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Alexandra Levasseur.Â Terrain Inconnu I. 2013.

Alexandra Levasseur.

Alexandra Levasseur.Â Terrain Inconnu II.Â 2013.

Alexandra Levasseur.Â Swallowed.Â 2013.

red-lipstick: Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada) - Hommage à Odilon III, 2014 Paintings: Oil on Wood

saepphire:ineedaguide: Paintings and illustrations by Alexandra Levasseur nature more

helloancolie: exhibition-ism: The ethereal figures of Alexandra Levasseur. I love this artist.

lazypacific: painting by Alexandra Levasseur

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unknowneditors: Introducing Alexandra Levasseur! From Canada, born in 1982, Alexandra uses many different elements in her paintings, where subtle and strong colors create the whole scenes and gives them a big aura of misticism. Unknown Editors | Facebook

hungryfictions:adrienne rich, of women born: motherhood as experience and institution / alexandra levasseur - body of land collection, 2015 / ana teresa barboza - bordados collection, 2004 / margaret atwood, “europe on ŭ a day” / tracey emin - it

womeninarthistory:Alexandra Levasseur

nudewave: Alexandra Levasseur, La Cachette, 2012

infinitexposure: alexandra levasseur This is so, so, so lovely.

florehella:i love alexandra levasseur’s work !

redlipstickresurrected:Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada) - Shot In The Foot, 2013 Acrylics, Colored Pencils on Paper

redlipstickresurrected:Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada) - L'origine, 2016 Mixed Media on Paper mounted on Wood

redlipstickresurrected:Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada) - Réincarnation Secrète, 2015 Paintings: Acrylics on Wood

redlipstickresurrected:Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada) - Statique / Dynamique, 2017 Acrylics, Pencil on Paper on Wood

redlipstickresurrected:Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada) - Dancer II, 2013 Acrylics, Pencils on Panel

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bluebirdsonawire: Alexandra Levasseur (b. 1982, Canada)

Alexandra Levasseur

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lazypacific: painting by Alexandra Levasseur

red-lipstick: Alexandra Levasseur (b. 1982, Shawinigan, Qc, Canada) - Hommage à Odilon, 2014 Oil, Pencils on Wood

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asylum-art:The poetic art of Alexandra Levasseur Oneiric and poetic Alexandra Levasseur’s work puts into scene tormented feminine figures in dream-like landscapes. As she tells us, she believes that women still remain the symbol for the expression

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asylum-art:The poetic art of Alexandra Levasseur Oneiric and poetic Alexandra Levasseur’s work puts into scene tormented feminine figures in dream-like landscapes. As she tells us, she believes that women still remain the symbol for the expression

red-lipstick:Alexandra Levasseur (b. 1982, Shawinigan, Qc, Canada) - Hommage à Odilon, 2014 Oil, Pencils on Wood

asylum-art:The poetic art of Alexandra Levasseur Oneiric and poetic Alexandra Levasseur’s work puts into scene tormented feminine figures in dream-like landscapes. As she tells us, she believes that women still remain the symbol for the expression

alexandra levasseur

littlelimpstiff14u2: The Paintings of Alexandra Levasseur i p r e f e r d r a w i n g to t a l k i n g

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red-lipstick:Alexandra Levasseur (b. 1982, Shawinigan, Qc, Canada) - Hommage à Odilon, 2014 Oil, Pencils on Wood

mdme-x: Alexandra Levasseur

rfmmsd:Artist:Alexandra Levasseur“Water - (High and Dry)”Acrylic and Pencils on Canvas2014

Alexandra Levasseur (Canadian, b. 1982, Shawinigan, Qc, Canada)

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Alexandra Levasseur

asylum-art:The poetic art of Alexandra Levasseur Oneiric and poetic Alexandra Levasseur’s work puts into scene tormented feminine figures in dream-like landscapes. As she tells us, she believes that women still remain the symbol for the expression

asylum-art:The poetic art of Alexandra Levasseur Oneiric and poetic Alexandra Levasseur’s work puts into scene tormented feminine figures in dream-like landscapes. As she tells us, she believes that women still remain the symbol for the expression

Alexandra Levasseur

asylum-art:The poetic art of Alexandra Levasseur Oneiric and poetic Alexandra Levasseur’s work puts into scene tormented feminine figures in dream-like landscapes. As she tells us, she believes that women still remain the symbol for the expression

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