1866
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starfleetrambo: transmanrichardstrand: hoku-san: paper-mario-wiki: closeupofpaintings: Carl Bloch - In a Roman Osteria, 1866 (detail), oil on canvas I LOVE the whole painting here it is:
transmanrichardstrand: hoku-san: paper-mario-wiki: closeupofpaintings: Carl Bloch - In a Roman Osteria, 1866 (detail), oil on canvas I LOVE the whole painting here it is:
gothlesterol: Satan Shown as the Fallen Angel after Having Been SmittenFrom Gustave Dore’s Illustrations for Milton’s Paradise Lost ca. 1866
tea-and-skeletons: Beadle’s Monthly carried a startling feature in November 1866: two drawings of a “great sea-monster” witnessed by the author, Jesse H. Lord, during a visit to Green Harbor, Nova Scotia, in August 1855. Lord recalled that he
hideback: August Malmström (Swedish, 1829-1901) Dancing Fairies, (Älvalek), 1866
kingsgrave: skolita: shiraglassman: jhameia: kakapokitty: kawaikunaii: knockingghosts: myartmoods: The Hesitant Betrothed by Auguste Toulmouche (1866) I have always adored this painting. Having the central female figure stare with awareness at
zsofihamori: Claude Monet - Women in the Garden (1866) - Monet’s technique of “en plein air” painting was hard at work on this painting. Because it necessitated that he work from the same point of view as he painted, he dug a trench for the bottom
thunderstruck9: Carl Siegfried Stoitzner (Austrian, 1866-1943), Sommertag auf einer Alm [Summer day on a mountain pasture]. Mixed media on cardboard, 26 x 22 cm.
dark-splendor: Still Life With Roses (1866), Henri Fantin-Latour
roseoncanvas: Gustave Courbet “The Dream” 1866 Petit Palais museum, Paris
c0ssette:Auguste Ottin (Detail) Polyphemus Surprising Acis and Galatea,1866,the Fontaine Médicis.
detailedart:Details, version II : Dancing Fairies, 1866, by August Malmström. Can you hear them whisper?
beardofbreslau: Mein Gott aufdich vertraue ichlaß mich nicht zuSchanden werden [1866]
ultrafacts: One flock in 1866 in southern Ontario was described as being 1 mi (1.5 km) wide and 300 mi (500 km) long, took 14 hours to pass, and held in excess of 3.5 billion birds. That number, if accurate, would likely represent a large fraction
Gustave Dore ~”The Vision of the Valley of Dry Bones”, 1866
lostprofile: WASSILY KANDINSKY (Russian, 16 December 1866 - 13 December 1944) It is never literally true that any form is meaningless and “says nothing.” Every form in the world says something. But its message often fails to reach us, and even
thunderstruck9: Ippolito Caffi (Italian 1809-1866), Nocturne with fog in Piazza San Marco. Oil on canvas, 63 x 41 cm.via huariqueje
secretlesbians: Gustave Courbet, Le Sommeil,1866. Le Sommeil [The Sleepers], which depicts two women entwined in a post-coital embrace, caused a stir when it was first shown in the 1870s. The police were called in, and the painting was not shown again
obscvred: Abandoned mill from 1866 in Sorrento, Italy
bbootyk: BIG BOOTY FAVORITE(S) #1866-for more ass FOLLOW www.bigbootykings.tumblr.com- #bigBOOTYkings
henk-heijmans:Nude on dune, 1906 - by Alice Boughton (1866 - 1943), American
leprincelointain: Carlos Schwabe (1866-1926), Illustration pour “Les Fleurs du mal” de Charles Baudelaire - Paris, Charles Meunier, 1900.
onlinegf: onlinegf: this is all I can get while on my phone so please do what you please with this information. He’s also in the US Army He also goes to school here at Minnesota State University, Mankato (507) 389-1866
idilapidated: Abandoned Castle in Sorrento, Italy. Later used as a water mill until it was left unto nature in 1866.
heaveninawildflower: ‘Peach Blossoms at Koshiga in the Eastern Capital’ (1866). Woodblock print by Utagawa Hiroshige II (1826–1869). Publisher Tsutaya Kichizô Image and text courtesy MFA
babybirdyblue: fckyeaharthistory: Edouard Manet - A King Charles Spaniel, 1866. Oil on canvas its gracie!
deutschemark: history-in-pictures: The mansion of Countess Z. I. Yusupova by Vasily Sadovnikov, 1866 The upper level looks like what I would find here, I like it.
pre-raphaelisme: The Guarded Bower by Arthur Hughes, 1864-1866.
peerintothepast: Virginia City - 1866
heaveninawildflower: Strawberries. Plate from ‘Neederland’s Plantentuin’ by C. A. J. A. Oudemans. Published 1866 by J. B. Wolters.University of Illinois Urbana-Champaignarchive.org
leprincelointain: Carlos Schwabe (1866-1926), La Femme au Luth.
loumargi: HERMANN RICHIR (1866 - 1942),
hipinuff: Wassily Kandinsky (Russian: 1866-1944), Three Rectangles, 1930. Oil on cardboard, 69,5 x 59,5 cm.
hipinuff: Wassily Kandinsky (Russian: 1866–1944), Circles in a Circle, 1923. Oil on canvas, Philadelphia Museum of Art,
tyorka: Man infront of Gustave Courbet’s L’origin du monde, 1866 Photographer unknown
peashooter85: Engraved Winchester Model 1866 lever action rifle from Rock Island Auctions
cavetocanvas:Honoré Daumier, A Man Reading in a Garden, c. 1866-68
iov: Claude Monet, Le Déjeuner sur l’herbe, 1865-1866
cavetocanvas: Giovanni Fattori, Die Rotonde von Palmieri, 1866
Wassily Kandinsky (Russian: 1866 -1944), Winkelschwung (Angular momentum), 1929.
bebemoon:bebemoon: there’s this one particular moreau painting of newly-born Vénus that i think of religiously . this one. (the birth of Vénus, c. 1866 by gustave moreau)
tierradentro: “In a Roman Osteria” (detail), 1866, Carl Heinrich Bloch. (original with other details) (Agreed, viking-burger, the cat deserved a zoom of his own…)
poboh: Weids rivierlandschap met zeilboot, Jacob Abels. Dutch (1803 - 1866)
hideback: Franz von Bayros (Austrian, 1866 – 1924) Illustrations for Dante’s Divine Comedy, Vienna, 1921
hideback: Auguste Levêque (Belgian, 1866-1921) Celestial Combat (Satan and the Archangel) Sacred Music, 1889 The Fall of Phaeton
vertigo1871:Tommaso Malerba (Catania, 1866-1962) , Palazzo Mazzone, 1904
yutani-corporation:Gustave Doré, 1866 [Paradise Lost, Plate 19]
enchantedbook: “Jacob wrestling with the Angel”, 1866 Gustave Doré
angelinade702: SPECTROPIA BOOK OF GHOSTS - 1866
c0ssette: Auguste Ottin (Detail) Polyphemus Surprising Acis and Galatea,1866,the Fontaine Médicis.
Courbet vs. Orlan The Origin of the World (1866) The Origin of War (1989)
theclockworkzombie: toastoat: newwavenova: secretlesbians: Gustave Courbet, Le Sommeil,1866. Le Sommeil [The Sleepers], which depicts two women entwined in a post-coital embrace, caused a stir when it was first shown in the 1870s. The police were
myartmoods: The Hesitant Betrothed by Auguste Toulmouche (1866)
vengeance: BLOODY UKIYO-E in 1866 & 1988
yesterdaysprint: The Illustrated Book of Manners: A Manual of Good Behavior and Polite Accomplishments, 1866
tenebrum: Victor Hugo - The Snake (pen, sepia and gouache, 31 x 47 cm) circa 1866
nigra-lux: FLAVITSKY, Konstantin Dmitriyevich (1830-1866)Princess Tarakanova, in the Peter and Paul Fortress at the Time of the Flood1864Ed. Orig.
23silence: Arvid Frederick Nyholm (1866-1927) - Woman Seated at Her Vanity
moreystudio: Amber 1866 (Oakland) photo: Craig Morey
![thunderstruck9: Carl Siegfried Stoitzner (Austrian, 1866-1943), Sommertag auf einer Alm [Summer day on a mountain pasture]. Mixed media on cardboard, 26 x 22 cm.](https://64.media.tumblr.com/c1c556ce8002e396b07db59525d9d6f0/tumblr_nl09jj44Sa1u6x3h6o1_250.jpg)
![beardofbreslau: Mein Gott aufdich vertraue ichlaß mich nicht zuSchanden werden [1866]](https://64.media.tumblr.com/74b4efa5caa6a518d0b44a0eb74373fd/tumblr_ngfw1pHIM51r77azyo1_250.jpg)
![secretlesbians: Gustave Courbet, Le Sommeil,1866. Le Sommeil [The Sleepers], which depicts two women entwined in a post-coital embrace, caused a stir when it was first shown in the 1870s. The police were called in, and the painting was not shown again](https://64.media.tumblr.com/83fe7e5c6d3282267210c04c82417c0b/tumblr_n3p8unCWTg1s5r0ogo1_250.jpg)
![yutani-corporation:Gustave Doré, 1866 [Paradise Lost, Plate 19]](https://64.media.tumblr.com/83c2b081ba2f8c0fe0db7e4657f84a5c/tumblr_pep01vtDFp1u6cn9co1_r2_250.jpg)
