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medievalpoc: Gregor Erhardt Carved altarpiece. Right Wing, interior: Adoration of the Magi. Germany (1493) Craved and Polychrome Wood, 236 x 176 cm. The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for

c0ssette: Detail - Angels “Ghent Altarpiece” finished 1432, Jan van Eyck.

nataliakoptseva: Gerard David Altarpiece of St Michael.

nataliakoptseva: Master of the Aachen Altarpiece - The Crucifixion (detail)

nataliakoptseva: Memling St John Altarpiece (right wing). 1474-1479. Oil on oak panel. 176 x 78.9 cm. Memling Museum, Sint-Janshospitaal, Bruges, Belgium

renaissance-art: Master of the Pala Sforzesca c. 1496 Sforza Altarpiece (detail)

renaissance-art: Jan van Eyck c. 1432 Ghent Altarpiece (detail)

renaissance-art: Master of the Pala Sforzesca c. 1496 Sforza Altarpiece (detail)

phassa: Jan van Eyck - The Ghent Altarpiece Angels Playing Music

cavetocanvas: Piero della Francesca, Madonna and Child with Saints (Montefeltro Altarpiece), 1472-74

thecompassionatehedonist: “The Temptation of Saint Anthony” by Matthias Grünewald, part of the Isenheim Altarpiece

redmacha: wtfarthistory: The Temptation of Saint Anthony: Hieronymus Bosch, c. 1485, Museo del Prado Matthias Grünewald, Isenheim Altarpiece, 1512-16, Unterlinden Museum, Colmar, Alsace, France Lieven van Lathem, 1469, about 1471, and about 1480 -

cavetocanvas: Piero della Francesca, Madonna and Child with Saints (Montefeltro Altarpiece), 1472-74

artmastered: Giovanni Bellini, San Zaccaria Altarpiece, 1505

fuckyeahrenaissanceart: Ghent Altarpiece, detail of Mary ~Jan van Eyck 1432 Oil on Panel 11ft x 15ft (3.5m x 4.6m)

renaissance-art: Bellini c. 1487 San Giobbe Altarpiece

italianartsociety: On this day in 1419, painter Gentile da Fabriano requested a letter from Pandolfo III Malatesta, Lord of Fano, Bergamo and Brescia for safe passage to travel to Florence on horseback in the company of seven others. Gentile had been

masterpiecedaily: Rogier van der Weyden Miaflores Altarpiece 1440

italianartsociety: On this day in 1461, Florentine painter Benozzo Gozzoli was contracted to paint an altarpiece for the new oratory of the Compagnia di Santa Maria della Purificazione e di San Zanobi, a youth confraternity sponsored by Cosimo de’Medici

deadpaint: Hubert and Jan van Eyck, Ghent Altarpiece (closed), completed 1432

Melchior Broederlam (b. Ypres, active 1381 - 1409); The Flight into Egypt, detail of the Dijon Altarpiece, 1393-99; tempera on wood; Musée des Beaux-Arts, Dijon

artaddictsanonymous: Konrad Witz, Miraculous Draft of Fishes (from an altarpiece from the Cathedral of Saint Peter in Geneva, Switzerland), 1444

Hugo van der Goes (Ghent c. 1430/1440 – Auderghem 1482); Monforte Altarpiece, c. 1470, Oil on wood, 247 x 150 cm, Staatliche Museen, Berlin

philamuseum: This panel shows the Virgin Mary lowering her belt to Thomas from Heaven to convince him that she has been lifted there after her death. Discover why this story was chosen for the altarpiece, during our Spotlight Gallery Conversations this

koredzas:Giovanni di Pietro da Pisa - Altarpiece of the Virgin with Saints Agatha, Stephen, Francis and a Martyr Sain. The 15th century

Masaccio (1401-1428), Polittico di Pisa (Pisa Altarpiece), 1426. Upper register - Saint Paul of Tarsus, tempera on gold ground and wood panel, 51x30 cm; Museo Nazionale di San Matteo, Pisa

artmastered: Albrecht Dürer, The Seven Sorrows of the Virgin, c.1496, oil on panel, 109 x 43 cm, Alte Pinakothek, Munich, and Gemäldegalerie Alte Meister, Dresden. Source The Seven Sorrows of the Virgin was Dürer’s first altarpiece. He was paid

Francesco Squarcione (Italian, 1397-1468), Polittico de Lazara (De Lazara Altarpiece), 1449-52; tempera on panel, 150 x 220 cm; Musei Civici agli Eremitani di Padova (Padua, Italy)

Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan

canforasoap: Bartolomé Bermejo (Spanish, about 1440 - about 1501), ‘Descent of Christ into Limbo’, about 1470–5, Museu Nacional d'Art de Catalunya, Barcelona “ This is one of four scenes which formed the predella of an altarpiece. Arranged in

Gerard David (Netherlandish, c. 1460-1523), The Annunciation, 1506. Oil on oak panels, both circa 79 x 64 cm; Metropolitan Museum of Art, New York

Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral

Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National

drawpaintprint: Matthias Grunewald: Demons Armed with Sticks (from the Isenheim Altarpiece) 1512-16

Fra Angelico (c. 1400-55) San Domenico Altarpiece (detail) 1423-24 Tempera on wood San Domenico, Fiesole

starswaterairdirt: Ghent Altarpiece detail, 1432 Jan Van Eyck

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ycontuespiritu: Keith Haring - “The Life of Christ” triptych that serves as an altarpiece in the Interfaith AIDS Chapel at Grace Cathedral in San Francisco, which serves as a memorial for those killed by AIDS and a place of refuge for those currently

mediumaevum: high-res Master of the Holy Kinship , Central panel of the Altarpiece of St. Sebastian (ca 1493)

langoaurelian: lemoncordialintervention: touba: Detail from the Ghent Altarpiece.

lyghtmylife: EL GRECO [Greek-born Spanish Mannerist Painter, 1541-1614] The Resurrection (detail)1596-1600Oil on canvasMuseo del Prado, Madrid Doña María de Aragón Altarpiece (1596-1600) The Colegio de Nuestra Señora de la Encarnacion (College

cauldronandcross: Detail of the Ghent Altarpiece by Jan van Eyck 1432

Adam from the Ghent Altarpiece, Jan van Eyck, 1432.

medievalpoc: Národní galerie v Praze – Klášter sv. Anežky České St George Altarpiece with Death of Virgin Mary ~1470 submission from Frances D'Ath via Twitter

renaissance-art: Lorenzo Lotto c. 1532 Saint Lucy Altarpiece (detail)

sculppp: Hubert van Eyck (1385–90 – 1426) Jan van Eyck (before c. 1390 –1441) Ghent Altarpiece, c. 1432, Saint Bavo Cathedral,, Adam and Eve 1432,detail.

renaissance-art: Saint Mary’s Altarpiece

renaissance-art: Master of the Saint Bartholomew Altarpiece c. 1505-1510Saints Peter and Dorothy (detail)

jordanelse: Francesco Pesellino and Fra Filippo Lippi and workshop, from the Pistoia Santa Trinità Altarpiece, Angels (left hand and right hand), 1455-60.

templeofapelles:Jan van Eyck Ghent Altarpiece detail, c. 1425-1432 St. Bavo Cathedral

anastpaul: Giovanni Bellini - San Giobbe Altarpiece :1487 -Enthroned Madonna with Saints

templeofapelles: Rogier van der Weyden, Houppelande (detail), Seven Sacraments Altarpiece, c. 1448

koredzas: Giovanni Bellini - saint Sebastian. San Giobbe Altarpiece. 1487

history-of-fashion: ab. 1480-1485 Master of the Saint Bartholomew Altarpiece - Portrait of a Man

artist-vaneyck: Adam, from the left wing of the Ghent Altarpiece, Jan van EyckMedium: oil,wood

artist-durer: The Dresden Altarpiece (side wings), 1496, Albrecht DürerMedium: oil,canvas

c0ssette: Detail - Angels “Ghent Altarpiece” finished 1432, Jan van Eyck.

poisonappleprintshop: Two-Headed Basilisk wooden altarpieces will hit the shop tonight! Hand screenprinted with black ink on a White Birch tree round. Sealed with clear satin polyurethane and padded feet on the bottom. Great for altars, dressers, or

renaissance-art: Ghent Altarpiece: Jewels

renaissance-art:Jan van Eyck c. 1430-1432Ghent Altarpiece detail

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