cm; Museum of Fine Arts, Boston

Thomas Eakins (Philadelphia, 1844 - 1916); Mending the net, 1881; oil on canvas, 81 x 107 cm; Philadelphia Museum of Art

Ken Davies (New Bedford, Massachusetts, 1925); Pop Art Trompe (Beer Can), c. 1958; oil on canvas

Charles Walter Stetson (Tiverton, Rhode Island, 1858 - Roma 1911); An Easter offering, 1896; oil on canvas, 128 x 102 cm; Spencer Museum of Art, Kansas

James Abbott McNeill Whistler (Lowell, Massachusetts, 1834 - London 1903); Arrangement in pink, red and purple, 1883-84; oil on panel, 22.8 x 30.5 cm; Cincinnati Art Museum (Ohio)

George Wesley Bellows (Columbus, Ohio, 1882 - New York City 1925); The Circus, 1912; oil on canvas, 111.8 x 86 cm; Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts

Richard Lindner (Hamburg 1901 - New York City 1978); Encounter, 1976; oil on canvas, 180.5 x 180.5 cm; Museo de Arte Contemporáneo de Caracas Sofía Imber

George Cochran Lambdin (Pittsburgh 1830 - Germantown, Philadelphia, 1896); At the front, 1866; oil on canvas, 61 x 43.5 cm; Detroit Institute of Arts

Winslow Homer (Boston 1836 - Prouts Neck, Maine, 1910 ); Searchlight on harbour entrance - Santiago de Cuba, 1901; oil on canvas, 128.3 x 77.5 cm; Metropolitan Museum of Art, New York City

John Singer Sargent (Firenze 1856 - London 1925; Robert Louis Stevenson and his wife, 1885; oil on canvas, 62.2 x 52.1 cm; Crystal Bridges Museum of American Art, Bentoville (Arkansas)

poboh: The Upstairs, 1938, Charles Sheeler. American (1883 - 1965) (Source: Museum Syndicate: Experience Art and History )

Richard Diebenkorn (American, 1922-1993), Berkeley #57, 1955; oil on canvas, 149 x 149 cm; San Francisco Museum of Modern Art (SFMOMA)

Richard Diebenkorn (American, 1922-1993), Untitled (Horse and Rider), 1954. Oil on canvas, 53.3 x 61 cm. © Richard Diebenkorn Foundation

Elmer Bischoff (American, 1916-1991), Figure at Window with Boat, 1964; oil on canvas, 231 x 202 cm

Elizabeth Peyton (American, born 1965), Spencer walking, 2001; oil on board, 31 x 23.5 cm; Philadelphia Museum of Art

Sandow Birk (American, born 1962), The Triumph of Fear, 2017; Acrylic on canvas, 116.8 x 137.2 cm. Courtesy P·P·O·W Gallery, New York

Eric Fischl (American, born 1948), Worry, 2017. Oil on linen, 198 x 228.5 cm

Eva Hesse (German-born American, 1936-1970), Ringaround Arosie, 1965. Pencil, acetone, varnish, enamel paint, ink, and cloth covered electrical wire on papier-mâché and masonite; 67 x 42 x 11.5 cm. MoMA, © 2019 Estate of Eva Hesse

Philippe Gandiol (French-born American, b. about 1955 [?]), Reflective, 2019. Oil on canvas, 76 x 61

terracegallery: Colorful Native American Art PRINT from Painting Primary Colors Chief Red Abstract CANVAS Ready To Hang Large Artwork Big Indian Headress

redlipstickresurrected: Hope Gangloff (American, b. 1974, Amityville, NY, USA) - Must Seriously Love Cats (Greg Lindquist), 2015, Paintings: Acrylics on Canvas

spacegrrrrl: Bruce Nauman, Green Horses, 1988 (installation view). Two color video monitors, two DVD players, one video projector, two DVDs and one chair, sound; 59:40 minutes. Whitney Museum of American Art, New York; purchased jointly by the Whitney

#art #ai #aiairt why is the artificial intelligence picking stuff that represents the “american president”? -.- hmmm… being that there are h0w many countries in existence?! annnnd th0se countries have presidents/vice presidents, s0

ninjascones: Calm down, Alice… It’s only a dream.Damn I adore the oufits American McGee’s Alice got in Madness Returns. I’d love to cosplay in the original costume (the last one in this set) one day. For a convention or for Halloween, don’t

antonio-m:Study for the Triumph of Icarus by Bryan Larsen, American. oil on panel

b22-design: Whitney Museum of American Art - photo Ezra Stoller

garadinervi: From: Art at Yale, Box 1, Folder 14: Clippings, 1958, Josef Albers papers, 1929-1970, Archives of American Art, Smithsonian Institution, Washington, D.C.

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